First love, young love. Those days when it feels as if you’re right on the brink of some flashpoint moment end up burned into your brain. Or the idea of those days is burned in, at least, and that’s what ends up being part of the limitless energy that powers cinema. The Myth of the American Sleepover runs entirely on that energy as it follows a handful of kids on the cusp of adulthood as they try to spark a connection on the last weekend of summer. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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