/Film will be recapping and discussing each episode of the third season of Breaking Bad. A spoiler warning applies after the jump for the recaps and for the comments section. Meth heads welcome. For previous recaps, click here.
This is my own private domicile. I will not be harassed, bitch!” – Jesse Pinkman
From an opening shot of two blazers belonging to the Cousins of Death hanging on a clothesline against a glaring desert “Sunset,” the sixth episode was imbued with the showdowns and imagery of a modern Western. The structure was free of flashbacks and high on pressure-cooker drama, with no less than three showdowns, the most memorable of which saw Walt and Jesse unexpectedly mourn a great, unsung character of sorts. And the season continued to focus on Hank’s wellbeing and search for self, the loner sheriff to Jesse and Walt’s bickering cocksure outlaws. Between the panic attacks, the fast food stakeouts, and a strenuous, ever-lonely professional and domestic life: will Hank break before he breaks the case of his life?
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Sitting opposite Ed Norton in an empty conference room in a skyrise, one can’t avoid thinking about the hyper-charged situations he’s glared down on film. Clad in a black shirt and noticeably relaxed, he takes a moment before responding to a question, pressing a small washer-like object into the table and letting it spring back. It allows a brief window to search for the chiseled Nazi skinhead who forced a thug to tooth a curb in American History X. And for the office drone who scaled barbwire fences late at night to steal the excess fat of women and absorbed grueling punches in Fight Club. And for the smack dealer in 25th Hour who walked man’s best friend by a World Trade Center-less horizon, as unprepared for a future in the clink as the U.S. was for its uncertain present.
Norton is obsessively drawn to characters whose scariest adversary is in the mirror. It doesn’t matter if the playing field is a study in madness or a testy, possibly concluded, stint in the Marvel Universe as Bruce Banner. His latest film, a thoughtful thriller entitled Leaves of Grass, puts a literal spin on his interest in duality. He plays formerly estranged, highly intelligent twins—one a respected and reserved philosophy professor, the other a shaggy distributor of hydroponic marijuana.
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