Buckle up, Fast family. There’s a new Fast and Furious spin-off in the works, and it features two of the series’ biggest names and breakout stars: Dwayne Johnson’s Luke Hobbs and Jason Statham’s Deckard Shaw. Hit your NOS tank and read all of the Fast and Furious spinoff details below.
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One of the best scenes in The Fate of the Furious (which made some serious cash this past weekend) involves Jason Statham’s character, Deckard Shaw, fighting his way through a plane with a particularly special piece of cargo. I won’t mention anything else u[ here in case you haven’t seen it, but it’s a super fun action scene that fully embraces the ridiculousness of the franchise.
I spoke with writer/producer Chris Morgan about the film last week, and got him to tell me about an alternate version of that scene that ended with a shout-out to Furious 7. Get the scoop about the alternate ending to the Jason Statham plane fight below.
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The Fast and Furious franchise is known for its crazy action scenes and bombastic explosions, but the core of the saga has always been about one thing: family. Sixteen years after the original movie hit theaters, The Fate of the Furious comes roaring into theaters this Friday, and while it does feature a hefty number of explosions, the most important thing the film blows up is the series’ central thesis. Vin Diesel’s Dominic Toretto goes rogue and turns his back on those he loves, and the group dynamic will never be the same.
Rob Cohen and John Singleton kicked off this franchise with one movie each, and Justin Lin put his stamp on it in a big way by directing the next four films. James Wan admirably took over for Lin on Furious 7, but the newest member of the Fast directors club is F. Gary Gray, riding high after the success of 2015’s Straight Outta Compton. Last week, I had the opportunity to speak with Gray about how much input he has on a big franchise like this, the dangers and challenges of filming a car chase on real melting ice, and much more. Read More »
Posted on Wednesday, October 14th, 2015 by Jacob Hall
Universal’s remake of The Mummy is set for a 2017 release date and is intended to help kick off an entire new cinematic universe starring the studio’s classic monsters. And while production has to begin soon-ish to hit that release date, the studio and director Alex Kurtzman still have a major decision left on their plate – the gender of the Mummy itself.
Yes, the star of the new Mummy movie may very well be woman, giving a big injection of estrogen into one of the great horror boys’ clubs. While we have raised a concerned eyebrow at much of the news coming out of these new Universal Monster movies, this one gets a tentative nod of approval. It’s certainly an interesting choice.
Everything you need to know about the Mummy remake and the rest of the new Monster Universe can be found after the jump.
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Back in April, during publicity rounds for The Avengers: Age of Ultron, some new information surfaced regarding the future of The Incredible Hulk, and whether or not Marvel Studios had plans for Mark Ruffalo to get his own solo Hulk movie.
A somewhat surprising reason surfaced as to why a new Hulk movie wasn’t in the works. Ruffalo said that Universal (which made the two previous big-screen outings for the big guy) still had the rights to any future Hulk movies, putting a kink in any plans Marvel might have. However, it turns out that’s not entirely true, and Universal may not be holding up Marvel at all. Find out more about the Universal Hulk rights after the jump! Read More »
Posted on Monday, November 7th, 2011 by David Chen
This week, Dave Chen, Devindra Hardawar and Adam Quigley chat about the honesty of Universal chief Ron Meyer, praise the wonders of the Jurassic Park Blu-Ray, and critically evaluate A Serbian Film. Special guest writer/actor/producer Paul Scheer joins us for this episode.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. We’ll be reviewing The Immortals next week. Tune in on Sunday night (11/20) at Slashfilm’s live page at 10 PM EST / 7 PM PST as we review Martha Marcy May Marlene.
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“It’s a rush, mon.”
Shia LaBeouf starring in Adderall: The Movie? That’s certainly what it sounds like. Variety reports that the Transformers actor has signed on for the lead in an adaptation of author Alan Glynn‘s 2002 topical druggy thriller Dark Fields. Neil Burger (The Illusionist, Re: Not Neil Hamburger), will direct for Universal. The book is about a lowly copy editor and former cocaine user (yet another Bright Lights, Big City for the Oughts!) who is introduced to a new (fictional) drug called MDT-48, a “smart pill” that allows him to quickly ascend the ranks of success in New York City, from modern day member of the “creative lower class” to hot shot financial badass. As for the Adderall/Ritalin comparison, here’s an excerpt from a review I found online…
“What author Glynn has imagined is the perfect drug for the information age, one that makes its user a match for the ceaseless flow of data from television and newspapers to the Internet. Rather than being lost in the overload of endless news, history, opinions, and other information, the user of MDT-48 can take it all in and find meaningful patterns within it. It is an addictive combination…”
Of course, the arch of life calls for the lead character, named Eddie Spinola, to face a downward spiral of paranoia and other semi-psychotic side effects often referred to by real life junkies as “the fear.” He also “loses weight and writes brilliantly” and becomes “obsessed with organizing his music collection to perfection.” Can’t wait for the snarky Gawker/blogverse posts tomorrow (actually, I can). There’s also a big pharma conspiracy subplot in the book involving the intelligentsia and the apocalypse.
Between this project and LaBeouf’s dream project biopic for the effed up rapper Cage, the guy is certainly looking to mess around with his image > growing a goatee. Might Dark Fields be Disturbia for the ever-popular “study drug”? The script was adapted by Leslie Dixon (The Birds remake, The Thomas Crown Affair), and Variety says she took a pay cut in favor of more creative control. I see this movie spurring many a 20/20 and Dateline special.
Discuss: If Shia LaBeouf is ready to go “dark” in a potential blockbuster is Dark Fields a good choice? Any Slashfilm readers dig/hate the book, which didn’t sell too great (it will now) but received decent press?