The 2014 MTV Movie Award nominations have been announced, and the list could be the perfect medicine to anyone a little upset with how the Oscars turned out. Best Picture winner 12 Years a Slave is among the nominees for Best Movie of the Year, but it’s joined by The Hobbit: The Desoluation of Smaug and The Hunger Games: Catching Fire (along with fellow Oscar nominees American Hustle and The Wolf of Wall Street). Those last two led all nominees with eight apiece, followed closely by Hunger Games and…wait for it…We’re The Millers with six a piece.
As usual though, there are some fun categories and nominations for films Oscar ignored such as This Is The End, Anchorman 2, Spring Breakers, The Spectacular Now, Fruitvale Station and others. Below, check out the full list of 2014 MTV Movie Award Nominations. Read More »
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Even before we found out “everything is awesome” in The LEGO Movie, LEGO movie stuff was pretty “awesome” on the internet. The LEGO video games made new fans, and reimagined posters using the construction toys are fairly common place. Huge trailers are regularly adapted into stop motion LEGO versions. Even so, those adaptations are usually for “blockbuster” cinema, big summer and superhero movies.
Now the gang over at Old Red Jalopy have remade the posters for all 9 Oscar nominees for Best Picture with LEGO. It makes sense for some, like Gravity, but 12 Years A Slave? Nebraska? The fricking Dallas Buyers Club in LEGO? Check them out below. Read More »
UPDATE: Collider has taken back their story saying this information from the producers is incorrect.
Before Martin Scorsese‘s The Wolf of Wall Street hit theaters, there was much talk about the film’s length. An early cut was said to be around four hours long but Paramount wanted it to be at least an hour shorter, which reportedly held up the release. From that, a aura of mystery surrounded this rumored extended cut even though Scorsese himself said the theatrical cut, which ran 179 minutes, was his director’s cut. (Scorsese’s theatrical cuts are always his director’s cuts.)
Most of the time, when a master like Scorsese says a cut is a director’s cut, that’s the end of the conversation. But two of his producers now suggest the epic four-hour version of the film will be on the Blu-ray later this Spring. Read More »
When Paul Thomas Anderson took the world by storm with his second film, Boogie Nights, critics couldn’t help but compare him to a young Martin Scorsese. Anderson was obviously influenced by the filmmaker, and in the years since, they’ve become friends. For Scorsese’s previous film, Hugo, Anderson interviewed the director in Los Angeles and that happened again last week for Scorsese’s Oscar-nominated film, The Wolf of Wall Street. You can watch the thirty minutes of the exchange below. Read More »
Most of us would pay money to work with Martin Scorsese. He’s one of the greatest filmmakers of all time, and a chance to spend time with him is priceless. The same thing, it seems, might be felt by actors. Jonah Hill was already an Oscar nominee before he got the part as Donnie Azoff in The Wolf of Wall Street, but Hill wanted the role so incredibly bad, he took a significant pay cut to star in the film. How much exactly? Read below. Read More »
There are a lot of complaints about over-reliance on CG in Hollywood films, and some of those gripes are on point. Films that go overboard with computer-generated creatures and digital doubles can quickly increase the distance between an audience and the story, rather than bridging it.
But a great many films use CG in ways that most audiences never think about while a film runs. Take Martin Scorsese‘s The Wolf of Wall Street. When Jordan Belfort goes to London to recruit Aunt Emma for a scheme, there’s a simple shot of Leonardo DiCaprio and Joanna Lumley walking into a flat. Think what’s on screen is what was shot on the day? Not really.
Or take the walk along a scenic quay, as seen above. The final shot is almost entirely a digital composite. Same for the white-collar prison where Jordan Belfort ends up, seen in a big crane-shot pullback. For even the most FX-savvy audiences, there are probably a couple shots in the film that didn’t ping as digital creations. Check out the great reel below. Read More »
Posted on Tuesday, January 7th, 2014 by Angie Han
No year in cinema ever shapes up exactly the way we’d expect. In fact, it’d be boring if one did. Still, when faced with the promise of a whole new year of movies, I can’t help try and predict which ones I’ll love or hate. I put my best guesses in list form last year, and I did it again this year.
Now, in the spirit of journalistic integrity (or, less charitably, critical solipsism), it’s time for me to look back at my most anticipated films of 2013 and see just how reality measured up to expectation. Hit the jump to see how great or terrible I was at guessing what’d be my favorite films of 2013.
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Posted on Friday, January 3rd, 2014 by Angie Han
Following SAG and the PGA, the Writers Guild of America has just unveiled its list of nominees for the 2014 nominees. For anyone who’s been watching the awards race, the list won’t contain many surprises. The WGA likes American Hustle and Dallas Buyers Club just as much as everyone else does. Additionally, several of the most notable absences can be chalked up to disqualifications. 12 Years a Slave, considered a favorite for the Best Picture Oscar, was deemed ineligible, as was Golden Globe nominee Philomena.
One that did qualify but failed to secure a nomination nonetheless was the Coens’ Inside Llewyn Davis, which similarly struck out with both SAG and the PGA. And one unexpected outcome was a nomination for Peter Berg’s Lone Survivor, which hasn’t come up in too many awards seasons conversations as of yet.
Hit the jump to read the full list.
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