Posted on Tuesday, November 17th, 2015 by Jacob Hall
Welcome to Cardboard Cinema, the monthly column where we pair great tabletop games with great movies. In today’s edition: games that capture the spirit of films from Quentin Tarantino, Rob Reiner, Duncan Jones, John Carpenter, George Miller, and the Marx brothers. From light party games that will loosen you up and get you laughing to complex adventures that demand some serious commitment, we’re offering “game and a movie” double features for all tastes.
Foam pistols, ludicrous fantasy adventures, and great heaping barrels of paranoia and distrust, right after the jump.
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Tomorrow night kicks off Gallery 1988’s Both Sides: An Art Show Celebrating Heroes & Villains featuring artwork by Dan Mumford and Jeff Boyes, two pop culture artists we’ve featured on the site previously. The show will also feature some “cameo” artwork from Ashton Gallagher, Chet Phillips, Clark Orr, Dave Quibble, Jeffrey Everett/Rockets are Red, Ryan Binkerhoff and Sam Gilbey. Hit the jump to get a preview of some of the artwork from the show.
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Plenty of people have been praising Mad Max: Fury Road over and over again. Every chance we get to write about the film, we’re throwing kudos to director George Miller for crafting what could very well end up being the best action movie of the year, maybe even the decade. But let’s not forget that the original Mad Max franchise was a rather impressive achievement.
A new supercut has come along taking a look at one key element of the first three Mad Max films: POV shots. Director George Miller effectively and seamlessly uses POV shots to put the audience right in the middle of the action without it ever feeling like a gimmick. It’s just one of the many ways Miller has proven that he’s a master behind the camera.
Watch the Mad Max POV supercut after the jump! Read More »
Mad Max: Fury Road looks unique in part because it resembles action movies of years past more than it looks like a modern tentpole release. That’s in part thanks to the guiding hand of George Miller, who has directed all four entries in the Mad Max series, and has consistently worked with some of the most insane stunt people around. The first three Mad Max movies were made when digital effects weren’t an option, but Fury Road, the fourth film, looks like it was made with the same attention to physical mayhem. Warner Bros. has created a new trailer that assembles footage from all the films in the series — not to recap that overall story, but to suggest that this new film fits right in line with the previous three.
Check out the great Mad Max legacy trailer below. Read More »
Both Shaun of the Dead and Hot Fuzz were born out of a basin of movie history. Each film is drenched in movie reference, be it visual or a line of dialogue, which adds a whole other layer of enjoyment on top of the individual stories. For the third film in The Cornetto Trilogy, writer/director Edgar Wright gets away from that. The World’s End is a movie obviously influenced by the history of film, but in a much less overt way. If anything, it’s overtly referencing Shaun of the Dead and Hot Fuzz, making it a great end to the trilogy.
The World’s End has plenty of influence though and, for his third screening series at the New Beverly Cinema in Los Angeles, CA, Wright has picked 14 films, on seven double features, that all had some inspiration in his latest work. The screening series is called The World’s End Is Nigh and it takes place August 9 through August 22, the eve of The World’s End. Check out the full line up below. Read More »
Cool Posts From Around the Web:
Have you ever flipped your TV to a movie and been delighted it was one of those presentations with facts that pop up on the screen? If so, you might want to know about a new site just launched that provides that sort of presentation all the time.
The site is called Yeah! and is run by AMC Networks, which own AMC, IFC, Sundance Channel, WE tv and IFC Films. Basically, the site allows you to stream movies like Scream, Reservoir Dogs, 300, The Terminator, Clerks, A Nightmare on Elm Street, Pulp Fiction, and This is Spinal Tap. Along with each film are 400-500 pieces of new, original context and facts that appear on the screen during the film. Check out a video and read more below. Read More »
Conan the Barbarian, The Thing, Poltergeist, The Road Warrior, Star Trek II: The Wrath of Khan, Tron, and that’s just the beginning. Yes, the Summer of 1982 was probably the best one in the history of movies and that’s why the Alamo Drafthouse is celebrating with a summer long, 30th anniversary celebration screening a slew of the most exciting films released that year. Plus, there’s now a significant update jumping off last month’s announcement.
Tickets for the first screening, Conan the Barbarian, go on sale Tuesday morning along with a limited number of passes that’ll get you into eight of the screenings. Second, the series has expanded significantly, adding films such as The Dark Crystal, Fast Times at Ridgemont High, Vice Squad, The Secret of Nimh, Friday the 13th Part 3, Q: The Winged Serpent, Pink Floyd: The Wall and more. Third, Blade Runner will not be screened (bummer).
And finally, in accordance with the /Film sponsored screening of E.T. The Extra Terrestrial on June 8 (tickets on sale May 25) we’re proud to exclusively debut the Mondo poster for the film by artist Dan McCarthy. Check out the poster, the important links, full lineup and more after the jump. Read More »
After giving the matter much thought, folks at the Alamo Drafthouse in Austin, TX have decided that the summer of 1982 is perhaps the best summer in history for big, fun movies. That’s a difficult point to argue, given that the summer saw the release of Conan the Barbarian, The Thing, Poltergeist, The Road Warrior, Star Trek II: The Wrath of Khan, and more.
The Alamo Drafthouse has decided to recreate the release schedule of that summer, and starting on May 11 will be screening the big films of the Summer of ’82 in 35mm, on the weekends corresponding to their original release date.
The company is partnering with a collection of movie websites to co-host each of the screenings, and on June 8, /Film will co-host a screening of Steven Spielberg’s enduring ‘boy meets alien’ classic E.T.: The Extra-Terrestrial. I’m excited to have the chance to introduce one of Spielberg’s signature movies.
Get all the info on the current screening schedule below, and see a great trailer created to announce the program. Read More »
Posted on Wednesday, April 6th, 2011 by Angie Han
We post a fair amount of montages here on /Film, but this one’s extra special. Back in 1993, well before the days of Final Cut Pro, a 19-year-old Edgar Wright holed himself up in an editing suite for several weekends to put together this montage, “Gun Fetish.” The clips are pulled from VHS tapes, which explains the low quality. Even so, it’s apparent that Wright has an excellent sense of rhythm and timing, as well as real affection for the films he’d go on to reference and parody in work like Spaced, Shaun of the Dead, Hot Fuzz, and Scott Pilgrim Vs. The World. Watch it after the jump. Be forewarned — the video is, as Wright puts it, “a little NSFW and spoiler heavy.”
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