The Best Creepy Clown Movies You’ve Probably Never Seen

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(Welcome to The Best Movies You’ve Never Seen, a series that takes a look at slightly more obscure, under-the-radar, or simply under-appreciated movies. In this edition we take a look at some of the best creepy clown movies you’ve probably never seen.

Clowns are terrifying, even when they pretend otherwise. Sure some are sad, some are goofy, and others are disturbingly pleased with themselves, but beneath the creamy, sticky white makeup sits someone who knows they scare you… and they like knowing that. It’s no surprise then that, like scarecrows and pastors before them, clowns have become a go-to horror movie villain over the years. Most aren’t all that memorable, but one sits atop the heap of the best and scariest.

Stephen King’s It opens in theaters this week, and I can confirm that it’s a creepy, scary delight that nails both the novel’s horror elements and its character beats. At its core sits Pennywise, and while the nostalgic among you will fight to hold onto Tim Curry’s rendition, there’s a new clown in town when it comes to scenes of pure terror. The movie works like creepy gangbusters, and Bill Skarsgard’s new – and dare I say, improved – Pennywise is a big reason why.

He’s not the only creepy clown we can find onscreen of course. Killer Klowns from Outer Space and Stitches remain favorites while others love the clown-filled filmography of Rob Zombie, but while most clown lovers are familiar with these and others like Killjoy, Amusement, and Vulgar, there are a few actual worthwhile ones I’d like to point out instead.

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We’ve got a handful of release dates to share, with the biggest possibly being Guillermo del Toro‘s upcoming Pacific Rim, which, if things go well, will begin shooting late this summer or in early fall. Warner Bros. will distribute the Legendary Pictures production, and has just set July 12, 2013 as the release date. Pacific Rim is scripted by Travis Beacham and already boasts Charlie Hunnam, Idris Elba and Charlie Day in the cast. The story is “set in a future where giant malevolent creatures threaten to destroy the earth, and the planet must band together and use advanced weapons technology to eradicate the growing threat.” [THR]

After the break, a new date for Steven Soderbergh’s Contagion, and dates for the Stephenie Meyer adaptation The Host, as well as for Roman Polanski’s Carnage, Pedro Almodovar’s The Skin I Live In, and Tucker & Dale Vs Evil. Read More »

“Because if I wasn’t a clown I’d be a murderer.”

That’s a line in The Last Circus, the latest film from Spanish director Álex de la Iglesia, aka the director of El Crimen Ferpecto, 800 Bullets, and The Day of the Beast. He has made crazy films before, so The Last Circus is in good company, but it is still rare that we get a look at a movie that seems quite this insane. Set at first in the late ’30s, then moving forward to the ’70s, the movie tells a multi-generational tale of violence, large-scale killing, and clowns. This one looks like a mind-blower.

Check out the red-band trailer — definitely not safe for work — after the break. Read More »

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Last night we got a brief preview of some of the films that will appear in the always-entertaining Midnight Madness lineup at this year’s Toronto International Film Festival. Now we’ve got the full nine, which in addition to the three announced last night (Super, Bunraku and The Butcher, The Chef and the Swordsman) include John Carpenter‘s The Ward, Brad Anderson‘s Vanishing on 7th Street and Insidious, by James Wan.

But TIFF isn’t stopping there: a whole host of other high-profile films were announced for the fest today. They include Clint Eastwood‘s Hereafter, Casey Affleck‘s I’m Still Here, Matt ReevesLet Me In, Dustin Lance Black‘s directorial debut What’s Wrong With Virginia? and the Will Ferrell dramedy Everything Must Go, along with confirmation of Danny Boyle‘s 127 Hours, for which there’s a new photo. (Above.) This year’s TIFF looks like a good one: check info about all the films after the break. Read More »