Posted on Friday, June 10th, 2016 by Jacob Hall
In 2004, Mel Gibson‘s The Passion of the Christ defied all odds and became the third highest grossing film of its year, edged out only by the likes of Shrek and Spider-Man. An independently produced, ultra-violent, R-rated depiction of the crucifixion of Jesus filmed using dead languages and subtitles had managed to tap into an evangelical audience that often found itself neglected at the local multiplex. It remains one of the strangest and most telling moments in recent movie history.
A lot has changed in the past twelve years. Faith-based movies have emerged as a new genre. Mel Gibson went from being one of the world’s most beloved movie stars and an Oscar-winning director to a seemingly racist crackpot more than willing to fight Sylvester Stallone in an Expendables sequel. The Passion of the Christ might feels like it was made a lifetime ago. And maybe that’s why Gibson is now working on a sequel.