Like almost all Kevin Smith films, Tusk has been incredibly polarizing. I found myself in the middle of the road, seeing great promise in a film with some major problems. Some loved the audaciousness of Smith’s horrific tale, while others just hated everything about it. Smith himself is very proud of Tusk, calling it the closest thing he’s ever done to what he imagined he’d be making as a filmmaker.
The box office tended to agree with the haters. Over its opening weekend, Tusk only grossed on $1.4 million in over 600 theaters, pretty much guaranteeing a certain cult status.
The legacy of Tusk is already paying dividends, however. The project lead to a friendship between Smith and Johnny Depp, and spinning Tusk off into Yoga Hosers. Plus, in a new podcast, the director also revealed Tusk gave financiers confidence to give him money for Clerks III. Read More »
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Kevin Smith‘s Tusk is a prime example of a filmmaker in the midst of reinvention. Every since the disaster that was Cop Out, Smith has been on a quest to become a new director. First he shunned Hollywood and self-distributed Red State, a welcome departure from his off-the-wall comedies of the past. Now he’s delving deep into horror with Tusk, the story of a man named Howard (Michael Parks) who kidnaps a podcaster named Wallace (Justin Long) and attempts to turn him into a Walrus.
Much like Smith’s up-and-down career path, Tusk has a fascinating trajectory. Everything starts off well with the director slowly but surely building a very specific, intriguing and foreboding tone. Even as the story begins to border on the ridiculous and the gore gets exponentially more intense, we buy it because the film has won us over with its sharp writing, well-timed humor, inventive plot and layered storytelling.
Unfortunately, about two-thirds into the movie, Smith apparently saw some brake lights in front of him because the film comes to a screeching halt. It stops being fun so suddenly and so painfully it’s almost unfathomable. Things never quite recover from that narrative roadblock and, by the end, it all feels arbitrary and amateurish. Read More »
Posted on Thursday, September 18th, 2014 by David Chen
David and Matt Patches from In Contention and Fighting in the War Room discuss Kevin Smith’s newest film, Tusk. Be sure to check out Scott Tobias’s five rules for making biopics about geniuses.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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In Tusk, Justin Long plays a douchebag podcaster who travels to Canada in search of a story, and gets a hell of a lot more than he bargained for. The film is nuts, because it veers from horror to comedy in broad strokes. The end credits of the film (no spoiler) actually play some of the audio from the podcast that spawned the film, and that’s kind of the rosetta stone for deciphering the film’s disparate tones. This Tusk featurette is also a good thing to watch before seeing the movie, because it will help you understand just how seriously (or not) Kevin Smith approached the story. Read More »
Posted on Wednesday, September 10th, 2014 by Angie Han
Lots of filmmakers get frustrated by negative reviews, but few have been as vocally vitriolic about them as Kevin Smith. Following the critical drubbing of 2010′s Cop Out, Smith declared that the entire system was “upside down” and declared he wouldn’t screen his films for critics anymore. And he meant it — he stuck to that plan with his next film, Red State.
But as his latest film Tusk makes the rounds, it looks like he’s finally softened his stance against film critics. Rather than blast the haters, he professes to being “delighted” that anyone likes it at all. Hit the jump to read why he’s had a change of heart.
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Notable stoner Kevin Smith has negotiated an official medical marijuana tie-in for his new horror movie Tusk. Either times are really changing fast or this is a genius marketing tie in designed to get a lot of press from conservative news media. Find out more about the Tusk weed tie-in, after the jump.
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Kevin Smith‘s latest film Tusk premiered Saturday night at the 2014 Toronto International Film Festival as part of the festival’s Midnight Madness selection. The first reactions have been flooding twitter, and it seems like everyone agrees: the movie is fucked up. Is that a good thing? The film reportedly received a standing ovation, and most of the reactions seem to be positive. Hit the jump to read the Tusk early buzz and see the first tweet reactions to Kevin Smith’s new horror indie.
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Kevin Smith‘s latest film, Tusk, premieres at the Toronto International Film Festival this weekend. That means we’ll finally get word of exactly how far Smith pushed the envelope in his new horror film, which stars Michael Parks as a man trying to turn another (Justin Long) into a walrus. Haley Joel Osment, Genesis Rodriguez and maybe even Johnny Depp co-star as people looking for Long’s character.
We’ve seen a disturbing teaser trailer from the film and now, five new stills have been released. Everyone above (minus Depp) is represented and yes, they’re very creepy. Check out the new Tusk photos below. Read More »