Posted on Friday, December 19th, 2014 by Angie Han
The right director and the right script don’t mean anything without the right actor. Performers are the ones who bridge the gap between the minds behind the camera and the ones in front of the screen. It is their personalities that draw us in, their expressions that tell the story, and their faces that we remember.
There were no shortage of great performances this year, across all genres and all budgets. Inevitably, a few stood out above the rest. See our list of the best performances of 2014 after the jump. Read More »
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Posted on Monday, December 8th, 2014 by Angie Han
Creating a truly great character is no easy task. Everything has to come together, from the script to the costuming to the acting. But when they do, the result feels like more than the sum of its parts. In a matter of hours or even minutes, great characters manage to feel as real and vivid as anyone we’ve met in real life.
In 2014 we met quite a few such characters in arthouse oddities and studio blockbusters alike, ranging from heroes to villains, comic relief sidekicks to horrifying bogeymen. The only thing all of our favorite characters of 2014 have in common is that days or weeks or months after we first saw them, we haven’t been able to get them out of our minds.
Read our list of the best movie characters of 2014, ordered by release date, after the jump. Read More »
The horror genre thrives on sequels. The instant a filmmaker creates some kind of interesting, iconic villain or scenario, it is pillaged and marketed into oblivion. Sometimes that works, sometimes it doesn’t, but it’s just the way it goes. Sequels print money. Often, too, they happen because the filmmaker is new to the game and signs away any rights just to get their first film into theaters.
Both of those scenarios would’ve made sense with Jennifer Kent‘s The Babadook. The terrifying, super-smart horror film is currently in theaters and on demand and it not only has a wonderful, creative hook and villain, it’s by a first time director. Those two facts make it seem like a sequel would be likely. However, Kent has definitely said there will never be a Babadook 2. Read why below. Read More »
Posted on Monday, December 1st, 2014 by David Chen
David, Devindra, and Jeff discuss all the films they watched over the break, explain why Ridley Scott could’ve been more sensitive in discussing the casting of Exodus: Gods and Kings, and review Jennifer Kent’s impressive debut, The Babadook.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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Posted on Thursday, November 27th, 2014 by Angie Han
One of the many reasons we’re thankful for Thanksgiving is that it cuts the work week short, giving us twice as much weekend time to spend at the movies. And there’s no shortage of titles right now to spend that time on. The only question is where to start.
To help you answer that, we’ve put together a helpful guide that (we hope) covers every base. Hit the jump for our list of 25 movies to watch this Thanksgiving. Read More »
(Note: this review originally ran in January during the Sundance Film Festival; we’ve republished it now as the film opens in theaters and on VOD this weekend.)
The Babadook is one of the best horror movies in years, a vigorous and hellishly intense story about a family on the edge of sanity. This isn’t a gore showcase, but a wild emotional roller coaster. (If you need a tonal touchstone, look to Polanski films such as Repulsion and The Tenant.) There is a monster of sorts, but the movie would almost be just fine without him — the actors put each other through fire and pain, and writer/director Jennifer Kent drops us right in there with them. Read More »
For the next few weeks, you’re going to be hearing a lot about how great a year for movies 2014 was. That’s true, but this is not that list — this isn’t our “best of 2014.” As it is Thanksgiving week here in the United States, we’ve come up with a list of movies from 2014 we should be thankful for. These are all good films, but each of them has something unique about them. Something that makes us thankful they exist.
So what does that mean? Well some of these films should probably not exist. Others should probably not have been good. And a few contained surprises, stories or topics that are simply miraculous for one reason or another. We’ll explain each below as we unveil the 15 films to be thankful for this year. Read More »
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The Babadook is good enough that, after nine months of Sundance audiences (like me) flapping their gums about it’s virtues, Fantastic Fest audiences saw through any hype and responded enthusiastically to the film in multiple screenings over the past week. It’s good enough that, even with the debut of other impressive horror pictures (such as festival entries Cub, It Follows, and Shrew’s Nest — especially Shrew’s Nest) The Babadook still rings as the top horror film of 2014 so far. And now we’ve got the first Babadook US trailer. Read More »