The 15 Best Gene Hackman Movies, Ranked

"The Quick and the Dead" features all the gunfights and broad characters that you'd come to expect from a western, but director Sam Raimi inserts dashes of his wild sense of humor. It's clear that Raimi is bringing in elements of his horror background, but he's still remarkably sincere with his characters. Gene Hackman's performance as the ruthless outlaw John Herod is both completely menacing and utterly heartbreaking.

"The Quick and the Dead" takes place in a small community on the outskirts of the west ruled by outlaws and bandits. Herod decides to launch a "quick draw" tournament in which no participant can refuse a challenge. All duels will be continued until one of the opponents have either yielded or been killed. What Herod doesn't know is that the enigmatic wanderer known as "The Lady" (Sharon Stone) is on a personal mission of revenge, seeking to bring him to justice for a shocking incident from her past. Hackman has a great time chewing the scenery as an eccentric villain, but that doesn't mean he's not scary. The most emotional storyline in the film develops when Herod is forced to duel against his son, "The Kid" (Leonardo DiCaprio). All of The Kid's youthful energy disappears when he sees the cruelty that his father is capable of.

Gene Hackman can be utterly charming when he's playing a hero, but it's always fun to see him play a villain. Considering that he was the protagonist in many political thrillers in the 1960s and 1970s, it was interesting to see him play one of the main antagonists in the 1987 espionage film "No Way Out." The film is told in flashbacks as U.S. Navy Lieutenant Commander Tom Farrell (Kevin Costner) recounts the events that led him to meet the U.S. Secretary of Defense, David Brice (Hackman).

Farrell is cordially introduced to Brice at a party thanks to their mutual friend, Scott Pritchard (Will Patton). It's a fascinating scene to rewatch once you know the plot twist because you can see the tension that is already boiling between Farrell and Brice. Farrell's position is compromised when he begins to fall in love with the woman Susan Atwell (Sean Young), who is also having an affair with Brice. When she is mysteriously killed, Farrell suspects that Brice is the culprit. Hackman does a great job of retaining his composure when Brice's honor is questioned. It's clear that a man of his experience has had to deal with difficult situations before, and that he has learned how to mask his motivations. However, he's also remarkably vulnerable during the scenes with Young. She is able to catch him off guard, which makes their chemistry even more electrifying.

Although he's known for playing ruthless detectives, police officers, and members of the armed services, Gene Hackman isn't given enough credit for how funny he can be. The 1995 comedy "Get Shorty" pokes fun at gangster movie cliches from the perspective of those that have experience in the film industry. Are there any two subjects that Hackman knows more about? The film follows the Miami loan shark Chili Palmer (John Travolta), a self-described "movie buff" who is sent to collect a debt from the film director and producer Harry Zimm (Hackman). Once a respectable member of the industry, Zimm currently works on low-budget "B movies" and is saddled with personal debt. Zimm has lost his enthusiasm for film but becomes re-engaged when Chili pitches him on a story about a mobster looking for a dry cleaner's debt. What he doesn't know is that this story is based on Chili's real life.

"Get Shorty" hilariously blurs the line between film politics and gangster terminology, and satirizes how they really aren't that much different. It's hilarious to watch Zimm get thrust into Chili's schemes when his boss, the mobster Ray Barboni (Dennis Farina), flies to Los Angeles. The sequence where Ray attacks Zimm is surprisingly intense for such a comedic movie, adding tension in the third act.

"The Firm" features one of the most surprising performances of Gene Hackman's career. Initially, it appears that his character, Avery Tolar, is one of the film's main antagonists. Later it becomes clear that Avery has done things that he is ashamed of, but that in his heart he is not a cruel person. There's a surprising complexity that Hackman brings to the character, even though he's ultimately a pawn in the larger plot. A detail like this isn't necessary to the film, but it makes it even more well-rounded.

