For those keenly interested in the award season race, here’s the first big upset of the year: the winner of the Producer’s Guild of America (PGA) Producer of the Year award for films released in 2010 — aka the organization’s Best Picture award — is The King’s Speech. That represents a big upset over The Social Network, and seems to dramatically alter predictions for the Oscar race. The full list of winners is after the break. Read More »
The Weinstein Company have released a 23 minute behind the scenes making od documentary for The King’s Speech. Acclaimed as one of the best films of the year, Tom Hooper’s film is the story of “King George VI of Britain, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.” Find out how the story was brought to the screen in the video embedded after the jump.
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 33 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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The last big indicator of how the Oscar nominations are likely to shake out is the nomination set for the Director’s Guild of America’s award for Outstanding Directorial Achievement. The DGA and Best Director Oscar awards often line up directly (there have been only six deviations since the DGA awards began in 1948) and before the Best Picture Oscar set was widened to ten films, the DGA nominations were a very good indicator of how that race would go, as well.
Now the 2010 nominations are out, and for the most part they conform to the well-established 2010 awards consensus. See the list below. Read More »
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Looking back, 2010 is not going to be remembered as a particularly good year for movies. In my mind, most of the 150 or so new films I saw from January to December are all muddled together in a big pile of mediocrity. When that happens though, it’s so much easier to pick out the truly great ones. To that end, picking my favorite movies of 2010 was easier than previous years. What was harder, though, was weeding through an insane amount of movies that didn’t end up getting released during 2010. Why recommend them if you can’t see them?
So, after the jump, you’ll find more than just a top ten of 2010. You’ll also find a five worst of 2010 and my top five of 2011 so far. Yes, that’s right. When everyone is strictly doing top tens for last year, we’ve got one for 2011 as well. Read More »
As the end of the year nears, Rotten Tomatoes have released the tallies for the best reviewed movies of 2010. I thought we’d compare the list with the other movie review compilation site Metacritic.
Both sites have their advantages. Rotten Tomatoes includes a larger sample of reviews, while Metacritic features a smaller more-selected grouping of film critics. Rotten Tomatoes calculates critic scores using a positive or negative score for each review. One movie could be 100% fresh with all the critics giving the movie a 7/10 grade. Metacritic attempts to gauge the score of each critic’s review (not just a positive or negative, but a number 0 to 100) averaged together, giving you a better indication of what the response is to any given film, and not just a percentage of positive reviews.
For example, How To Train Youyr Dragon is ranked #2 for the year on Rotten Tomatoes with a 98% fresh rating based on 146 reviews. But on Metacritic, Dragon has a 74% average with 33 reviews. Honestly, I like how Metacritic calculates the numbers, but their refusal to incorporate a larger sample of film critics puts them behind Rotten Tomatoes in my mind.
Hit the jump to find out what films ranked in the best reviewed films of the year.
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It’s award season, and The Hollywood Reporter has begun posting their series of roundtable discussions with the contenders. Last month they posted:
- The Screenwriters Roundtable between: Aaron Sorkin (The Social Network), Simon Beaufoy (127 Hours), Michael Arndt (Toy Story 3), John Wells (The Company Men), Todd Phillips (Due Date) and David Lindsay-Abaire (Rabbit Hole)
- The Animators roundtable discussion between Bonnie Arnold (producer, How to Train Your Dragon), Roy Conli (producer, Tangled), Bob Last (producer, The Illusionist), Tom McGrath (director, Megamind), Chris Meledandri (producer, Despicable Me) and Lee Unkrich (director, Toy Story 3)
- The Actors Roundtable between James Franco (127 Hours), Duvall (Get Low), Ryan Gosling (Blue Valentine), Jesse Eisenberg (The Social Network), Colin Firth (The King’s Speech) and Mark Ruffalo (The Kids Are All Right).
Today they have posted the directors roundtable, which features David O. Russell (The Fighter), Darren Aronofsky (Black Swan), Lisa Cholodenko (The Kids Are All Right), Derek Cianfrance (Blue Valentine), Peter Weir (The Way Back), and Tom Hooper (The King’s Speech) debating “maintaining their vision, fighting with actors and what to do about the MPAA.” It’s great to watch these brilliant filmmakers talk with each other about their craft. You can watch the entire one-hour long roundtable after the jump.
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As the year comes to a close, more Top 10 lists are being published. Last week pulitzer prize-winning film critic Roger Ebert filed his annual listing of the top 10 movies of 2010. Hit the jump to find out what movies made Roger’s list this year.
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The nominations for the 68th Annual Golden Globe Awards were announced this morning, with announcements by Blair Underwood, Josh Duhamel, and Katie Holmes. The Social Network, The King’s Speech and The Fighter scored a handful of nods each. But where’s True Grit, which came up with nothing? If nothing else, walk away from this nomination list with the knowledge that The Fighter is a far stronger awards contender than anyone credited it with being just a couple weeks ago. The full list is after the break. Read More »
The current controversy over the Motion Picture Association of America slapping Derek Cianfrance’s Blue Valentine with an NC-17 rating, and then repealing it, has once again brought into question the usefulness of the MPAA as a whole. In fact, renowned film critic Roger Ebert goes so far to say that “there are only two meaningful ratings: R and not-R” and has called for a total overhaul of the system because, in his words, “our national standards of taste have changed.”
Ebert cites the example of The King’s Speech, which carries an R rating for “some language.” For anyone who hasn’t seen the movie (and we urge you to check it out) there is only one scene with any vulgar language. And while the one scene does have multiple uses of the F-word, the rest of the movie is tame. Compare that to something like 2012 which was rated PG-13 also for “some language” in addition to “intense disaster sequences.” While there wasn’t much language, director Roland Emmerich (possible spoiler coming up) pretty much ended the world, killing billions of people in the process. So mass genocide gets a PG-13 while The King’s Speech gets an R. That simply doesn’t seem right.
What does Ebert propose we do? And do we agree? Read more after the jump. Read More »