Legendary filmmaker Alfred Hitchcock was born on August 13, 1899. That’s makes tomorrow his birthday and though the director passed away 33 years ago, his legacy can still be felt today. To celebrate the Master of Suspense’s birth, Mondo is revealing brand new posters for two of his most well-regarded films.
Tomer Hanuka has taken a gruesome snapshot that immortalizes Psycho, while Ghoulish Gary Pullin has not one, but two, different takes on Sight and Sound‘s Best Movie of All Time: Vertigo. Check them out below. Read More »
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Whether you’re afraid of heights or spilling your beverages, three posters for classic movies came out Friday. Spoke Art has two brand new prints for Sight and Sound’s greatest film of all time, Alfred Hitchcock‘s Vertigo, created by Chuck Sperry and Sam Smith, which is screening in 70mm in San Francisco this weekend. The other is for The Coen Brothers‘ The Big Lebowski, curated by Poster Collective and drawn by Ghoulish Gary Pullin. Check them out below. Read More »
This week, Dave, Devindra, and Adam muse on the pleasures of space jail, ponder the virtues of a filmic canon, and explain why Total Recall represents everything that’s wrong with cinema today. Special guest Matt Singer joins us from Criticwire and Filmspotting: SVU.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. We’ll be reviewing The Bourne Legacy next week.
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What is the greatest film of all time? Orson Welles‘ directorial debut Citizen Kane has often been given the honor, but a new iteration of a poll considered to be one of cinema’s most significant has overturned Kane‘s rule.
When Alfred Hitchcock‘s Vertigo opened in 1958, it met with a middling reception and many negative reviews. In 1968 Robin Wood’s book Hitchcock’s Films was part of the process of critical re-evaluation of the movie, calling it his “masterpiece to date.” In 1973 Vertigo was one of five movies owned by Hitchcock that the director took out of circulation. Vertigo was away from screens for ten years, and in that time interest in the film grew exponentially. When it was finally re-released in ’83, Vertigo was hailed as a classic and an important film.
Once a decade, the British magazine Sight and Sound conducts a poll of critics and filmmakers to generate lists of the ten best films ever made. In 1982, Vertigo hit the critics’ list at #7. In 1992 it had climbed to #4, and in 2002 it was second only to Citizen Kane.
Now, with the release of the 2012 poll, Vertigo has toppled Kane to be voted by critics as the best film ever made. Read More »
We’re reached a point in the evolution of film criticism where a shift is occurring. Critics who’ve been in the game for decades and decades are slowly beginning to give way to a younger, more vocal audience, many of whom are online. The beautiful thing about that is, though they all share a love of cinema, everyone has their own opinions of how and why we got there. And the best way to show that is with a top ten list.
The online contingent prides themselves upon being the new guard and, to that end, our friends at Film School Rejects polled 37 online critics and four young filmmakers for their lists of the ten greatest films of all time. They then gave those lists a point value and came up with a top ten that’s simultaneously familiar and controversial as it certainly caters to a younger demographic. Check it out and leave your thoughts below. Read More »
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Reading this, you know you’re a film fan. You wouldn’t be on this site if you weren’t. Visiting movie themed websites is just one of many outlets film fans have to feed their passion. Going to the movies is another, writing about them fits too and then there are the select few who go above and beyond and make their own art based on their favorite films.
That’s what /Film reader Mahdi Chowdhury has done and his work is worthy of your time. He’s currently in the process of making some beautiful and thoughtful posters for some of his favorite films like Reservoir Dogs, Apocalypse Now, Leon, Lost in Translation, Taxi Driver and we’ve got a look after the jump. Read More »
As part of the screening put together in relation to the SXSW Title Design Competition, Ian Albinson from the website The Art of the Title Sequence put together a nice two and a half minute compendium of excellent film titles. (That features an occasional piece of television, too.) For any long-time film lover, this little video will probably elicit quite a few responses simply on the strength of the title cards on display. I queued several films to re-watch after exposure to just a few seconds of their titles.
Check out the collection after the jump. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 28 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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The new structure of DC Entertainment is one that promises good things for future movies based on DC titles. DCE president Diane Nelson has been one of the forces behind the direct to DVD label that has seen some great screen translations of classic DC characters. (The recent Green Lantern animation, for example, will be a standard against which the upcoming live-action film is judged.) And by calling back characters from producers that have done nothing with them (hello Joel Silver and Wonder Woman) we might actually see some forward momentum. Now Nelson has commented, vaguely, on her plans and possible approach. Read More »