Walking out of Oblivion, you’ll probably have a few questions. Not plot questions, mind you. Director Joseph Kosinski makes what happens in the movie very clear. The questions are more about the director’s process. His mindset. Was Kosinski deliberatly echoing sci-fi films of the past? How much input did uncredited screenwriter Michael Arndt (Star Wars Episode VII) have? How did he pull off some of the film’s seamless visual effects? Did changing studios alter the movie? Is he offended by the Wall-E comparisons? Has he started thinking sequel? And which Disney property is next for the director, Tron 3 or The Black Hole?
Luckily, Kosinski was kind enough to give /Film a few minutes on the Universal Studios Backlot the week before the film’s opening to answer those questions, and a whole lot more. Check it out below. Read More »
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A few years back, Jon Spaihts became popular in Hollywood thanks in part to his still-unproduced sci-fi screenplay Passengers. That led to a gig writing what became Prometheus. Most of us don’t know precisely how Prometheus would have played if Spaihts had been the lone writer on the project; his draft has never been read by many fans. (We can, however, get some idea about Spaihts from The Darkest Hour, which he wrote.)
Now Spaihts has been tapped to write another modern take on a well-known piece of filmed sci-fi. He’ll rewrite the Travis Beacham script for Joseph Kosinski‘s remake of The Black Hole. Read More »
One of the great film composers has passed. It was revealed last night that BAFTA and Oscar-winning composer John Barry died Saturday of a sudden heart attack in New York. He was 77. Mr. Barry contributed a great many memorable cinema scores, including those of many James Bond movies as well as for films as diverse as Midnight Cowboy, The Black Hole and Dances With Wolves. For many his Bond work is his greatest legacy, but I still regard the plaintive harmonica theme for Midnight Cowboy as one of the most effective movie themes I’ve ever heard. Read More »
IO9 has created a handy chart which shows which space movies feature the most common scientific mistakes. It might come as a surprise that Michael Bay’s Armageddon actually fares better than the Star Wars of Alien films. And it comes as no surprise that Apollo 13 and The Right Stuff have been graded a clean bill of accuracy. Hit the jump to see the entire chart.
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You’ve probably already seen the new movie trailer for Tron Legacy which was unlocked last week during Comic-Con. But did you see the easter eggs hidden in the new footage? But first, for those of you who don’t know, director Joseph Kosinski is signed to direct a remake of The Black Hole for Disney, with producer Sean Bailey on board, along with Clash of the Titans scribe Travis Beacham working on the screenplay.In the opening flashback sequence, you can spot a couple easter egg references to the original 1979 sci-fi film. Hit the jump to have the easter eggs revealed.
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Tron isn’t the only classic Disney property to be revitalized by Joseph Kosinski. After he finishes Tron Legacy, Kosinski will turn to a new version of The Black Hole. (As a producer, possibly as director.) The 1979 original was the most expensive film Disney had made at the time, and pioneered the use of computer graphics and electronic music. As a response to 2001 and Star Wars the movie was a commercial failure, but it has an enduring legacy thanks to some timeless production design and effects work, not to mention the nightmarish ending.
So what will Kosinksi’s version be like? Read More »
Disney is developing a reinvention of the 1979 sci-fi film The Black Hole, with Tron: Legacy director Joseph Kosinski and producer Sean Bailey on board, along with Clash of the Titans scribe Travis Beacham working on the screenplay. Kosinski might direct if he can find time in his schedule, with his planned sci-fi epic Oblivion and further possible Tron sequels.
The details of the update are being kept tightly under wraps, though HeatVision reports that the new take grounds the story in “the science of a black hole, much more so than in the original,” and will see the return of the red robot Maximilian. Knowing Disney’s history, I’m sure this project is being developed for a 3D release.
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Edgar Wright on Disney’s The Black Hole
The Pitch: In a new episode of Trailers From Hell, Hot Fuzz director Edgar Wright talks about one of his childhood favorites, Disney’s The Black Hole. If you want to see the trailer without Wright’s commentary, head on over to YouTube.
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