We just heard about Vincent Cassel joining the cast of Bourne 5, and now we’ve got a new trailer for Partisan, the creepy-looking film that features Cassel as a sort of cult leader who acts as head of a closed community and trains young urchins to do his bidding, which is often violent. This is a film I was very sad to miss at Sundance, and I’m happy to get a new look at it. Check out the new US Partisan trailer below. Read More »
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Posted on Tuesday, September 1st, 2015 by Angie Han
Every spy thriller needs its villain, and so in Bourne 5, Vincent Cassel will be the one making trouble for our favorite amnesiac hero. The French actor is set to join Matt Damon in the upcoming film, which is being directed by Paul Greengrass.
Get all the details on the Bourne 5 Vincent Cassel casting after the jump. Read More »
Partisan marks the feature directing debut of Ariel Kleiman, who made the short films Young Love and Deeper than Yesterday, and this coming-of-age story looks like a compelling tale. The film, which won a Special Jury Award for cinematography at Sundance this year, follows a cult leader played by Vincent Cassel, and the group of abandoned women and children who make up his private little society.
Cassel’s character Gregori acts as surrogate father to the kids, but also trains them in more violent ways than most regular upbringings would offer. One child, Alexander (Jeremy Chabriel), is a promising student, but soon shows a problematic mind of his own. Check out the Partisan trailer, which introduces the basics of the story and characters. Read More »
Posted on Tuesday, January 27th, 2015 by Angie Han
Tom Hardy has never met an accent he didn’t like, whether it’s Bostonian in The Drop, Welsh in Locke, or whatever the hell he’s doing in The Dark Knight Rises. In his new movie Child 44, he gets to take midcentury Russian out for a spin.
Directed by Daniel Espinosa (Safe House), the thriller follows police agent Leo Demidov (Hardy) in Soviet-era Russia. When he begins investigating a serial killer who targets young boys, he attracts the wrath of the state, which refuses to acknowledge the crimes at all.
Noomi Rapace plays Leo’s wife Raisa, Gary Oldman is General Mikhail Nesterov, and Joel Kinnaman is Leo’s rival. Jason Clarke, Paddy Considine, and Vincent Cassel also star. Watch the Child 44 trailer after the jump. Read More »
Posted on Friday, January 23rd, 2015 by Angie Han
The Sundance Film Festival is proving to be a source of endless delight even for those of us who are just reading reviews from home. Because while we might not be able to watch the movies from our couches, we can still enjoy the trailers as thoroughly as anyone in Park City.
The latest Sundance entry to unleash a trailer is Partisan, directed by Ariel Kleiman. At the center of the story is Alexander (Jeremy Chabriel), an 11-year-old trained as an assassin. When this dangerous but sheltered boy begins thinking for himself, he poses a problem for father figure Gregori (Vincent Cassel). Watch the first Partisan trailer after the jump.
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There’s a new city-loving omnibus film featuring work from a crop of well-known directors and name actors, and the first footage from the project is out. In these Rio, I Love You trailers, you’ll see how the producers follow Paris, je t’aime and New York, I Love You with a bunch of new stories set in Brazil’s most internationally famous city and former capital.
This time the produces recruited directors Fernando Meirelles (City of God), Carlos Saldanha (Ice Age, Rio), Im Sang-soo (The Housemaid), Stephan Elliott (Easy Virtue), Paolo Sorrentino (The Great Beauty), Guillermo Arriaga (Babel), Andrucha Waddington (Party Crashers), Nadine Labaki (Where Do We Go Now?), José Padilha (RoboCop, Elite Squad), and John Turturro (Fading Gigolo) to make various segments of the movie.
Those segments feature a wide-ranging cast that includes Vincent Cassel, Rodrigo Santoro, Jason Isaacs, Ryan Kwanten, Emily Mortimer, and Harvey Keitel. (And Keitel’s Will this movie help salve the World Cup loss in Brazil? Probably not, but it will keep everyone paid and some audiences entertained. See the trailers below. Read More »
There’s a new take on Beauty and the Beast, starring Lea Seydoux, of Blue is the Warmest Color, and Vincent Cassel, and you can get a look below. The film is from Christoph Gans, and visually looks a bit like the recent fantasy offerings from Burton and Raimi, but filtered through the gauze of Jean-Pierre Jeunet’s style. There’s a lot of Disney in here (wait for the ballroom dance) and a little bit of Jean Cocteau, too.
Gans got some attention with a so-so mid-’90s adaptation of the manga Crying Freeman before winning over genre audiences with The Brotherhood of the Wolf in 2001. He’s been pretty quiet since (he had Silent Hill in 2006) and this marks his return. See a trailer below, which lacks subtitles, but has more than enough visual story cues for everyone to follow along. Read More »
Our Day Will Come, from music video director Romain Gavras (‘No Church in the Wild’), is a strange road trip movie about two very messed-up guys, played by Vincent Cassel and Olivier Barthélémy, each with his own problems and a total inability to connect to pretty much anything. Cassel’s character is a charming but possibly demented psychologist, and Barthélémy’s is a bullied kid with some deep-seated sexual issues. As a duo, they are unpredictable, possibly toxic, and occasionally very drily funny.
The funny aspect is shown in this exclusive clip from the film, which shows the two characters as they run across a couple would-be rappers and the two teen girls who end up seeming more interested in Cassel than anyone else. Can you blame them? He’s the only one who seems like he’s got his own thing going on, even if that “thing” isn’t exactly in their best interests. Read More »
Danny Boyle‘s latest film, Trance, is a victim of its own ingenuity. It’s a film about memory and how a person is defined by their memories. These memories can be tampered with, removed, replaced, even changed ever so slightly to make reality seem different than it actually is. To bolster those ideas, Boyle gives the film a lurid feel. At any given time, the audience isn’t sure if what they are seeing is real, fake, a dream, a memory or some blending of both.
Unfortunately, that ambiguity begins to overpower any interest generated for the characters or story, leaving the film with a cold feeling. There are certainly mysteries to be solved, and Boyle’s energetic style provides some fun moments, but if you can’t believe what you’re seeing at any given moment, you can’t begin to care about the characters either. Read More »