We missed posting this earlier this week, but I can’t totally pass up the chance to highlight the trailer for Winter’s Bone, the Grand Jury Prize winner at this year’s Sundance Film Festival.
I quite like the look of the photography here, which is mostly naturalistic, but with a tinge of something fantastic, like the edges are just starting to fray. Add moments with Garret Dillahunt, John Hawkes and Jennifer Lawrence, who has been getting the breakout performance accolades this year that were showered upon Carey Mulligan in 2009. Read More »
Editor’s Note: Filmmaker Jake Scott has been blogging his Sundance experience on /Film. You might not know 42-year-old director Jake Scott yet, but you will. You definitely know his father Ridley, the filmmaker behind such films as Alien, Gladiator, and Blade Runner (Jake worked in the editing room during the school holidays). Chances are, you’ve probably never seen Jake’s directorial debut was a 1999 British historical action comedy titled Plunkett & Macleane. He’s directed iconic music videos for REM’s Everybody Hurts, Radiohead’s Fake Plastic Trees, The Cranberries’ When You’re Gone, as well as videos for Soundgarden, The Smashing Pumpkins, Live, Blind Melon, Tori Amos, Lily Allen, The Strokes, The Verve, and U2. Jake’s second feature film, Welcome to the Rileys premiered in Sundance’s US Dramatic competition. The story follows a damaged man on a business trip to New Orleans who is seeking salvation by caring for a wayward young woman. The movie stars James Gandolfini, Kristen Stewart, and Melissa Leo.
You can read Jake’s first blog post here, his second here, his third blog post here, and his fourth and final post, after the jump.
Working hard on my latest project in South Africa
Well, that was quite a week. Saw some incredible films, especially an Estonian movie called ‘The Temptation of St. Tony‘ written and directed by Veiko Ounpuu. Quite the most riveting thing I got to see. There were many walk outs but this is not a film for everyone. It’s about one man’s moral confusion in a world turned upside down. It’s an odyssey through hell. I felt the same way when I first discovered Tarkovsky or Bela Tarr and clearly this director is influenced by them both. The sound design and stark, sooty black & white photography are superb.
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