Want to buy a copy of The Amazing Spider-Man #6 signed by Andrew Garfield? What would a Batman story written by Patton Oswalt be like? Which former Batman actor could cameo in The Dark Knight Rises? What does “The Fire Rises” mean? And would you like to read a ton of Captain America: The First Avenger content while listening to the film’s score? Seems appropriate for the July 4th edition of Superhero Bits!
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How many deleted scenes are going to be on the X-Men: First Class DVD? What mode of transportation might Batman be using in The Dark Knight Rises? Who are five directors who would be perfect to direct Thor 2? Want to watch Tom Hardy talk about being naughty on the set of The Dark Knight Rises? See all of that and more in this edition of Superhero Bits. Read More »
Will The Hulk be naked in The Avengers? What’s the other Captain America movie coming out next month? Just how extensive were the changes to Spider-Man: Turn Off the Dark? How does Ryan Reynolds feel about negative reviews of Green Lantern? Want to watch what Siskel and Ebert thought of every single DC Comic book movie? Read about all of this and more in today’s Superhero Bits. Read More »
Posted on Wednesday, June 8th, 2011 by Angie Han
I’ve been listening to Henry Jackman‘s X-Men: First Class soundtrack on repeat ever since I saw the movie last week, so it’s safe to say I’m a fan. Before that, I loved John Ottman‘s score from X2, and before that, I was humming along to the theme song from the ’90s cartoon. Yet as wonderful as all of this X-Men-related music has been, there’s always been something missing — and that something is words. You can hum along to these melodies, but you can’t quite belt them out in the shower.
Thankfully, Ryan at TheWarpZone has taken it upon himself to rectify that. Inspired by the “epic win” of First Class, he’s penned a new, much more shower-friendly song that pays tribute to the mutant superheroes. Even better, I don’t have to learn a whole new tune, as the hilarious lyrics are set to Lady Gaga‘s inescapable “Born This Way.” Watch him perform the whole thing on an acoustic guitar — while wearing a Magneto costume — after the jump. Oh, and don’t worry if you haven’t gotten around to seeing First Class just yet — the song contains no spoilers whatsoever.
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Previously, while talking to Matthew Vaughn, we cut our interview off just as we were about to talk about a juicy spoiler that pops up in his new film, X-Men First Class, now in theaters. Well, assuming that you’ve seen the movie, you now know what we mean and you probably want the story behind it. The answers you seek are after the jump.
If you haven’t seen X-Men First Class yet, what are you waiting for? Check it out, read our original – spoiler free – interview, then come back and read its exciting conclusion. Read More »
The X-Men series hasn’t seen a genuinely great film in over eight years. It was way back in 2003 when Bryan Singer’s X2: X-Men United was released, a skillful blend of superhero action, social commentary, and strong performances. While the last two films, X-Men: The Last Stand and X-Men Origins: Wolverine performed extremely well at the box office, both were almost universally reviled by critics and fans.
Matthew Vaughn’s X-Men: First Class, which hits theaters today, has a hugely challenging task before it. Not only does this prequel seek to revitalize a moribund franchise, it must also tell an interesting story while not betraying the most beloved elements of the original series of films. On top of all that, it seeks to be an origin story. Can the film thrill the audience with a story they already know the ending to?
Let us know what you think in the comments below. Assume that SPOILERS lie after the jump.
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Matthew Vaughn is sick. Literally. On a Tuesday morning in late May, the director of the upcoming X-Men First Class called us from London with a case of tonsillitis. The timing couldn’t be worse. Vaughn is about to release the biggest movie of his career, 20th Century Fox’s summer superhero tentpole, X-Men First Class, a film that serves as both a prequel and reboot to a popular series of films that began in 2000 with Bryan Singer’s X-Men. Starring James McAvoy and Michael Fassbender as younger versions of Charles and Erik, who will grow up to be Professor X and Magneto respectively, the Sixties-set film tells the origin story of the X-Men infused with the exciting action and fantastic social conceits that make the X-Men great.
On top of that, the film is solid; an entertaining love letter to the X-Men franchise that’s both a treat for fans but totally accessible to non-fans. Most of that is thanks to magnetic lead performances and a well-thought out screenplay that Vaughn co-wrote along with writing partner Jane Goldman and Thor writers Ashley Miller and Zack Stentz. X-Men First Class is up there with the best of the Singer X-Men movies and does its job so well that the franchise can go anywhere from here.
In our short 10-minute interview Vaughn talked about that, how he regretted not making X-Men: The Last Stand, how the insane profitability of Kick Ass (you read that right) could lead to Kick Ass 2 and much more. Check it out after the break. Read More »
On Saturday, I had the opportunity to see Matthew Vaughn‘s X-Men: First Class. Over the last year, we’ve heard about how the film had morphed from the original concept of X-Men Origins: Magneto into a prequel/reboot in the same style of what JJ Abrams did for the Star Trek franchise. I can confirm that the completed film is exactly both of these things. It fits right in with Bryan Singer’s first two X-Men films and is probably the second best film in the series next to X-Men United. And I say that with a certain but of nostalgia for the sequel, as it came out at a time when comic book adaptations didn’t strive to be anything more than popcorn fun. But the more and more I think about it, the more and more I think Vaughn’s film might have surpassed it.
Going into the film, I had so many expectations (most of which were set-up by the trailers). I had assumed that the advertising was being packed with all the moments in an effort to sell a action-less origin story, but I was surprised at how much action was actually the film. I don’t think anyone will see this movie and come out disappointed. It strikes a great balance of being accessible to non-comic book fans and packing some pretty cool easter eggs that comic geeks will love (I will keep this vague as I don’t want to spoil any of the fun).
While I have read a lot of X-Men comics in the 1990′s, I’m not really clear on the origins on some of these characters and what events in the comic universe led to certain situations. So while I’m unable to assess how faithful it is to comic book canon, I will say that everything is handled quite nicely. Picky fans might notice some continuity nitpicks and possible timeline issues (especially if you look at this as a prequel to the film series), but nothing major
And Vaughn adds his trademark style to the series in all the right moments, without making the cinematography feel out of place in the period setting. For example, one such moment (and I wouldn’t consider a spoiler in any way) is Hank McCoy’s transformation into Beast. Vaughn handles the sequence like a werewolf transformation, but shot in a way I’ve never seen it before, from Hank’s POV. It is very cool. There is a bit of cheesy dialogue, especially in the scenes that focus on the younger mutants. But at the core, this is a story about Charles Xavier and Erik Lehnsherr (played brilliantly in this film by James McAvoy and Michael Fassbender), two best friends who will become enemies at the center of the mutant revolution.
We can’t really go into specifics at this time, so I’m trying to keep everything general. I recorded a short video blog with Frosty from Collider, joined by /Film’s own Germain Lussier. Watch it now embedded after the jump.
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