The nominees for the 83rd Annual Academy Awards have been announced. As expected, big players include The Social Network and The King’s Speech, but there are very strong showings for The Kids Are All Right, The Fighter and True Grit. The Best Picture nominees are: Black Swan, The Fighter, Inception, The Kids Are All Right, The King’s Speech, 127 Hours, The Social Network, Toy Story 3, True Grit, and Winter’s Bone. If you’re going by the numbers, The King’s Speech is strong with 12, followed by a wonderful 10 for True Grit and then 8 for both The Social Network and Inception, with the latter scoring on technical nominations.
The full list of nominees is after the break. Read More »
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What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 46 (!?!) different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Jonathan Levine, the director of The Wackness, All The Boys Love Mandy Lane and the upcoming dramedy Live With It, has submitted his list of the top 10 movies of 2010. Levine’s list is the most unique I’ve seen from a filmmaker this year, including a few selections I haven’t seen on any filmmaker or critic top ten list this year. Read the list after the jump.
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Along with the Producers Guild and the Screen Actors Guild, the Writers Guild of America is one of the strongest voting bodies in Hollywood. So, when they announce their nominations for the best of the year, it’s usually a pretty good precursor to the Oscars. Check out their 2010 nominees after the jump. Read More »
Looking back, 2010 is not going to be remembered as a particularly good year for movies. In my mind, most of the 150 or so new films I saw from January to December are all muddled together in a big pile of mediocrity. When that happens though, it’s so much easier to pick out the truly great ones. To that end, picking my favorite movies of 2010 was easier than previous years. What was harder, though, was weeding through an insane amount of movies that didn’t end up getting released during 2010. Why recommend them if you can’t see them?
So, after the jump, you’ll find more than just a top ten of 2010. You’ll also find a five worst of 2010 and my top five of 2011 so far. Yes, that’s right. When everyone is strictly doing top tens for last year, we’ve got one for 2011 as well. Read More »
As the end of the year nears, Rotten Tomatoes have released the tallies for the best reviewed movies of 2010. I thought we’d compare the list with the other movie review compilation site Metacritic.
Both sites have their advantages. Rotten Tomatoes includes a larger sample of reviews, while Metacritic features a smaller more-selected grouping of film critics. Rotten Tomatoes calculates critic scores using a positive or negative score for each review. One movie could be 100% fresh with all the critics giving the movie a 7/10 grade. Metacritic attempts to gauge the score of each critic’s review (not just a positive or negative, but a number 0 to 100) averaged together, giving you a better indication of what the response is to any given film, and not just a percentage of positive reviews.
For example, How To Train Youyr Dragon is ranked #2 for the year on Rotten Tomatoes with a 98% fresh rating based on 146 reviews. But on Metacritic, Dragon has a 74% average with 33 reviews. Honestly, I like how Metacritic calculates the numbers, but their refusal to incorporate a larger sample of film critics puts them behind Rotten Tomatoes in my mind.
Hit the jump to find out what films ranked in the best reviewed films of the year.
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The score of a film is its beating heart. Music subtly, or sometimes not so subtly, juxtaposed with visuals can do almost anything from create tension, elicit themes, set tone, link scenes or raise goosebumps. Without music, most films are a cold, dead fish. That’s why the Oscar for Best Original Score is such a big award. Many times, the film that wins Original Score will take home several other awards because great music can make a director, editor and even actors look better.
Now, four of the films expected to have strong showings on Oscar night have had their mute buttons pressed. The scores from The Fighter, Black Swan, True Grit and The Kids Are All Right were all deemed ineligible by the Academy of Motion Picture Arts and Sciences. Read the reasons and implications after the jump. Read More »
It’s award season, and The Hollywood Reporter has begun posting their series of roundtable discussions with the contenders. Last month they posted:
- The Screenwriters Roundtable between: Aaron Sorkin (The Social Network), Simon Beaufoy (127 Hours), Michael Arndt (Toy Story 3), John Wells (The Company Men), Todd Phillips (Due Date) and David Lindsay-Abaire (Rabbit Hole)
- The Animators roundtable discussion between Bonnie Arnold (producer, How to Train Your Dragon), Roy Conli (producer, Tangled), Bob Last (producer, The Illusionist), Tom McGrath (director, Megamind), Chris Meledandri (producer, Despicable Me) and Lee Unkrich (director, Toy Story 3)
- The Actors Roundtable between James Franco (127 Hours), Duvall (Get Low), Ryan Gosling (Blue Valentine), Jesse Eisenberg (The Social Network), Colin Firth (The King’s Speech) and Mark Ruffalo (The Kids Are All Right).
Today they have posted the directors roundtable, which features David O. Russell (The Fighter), Darren Aronofsky (Black Swan), Lisa Cholodenko (The Kids Are All Right), Derek Cianfrance (Blue Valentine), Peter Weir (The Way Back), and Tom Hooper (The King’s Speech) debating “maintaining their vision, fighting with actors and what to do about the MPAA.” It’s great to watch these brilliant filmmakers talk with each other about their craft. You can watch the entire one-hour long roundtable after the jump.
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