Posted on Monday, December 23rd, 2013 by Angie Han
If you’re both 1) desperate for some distraction from the holiday hubbub and 2) eager to get a leg up on the rest of your office for the annual Oscar pool, here’s a way to kill two birds with one stone.
Over thirty screenplays for some of 2013’s top films have just been made available, legally and for free, through the studios. Highlights include John Ridley‘s 12 Years a Slave, Richard Linklater, Ethan Hawke, and Julie Delpy‘s Before Midnight, Terence Winter‘s The Wolf of Wall Street, and many more.
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Posted on Tuesday, November 19th, 2013 by Angie Han
Two of the brightest foreign stars of 2011 have joined forces for a new movie in 2013. The Past teams Asghar Farhadi, the Iranian director behind the brilliant domestic drama A Separation, with Bérénice Bejo, best known in the U.S. as the sweet-faced ingenue from The Artist. Given that pedigree, it’s not surprising that there’s Oscar buzz surrounding the project already; Iran has submitted The Past as its foreign-language entry in this year’s Oscar race.
At the center of the drama is Marie (Bejo), a French woman who asks her estranged Iranian husband Ahmad (Ali Mosaffa) for a divorce so that she can marry her new boyfriend Samir (A Prophet‘s Tahar Rahim). Once Ahmad arrives in Paris, however, secrets about the family come to light. See the new trailer from Sony Classics after the jump.
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The last film from Asghar Farhadi, A Separation, was a powerful drama that swept awards around the world and was one of the most impressive films of 2011. His new film, The Past, is premiering In Competition at Cannes next month, and now we’ve for the first English-subbed trailer. Bérénice Bejo (The Artist), Tahar Rahim (A Prophet) and Ali Mosaffa (The Last Step) feature in the story that follows a different bit of domestic strife, as an Iranian man (Mossaffa) deals with the fallout of divorcing his French wife (Bejo) in order to return to Iran.
Like A Separation, this looks like serious stuff, but well-acted and written and directed with an eye for the sort of details that make the story powerful without feeling artificial. Check out the footage below. Read More »