"The Firm" follows the ace Harvard law student Mitch McDeere (Tom Cruise), who receives a generous job offer from the Tennessee law firm Bendini, Lambert & Locke. McDeere accepts the position, moving with his wife Abby (Jeanne Tripplehorn) to Memphis. After learning the ropes of the practice from the senior partner Avery, Mitch begins to suspect that there are some shady aspects to the business. He eventually uncovers a conspiracy that compromises the firm, but the senior partners are monitoring his every move to make sure that he doesn't speak up. Hackman shows that while Avery is involved in the cover-up, he is not a bad man. There is a brilliant scene where Abby attempts to seduce Avery in order to gain sensitive information. It's a beautiful moment where both characters open up to one another, with Abby still angry with her husband for having an affair and Avery riddled with guilt.

Warren Beatty's 1981 masterpiece "Reds" is one of the most important movies ever made. The film features an unparalleled account of the rise of the Communist movement in Russia and explores a message about the importance of good journalism that is more timely than ever. While there is always a risk that telling a story like this from an American perspective could be deemed disrespectful, "Reds" shows how reporter Jack Reed (Beatty) devotes his career to covering this moment of change.

"Reds" is over three hours long and features many brilliant supporting performances from some of the industry's best actors, including Jack Nicholson, Diane Keaton, Paul Sorvino, and Edward Herrmann. Gene Hackman appears as one of Reed's editors, Pete Van Wherry. Although it's not a scene-stealing performance, Hackman shows the professionalism of a man who has been in the business for a long time. He gives Reed the type of tough advice that he doesn't want to hear.

"Mississippi Burning" is a film that is tragically more relevant than ever. The film's brutally honest depiction of racism, systematic police corruption, and generational hatred is absolutely devastating. Loosely based on a true story about a 1963 murder investigation, the film follows two FBI agents named Rupert Anderson (Gene Hackman) and Alan Ward (Willem Dafoe) who travel to Jessup County, Mississippi after three Civil Rights activists are murdered. They discover that the local police force is openly racist, and has possible ties to the Klu Klux Klan.

While there is a valid argument to be made that "Mississippi Burning" tells a story that needed a black perspective, it is interesting to see this type of community dissected from an outsider's point of view. Anderson is a Northerner who is shocked to see how the Mississippi cops shamelessly mask their hatred. The film proceeds as a straightforward mystery (a genre Hackman knows very well), but ends on a devastating note that speaks to the importance of its subject material.

Gene Hackman gave the last truly great performance of his career in Wes Anderson's seminal dramedy "The Royal Tenenbaums." It speaks to the integrity of Hackman that he was able to take a chance on an up-and-coming filmmaker, and grant his project with even more credibility. Although Anderson's idiosyncratic style is certainly not easy to adjust to, Hackman was able to be just as funny as his younger costars. The film remains one of Anderson's best because of its heartfelt message about family, and Hackman helps bring the film to a touching conclusion.

"The Royal Tenenbaums" centers on the eccentric father Royal Tenenbaum (Hackman), who pushed his children at a young age to become prodigies. While Chas (Ben Stiller), Margot (Gwyneth Paltrow), and Richie (Luke Wilson) all found success when they were children, they grew up traumatized by their father's lies, never completely adjusting to adulthood. Royal fakes an illness in order to gain his children's love once more, and Hackman shows that although Royal will never change, he does genuinely seek to make amends.

Paranoia was everywhere in the 1970s. In the aftermath of a series of political scandals, Americans had more reason than ever before to suspect that the government was lying to them. Francis Ford Coppola examined this sense of uneasiness in the country with his brilliant thriller "The Conversation." The film follows the surveillance operator Harry Caul (Gene Hackman) as he discovers that he's been spied on.

Caul operates a surveillance company in San Fransisco, but accidentally bears witness to a murder. As he struggles to determine what his responsibilities are, Caul is followed by shadowy agents that seek to silence him. Hackman does a great job at bringing out Caul's obsessive, exacting behavior. He has tried his entire life to be in complete control of every situation that he is in, and it's heartbreaking to see his reality shattered. Hackman shows why Caul's anxieties have merit, and the consequences he will have to pay for learning the truth.