Posted on Wednesday, September 24th, 2014 by Angie Han
It may seem premature in September to declare that a film has entered the Oscar race, but in the case of Mommy it’s confirmed fact. Last week, Canada officially selected the family drama as its entry for the Best Foreign-Language Film Academy Award. It’ll be director Xavier Dolan‘s second time angling for the prize; his feature directing debut I Killed My Mother was chosen to represent the country for the 82nd Oscars.
To be sure, Mommy still has several hoops to jump through before it gets that little gold man. But the glowing reactions from its Cannes debut suggest it could actually go the distance. To get an idea of what all the fuss is about, hit the jump to see the Mommy US trailer.
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Quebecois writer/director/actor Xavier Dolan has been making acclaimed films in Canada for the last few years, and his most recent, Mommy, was a huge hit at Cannes this past May. Mommy was up for the Palme d’Or, and while it didn’t take that prize, Dolan did win the Jury Prize for the film. At the same time, Dolan said he was prepping his first English-language script, called The Death and Life of John F. Donovan. Now that film may have a high-profile lead, as Jessica Chastain — who was a huge fan of Mommy — is reportedly signing on. More details on the Jessica Chastain Xavier Dolan picture follow. Read More »
Posted on Thursday, July 17th, 2014 by Angie Han
Like any film festival, Cannes has its share of hits, misses, and polarizing oddities that manage to be both hits and misses. But one of the few out-and-out successes this year was Xavier Dolan‘s Mommy. It inspired a flood of glowing reviews, and it charmed festivalgoers all the way to the Cannes jury prize.
Now the first Mommy trailer has arrived to show the rest of the world what’s been missing. Anne Dorval stars as Die, the widowed mom to troubled teen Steve (Antoine-Olivier Pilon). Suzanne Clément plays a mysterious neighbor who helpfully steps in. Watch the video after the jump.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we try not to get eaten by Shamu, evade the coppers on our motorbikes and four-wheelers, get all artsy fartsy with a subversive Falco tribute, head to Branson for some good ol’ fashioned fun in the heartland and screech in terror at a giant black and white tarantula.
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Jacob Tierney directed Jay Baruchel in the indie The Trotsky, and the two have teamed up once more for a film that changes up their previous equation a little bit. Good Neighbors is a thriller of the ‘our neighbor may be a murderer’ sort that also features Emily Hampshire, Scott Speedman and Xavier Dolan. The first trailer has launched, and it asks you to accept both a dangerous Jay Baruchel and a whole lot of Trailer Voice. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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