With just over two months until release, Dreamworks has unleashed the full trailer for I Am Number Four. Based on a sci-fi book by Pittacus Lore (a pen name), the Michael Bay produced film version is directed by D.J. Caruso (Eagle Eye) and stars Alex Pettyfer (Beastly) as one of an alien race who escaped to Earth and is now being hunted. Timothy Olyphant and Teresa Palmer are also in the film which, from this new trailer, looks very much like Caruso’s Disturbia infused with alien powers.
I Am Number Four will be released on February 18 in both regular and IMAX formats. (Side note: Dreamworks also announced that Shawn Levy’s Hugh Jackman action film Real Steel is also going to be released in IMAX on October 7). Watch the I Am Number Four trailer after the break. Read More »
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We’ve covered I Am Number Four quite a bit, in part because it was originally rumored as a directorial gig for Michael Bay. Then DJ Caruso (Disturbia, Eagle Eye) signed on, as did Sharlto Copley from District 9. Copely had to drop out and was replaced by Timothy Olyphant, and Alex Pettyfer took the title role.
Now there’s a trailer for the film, teasing the idea of a super-powered kid on the run. Read More »
While I was sitting around waiting to get into the panel for The Goon on Friday, I noticed a little card with a printed QR barcode on one side and a shape that looked vaguely like the UbiSoft logo on the other. Then I remembered that I’d installed a barcode scanner on my phone, and found that scanning the code pointed me to a URL containing a little behind the scenes fluff video for DJ Caruso‘s I Am Number Four, which is currently in production. Read More »
In April we learned that Breck Eisner, director of The Crazies, had signed on to direct the remake of Escape from New York, set up with producer Neal H. Moritz‘s Original Films. The report claimed that Eisner would be developing based on Allan Loeb‘s draft, which sounded horrible.
Earlier this year we learned a bit about the rewrite by the 21/Wall Street: Money Never Sleeps scribe, which is a Snake Plissken origin story combined with some of the plot of the 1981 original. Vulture said the script “nailed the humor in Plissken without slipping into camp, and he changed Snake’s rescue-mission target from a president to a female senator, thereby upping the banter quotient.” Sounds good right?
Well, they also found a much cheaper way to film the story, by changing destroyed Manhattan into a “geographically undesirable, but intact” privately run penal colony which was created “after the detonation of a crude radioactive dirty bomb on the outskirts of the city.” Sounds a horrible idea to me. Much of the appeal of the original film was seeing a post apocalyptic New York City.
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Paramount Pictures has released the first movie trailer for Pirates of the Caribbean helmer Gore Verbinski’s computer animated feature film Rango. Based on an original idea by Verbinski, Rango is scripted by The Aviator scribe John Logan. Johnny Depp stars as an “chameleon with an identity crisis.” PRevious information has stated that Rango is “a oddly charismatic household pet that goes on an adventure to discover its true self.” The movie co-stars Isla Fisher, Abigail Breslin, Alfred Molina, Bill Nighy, Harry Dean Stanton, Ray Winstone, and Timothy Olyphant as The Spirit of the West.
But the most interesting thing about this new project is that Industrial Light & Magic will be doing the animation using “cutting edge techniques” that Verbinski has said, “will allow us to capture and translate every aspect of Johnny’s performance, using it to drive the computer-generated character in a way that has yet to be seen in an animated feature.” Basically it sounds like Verbinski has gone the way of Robert Zemeckis.
The trailer, embedded after the jump, doesn’t really show us much. It’s more of a “what the fuck did I just see” kind of teaser trailers. Watch it now after the jump and please leave your thoughts in the comments below.
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Update: THR says that Fox has also hired writer Daniel Casey to work on the film. No details are given on whether he’s working from Kyle Ward’s draft or a new script. Original article follows.
We’ve known since at least last summer that Fox is likely to make a sequel to Hitman. The original film made $100m internationally against a $30m budget, and with a new game coming out it didn’t take a magician to figure that Fox would want another movie. Last June the studio set Kyle Ward to write the film, based in part on the forthcoming game Hitman 5. Now there’s a director for Hitman 2: Spanish helmer Daniel Benmayor. Read More »
A bit of bad news: District 9 star Sharlto Copley is leaving Michael Bay/Steven Spielberg-produced D.J. Caruso-directed adaptation of James Frey and Jobie Hughes‘s teen sci-fi alien book I Am Number Four. Variety reports that he is being replaced by Timothy Olyphant (Live Free or Die Hard, Hitman, Justified). Copley had to bow out due to “scheduling conflicts with his upcoming press obligations for Fox’s The A-Team.”
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The third (and presumably last) trailer for Breck Eisner’s The Crazies has hit, and this one is all about being short and sweet. We covered the first trailer back in October (which featured the Gary Jules cover of “Mad World”), and the second in December, which went a bit more in depth with the setup. The film tells the tale of a small town whose population has been turned into crazy killing machines by some sort of unknown toxin. It stars Timothy Olyphant as a small town sheriff who is trying to survive against the hordes of insane civilians and violent military retaliation, along with his pregnant wife (Radha Mitchell).
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The first trailer for Breck Eisner‘s The Crazies was pretty good, but with one significant misstep: it made heavy use of the song ‘Mad World’, which for the next decade should be considered as owned lock, stock and barrel by Donnie Darko. That aside, the trailer had a fairly intriguing vibe.
This second trailer omits the song, thankfully, and is a bit more straightforward. It gets into a lot less plot, jumping in when things are already going off the rails in a small town. There’s more of a slasher vibe to this cut, which I’m guessing is a deliberate move to skew the film as something more simple than it actually is. Read More »