Here’s a minor update to Sony’s continuing plans to adapt Stieg Larsson‘s Millennium Trilogy. US box office is low, if holding relatively steady, for David Fincher‘s version of The Girl With the Dragon Tattoo. As the movie has opened outside the US, foreign returns have been low, too. Foreign box office has become the salvation of many a film in the last few years, but even with those numbers factored in, Dragon Tattoo has earned only $100m worldwide so far — not even close to breaking even once promo costs are taken into account.
But Sony reportedly expects the movie t0 make $300m when all is said and done, and that’s enough to follow through with the sequels. Read More »
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Over the last couple weeks, one studio announcement has been conspicuously absent.
With the launch of most major film franchises — that is, the opening of a film that is envisioned as a gateway to more of the same — it doesn’t take long at all for studios to greenlight the second entry. With films based on existing properties like comic books, that announcement can come before even the end of the first film’s opening weekend. Studio accounting, shady as it is, has been refined to a science, and Thursday, Friday and Saturday numbers are often all that it takes when the time comes to pull the trigger on a sequel, or to put the gun against the temple of the young franchise.
So where’s the press release announcing that David Fincher will direct The Girl With the Dragon Tattoo sequel The Girl Who Played With Fire for Sony/Columbia? It hasn’t hit yet. But Sony says the film is still in development and that it will get made. We’ve known that Steven Zaillian is busy on the screenplay, and there has been vague talk of shooting the second and third films back to back. But will David Fincher direct? Read More »
Posted on Monday, December 19th, 2011 by Angie Han
We’re covering a few sequels in very different stages of the development process today — one that’s gearing up to begin shooting soon, another that’s yet to be greenlit, and two more that’ve been in the works for what feels like forever. After the jump:
- Bill Murray literally shreds the latest Ghostbusters 3 script to pieces
- David Fincher wants to shoot the two Dragon Tattoo sequels back-to-back
- Gary Mitchell — or Harry Mudd or Trelane or the Talosians or the Horta — could be the baddie in Star Trek 2
- Kathleen Kennedy says Roger Rabbit 2 is stalled for now
Read More »
The last time we checked in on the Sony take on Cleopatra, which Scott Rudin is producing as a possible Angelina Jolie star vehicle based on Stacy Schiff‘s biography Cleopatra: A Life, James Cameron wasn’t going to make the film because of his commitment to Avatar 2, and Paul Greengrass was looking like a possible director. But he went on to sign a deal to make Memphis, a film about the assassination of Martin Luther King Jr.
Now the latest name to be floated for the director’s chair is David Fincher, with whom Scott Rudin has recently worked on The Social Network and The Girl With the Dragon Tattoo. Read More »
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Winter’s Bone is a tense, dreary affair, consisting almost exclusively of characters devoid of vitality or a sense of humor. It’s a thriller, but not in the traditional sense; the thrill stems more from the grim, desperate atmosphere that pervades every frame than it does any acts of violence or terror. Thrust in the middle of this ordeal is the poor but resilient Ree Dolly, who at only 16, is already tasked with taking care of her two younger siblings and near vegetative mother. Her life gets considerably more complicated when she discovers that her criminal father, who’s nowhere to be found, put up their house as collateral for his bail. So off she goes, facing down the stoic yet threatening glares of her drug-addled rural community in hopes of finding her father and keeping her destitute family intact. Were it not for the film’s penchant for cultural authenticity, the story might not be as engaging as it is, but the neorealist approach allows the film to operate at a slow-burn pace without ever becoming boring. Unlike what you might expect from a more mainstream Hollywood effort, the conflict here isn’t simply solving the mystery of where the father is and why; it’s about hoping you can make it another day without going to bed hungry, if there’s even a bed left to go to at all.
Available on Blu-ray? Yes.
Notable Extras: DVD & Blu-ray – Director’s commentary, deleted scenes, and a making-of featurette.
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