Travis McGee is one of the many crime fiction heroes that stars in his own series of books. McGee’s basic approach to life is simple: he works only when he needs money, and then he takes jobs helping people recover stuff that has been taken from them. His fee is simple, too: he keeps half.
McGee is at the center of twenty-one books by John D. MacDonald, starting with the 1964 novel The Deep Blue Good-By and going through The Lonely Silver Rain in 1984. There have been a couple film and TV versions of the character in the past, and several efforts to film McGee’s novels have come and gone without coming to fruition.
Among them, a Deep Blue Good-By movie has been in development for years. Now James Mangold has come on board to push those efforts forward. Mangold will direct The Deep Blue Good-By, with an actor yet to be cast in the lead role. Read More »
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Paul Greengrass has a pretty interesting career — he tends to flip between overtly social/political films and more pulpy material, but even his action films have a level of political awareness. Lately he’s had some trouble getting a movie made at all, with Universal passing on his MLK film Memphis, and the King estate reportedly not so much in love with the script. (The Memphis script isn’t 100% flattering towards Dr. King, and DreamWorks already has a competing project in the works.)
So it looks like it might be time to flip back to the pulp material for a moment. The film Travis McGee, based on John D. MacDonald‘s novel The Deep Blue Good-By, has been riding the development cycle for the past couple years. Oliver Stone was a possible director, and since 2009 Leonardo DiCaprio has been attached to star in what is seen as a possible franchise opener. Now Paul Greengrass is now considering making it his own. Read More »
In what could be the first film in a noirish franchise for 20th Century Fox, Leonardo DiCaprio is attached to star as Travis McGee, a fictional Floridian gumshoe who lives on a houseboat, in The Deep Blue Goodbye. The film is an adaptation of the popular 1964 novel—nearly identical in title—by late pulp-fiction author John D. MacDonald. It marked the debut in an influential, entertaining 21-book series that spans an American landscape from the Kennedy to the Regan administrations. A director was not mentioned in the trades. The screenplay was written by Dana Stevens (Sam Raimi’s For the Love of the Game, Blink).
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