If a film studio can’t bring in audiences to a slick-looking, 3D animated film starring animals with famous voices, they might as well hand over their keys. Making kids movies is like printing money; even the bad ones are usually successful in some way. That makes it tough to gauge just how big a role the marketing played in it.
For example, on April 15 Blue Sky is releasing Rio directed by Carlos Saldanha, who has done Ice Age, Robots, Ice Age: Meltdown, and Ice Age: Dawn of the Dinosaurs for the CG animation house. It features characters voiced by Jesse Eisenberg, Anne Hathaway, Jamie Foxx, Tracy Morgan, Leslie Mann, Jemaine Clement, George Lopez, Jake T. Austin, Will.I.Am and is about a rare bird (Eisenberg) who finds out there’s one other bird in the world like him, and she’s female (Hathaway), so he travels to Rio de Janeiro to win her heart.
While the main characters are important, side characters regularly make these movies and that’s what these new character posters focus on. The question remains, will posters like this make much of a difference? Check them out and let us know. Read More »
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During his appearance on Late Night with Jimmy Fallon, comedian/actor Tracy Morgan attempts to explain Star Wars. Watch the video embedded after the jump thanks to Hulu.
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It’s difficult to know exactly what this means for the film, but David O. Russell‘s film Nailed, which was famously stalled several times during production before being shut down altogether, may actually be able to be finished this year. Would be great to see the satire about a waitress (Jessica Biel) who has a nail lodged in her head and travels to Washington D.C., where she meets a character played by Jake Gyllenhaal and things get weird.
Trouble is, it will be finished without any further involvement from Russell, who has officially quit the project. Read More »
Tracy Morgan is set to take a turn in a police drama called Son of No One, in which he’ll play a role originally set for Terrence Howard. Co-stars are Katie Holmes (continuing her comeback streak), Juliette Binoche and Channing Tatum, with Ray Liotta and Al Pacino. Dito Montiel directs.
Channing is the lead character, “a young cop assigned to a precinct in the working class neighborhood where he grew up, with an old secret surfacing and threatening to destroy his life and family.” Morgan will play a friend of Channing’s character. This could be a good move for the actor; I’d love to see Morgan break away from his increasingly predictable comic persona to show some dramatic chops. [THR]
After the break, Sean Bean and Danny Dyer join a sorta-Ian Fleming biopic and Kate Hudson joins a romance. Read More »
If you were paying any attention to the marketing for Kevin Smith’s Cop Out you quickly noticed that it was being sold as a Tracy Morgan movie more than anything else. Kevin Smith was an unknown quantity for a mass audience (difficult to fathom after being around for a while, but it’s true) and with Bruce Willis as straight man, the movie was Morgan’s to carry or drop. He carried it well enough, and now has a couple more film comedies lined up. But will they be Tracy Morgan movies, or (like Cop Out) more like Tracy Jordan movies? Read More »
Warner Bros Pictures has released 30+ high resolution photos from Kevin Smith‘s buddy cop comedy Cop Out, starring Bruce Willis, Tracy Morgan, Adam Brody, Kevin Pollak, Guillermo Diaz, Ana de la Reguera and Seann William Scott. Check them out after the jump, along with the production notes from the film. Click on any of the images to enlarge.
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This week, there will be no news, only trailers! Kevin Smith has always written his own movies, until now. When he signed on to direct A Couple of Dicks, for Warner Bros., eventually retitled Cop Out, the project was an interesting move, if nothing else. Could Smith work purely as a director for hire and channel the energy of Bruce Willis and Tracy Morgan into something that might resemble a film he’d make on his own? The just-released trailer isn’t making much of an argument for ‘yes’. Check it out after the break. Read More »
In his new book of essays, Eating the Dinosaur, pop culture critic Chuck Klosterman posits that “as a species we have never been less human than we are right now.” Part of the reason why this has happened, he says, is that our growing consumption of media, movies, and entertainment has made it so that “we can’t really differentiate between real and unreal images.” He concludes that we thus, “no longer have freedom to think whatever we want.” For instance, the words, “basketball game,” instantly trigger a mental image of the NBA before (rather than?) a memory of a real experience. The Klosterman twist is that while “reading about Animal Collective on the Internet has replaced being alive,” he’s generally okay with this cultural and social development. I should add that he admits that the Unabomber’s Manifesto and its author had several really good and scarily prescient points.
In his second interview with /Film, many of Eating the Dinosaur‘s ideas are discussed within the context of modern television series like Mad Men and 30 Rock. We also discuss the significance of the odd documentary-style used on The Office and now Modern Family, and why he believes pop-culture writing/blogging on the internet unfortunately has become “an institutional voice” that rivals academia. Is this where I type, “Hopefully the next trailer is better?” For our first interview round with Chuck Klosterman, click here. For Klosterman’s updates on film adaptations of his books Fargo Rock City and Killing Yourself to Live, click here.
Hunter Stephenson: What’s your biggest problem with 30 Rock?
Chuck Klosterman: [pause] Does it seem like I have one?
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