“Please take off your shoes at the front door.” Was this a Japanese restaurant or a film screening? A sign with that request was on the door at the Crest Theater in Los Angeles Saturday night as Mondo host their eleventh Mystery Movie. The reason for shoe removal would become obvious seconds later as patrons entered the theater to see “glass” all over the floor. Yup, we were about to watch a 35mm print of John McTiernan‘s classic 1988 action film Die Hard and the glass on the floor was just one of the many surprises the Mondo team had in store, in addition to the poster.
Below, read more more and watch a video from the event. Plus, Mondo announces their latest gallery show, the first solo show of Laurent Durieux, featuring posters for The Birds, Forbidden Planet and Back to the Future. Read More »
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These days, animation isn’t as defined by age as it once was. Once upon a time, a Disney movie was only thought to be for kids. But recently, Pixar has tackled mature themes, the humor of South Park has become a cultural institution, Star Wars is an animated TV series, comic book characters have cartoons and thanks to genres like anime, R-rated animation isn’t an oxymoron.
Enter Justin White, an up and coming artist made popular through sites like Threadless. He’s decided to take that thought one step further and turn some of your favorite live action movies and TV shows in to animation. His first solo show is called Rated G and opens at Gallery 1988 Melrose, in Los Angeles on Friday. We’re proud to exclusively the entire show.
White’s familiar yet flithy animated style has reimagined scenes from 30 films and shows never meant for animation. Films like Fight Club, Fargo, Casablanca, The Breakfast Club, Oldboy, Kindergarden Cop, Alien, Reservoir Dogs, There Will Be Blood and a whole lot more have been reimagined as high quality animation cels. He even tackled TV shows like Community, The Office, Breaking Bad and more.
After the jump check out all 30 images from the show and find out when and how you can grab them. Read More »
Universal and Paramount are both celebrating their centennial anniversary in 2012, and like Paramount, Universal is debuting a new logo to mark the occasion. That logo will bow on March 2 in front of Dr. Seuss’ The Lorax, and be on all Universal films going forward.
The studio is doing something much better than that, however. A press release announces that Universal will also restore thirteen classic films this year. The films are: All Quiet on the Western Front, The Birds, Buck Privates, Dracula (1931), Dracula (Spanish, 1931), Frankenstein, Jaws, Schindler’s List, Out of Africa, Pillow Talk, Bride of Frankenstein, The Sting and To Kill a Mockingbird. Precise details of the restorations are yet to be revealed.
Many of those will hit Blu-ray, starting with To Kill a Mockingbird this month; Jaws and E.T.: The Extra-Terrestrial will follow, with 2012 finishing off with Blu-ray releases of Universal’s classic monster lineup and Alfred Hitchcock films. The full press release is below. Read More »
In 2008, we heard that Platinum Dunes had the option to make a film based on the classic slumber party and devil-summoning game Ouija Board, with few details beyond the assertion that it wouldn’t be like Jumanji. Now, as the release date approaches for the latest Dunes movie, A Nightmare on Elm Street, producer Brad Fuller is talking about some of the company’s future projects. Among them is Ouija.
His comments after the break, along with a super-brief update on The Monster Squad and The Birds. Read More »
/Film reader and Brazilian artist Mario Graciotti has created a few series of posters I wanted to showcase on the site. The posters showcase the films of Paul Thomas Anderson, Alfred Hitchcock, and Pixar Animation Studios. Check out some of Graciotti’s minimalistic posters, after the jump.
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We haven’t heard much about the Michael Bay-produced remake of The Birds since Comic-Con, where we were told that Martin Campbell (Casino Royale, Goldeneye) would be directing the film, and that Naomi Watts wanted to star. Now according to the folks over at Pajiba, and their increasingly reliable Hollywood-insider source, Campbell has left the director’s chair. In his stead, it appears that the studio has gone with someone else familiar with remakes—Dennis Iliades, director of the recent Last House on the Left.
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The notion of remaking Alfred Hitchcock‘s The Birds was absurd from day one, and now the Platinum Dunes guys are suggesting they’ve started to see the light. “We lay ourselves out there and get annihilated out there online all day long,” said producer Brad Fuller during a chat with journos on the set of A Nightmare on Elm St., “and [The Birds] just opens us up to a whole different level of annihilation.” What’s the conclusion? “…it doesn’t feel like that’s up next for us.” More pecking around the corpse of The Birds and the (still?) planned Rosemary’s Baby re-do after the jump. Read More »
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