Usually, when The Academy of Motion Picture Arts and Sciences announces their short list of documentaries eligible for the Best Documentary Oscar, a dark cloud comes over my day. Pretty regularly, some of my favorite films haven’t been eligible for a nomination. Shut Up and Sing, The September Issue and Dear Zachary all come to mind as heartbreaking snubs.

For 2010 the list is a little better, with films such as Exit Through The Gift Shop and Restrepo making the cut but, as usual, there are some notable snubs. Catfish isn’t on the list, nor are Babies, Oceans, Best Worst Movie, Freakinomics or Joan Rivers: A Piece of Work, just to name a few. Is your favorite 2010 documentary eligible to be nominated an Oscar? Check out the list after the jump. Read More »

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

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