tribeca reviews my friend dahmer

Another Tribeca Film Festival has come and gone, bringing a new slew of films you should look out for. This year’s festival was particularly jam-packed, with some incredible special events, including a 25th anniversary screening of Reservoir Dogs (using Quentin Tarantino’s personal 35mm copy) and cast panel, talks with industry legends such as Tom Hanks, Kathryn Bigelow and Dustin Hoffman, VR showcases, the premiere of The Handmaid’s Tale, and the literal godfather of all events, an all-day screening of The Godfather and The Godfather II with the cast and director Francis Ford Coppola assembled for a 45th anniversary retrospective panel and reunion to close out the festival.

Sandwiched in-between these star-studded events were some truly incredible films which I had the pleasure of screening and discovering during this sleepless stretch of two weeks. Here are the narrative titles that stood out, that shocked me, thrilled me and left me in dumbfounded awe by the end credits. Here are my Best of Tribeca 2017 films!

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the endless review

I could simply begin and end this review with one simple phrase: what are you waiting for? But let me explain. The Endless isn’t just terrific – it’s poised to be that breakout genre hit that It Follows and The Babadook were in past years. This isn’t just hype. The film is sharply written, smart and funny. It’s tense and uncertain at moments, but it’s not overtly scary, which actually works in its favor. There’s no pressure to deliver big scares and there’s no let down when it doesn’t and it allows the film to just be really good.

The film opens with an H.P. Lovecraft quote: “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” This sets the stage for The Endless, but in truth, it also speaks to why some of horror’s best offerings have endured for so long. While audiences love the shocking and terrifying reveals, they can be a mixed-bag that translate into cheap jump scares, laughably bad monsters or special effects that lose their effectiveness over time. But the films that embrace the unknown, that encourage our minds to run wild in an atmosphere of terror and fear often make a lasting impact. The Endless definitely slots into this category of filmmaking.

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