Last night the Producers Guild of America (PGA) gave out awards for achievement in films and television released in 2011. The big winner was The Artist, which took home the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures. As the winner of this award takes the Best Picture Oscar three times out of four, any betting on the top Oscar honor is pretty much over at this point.
Read on for the full list of winners. Read More »
Posted on Thursday, January 19th, 2012 by Angie Han
Given that Michel Hazanavicius‘ The Artist and Martin Scorsese‘s Hugo are both about the joys of filmmaking and film-watching, it’s a little ironic that incidents at recent screenings of the two pictures seem to highlight some of the ways that the modern moviegoing experience can go terribly wrong.
In the UK, customers demanded refunds upon realizing that The Artist, a tribute to silent films, was itself a silent film. Meanwhile, one unlucky New York audience had the ending of Hugo ruined by advertisements that suddenly began playing over the movie. Read more after the jump.
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Early this morning the BAFTA nominations were announced, after a couple rounds of ‘longlist’ reveals. One of the big Oscar frontrunners, The Artist, walked away with 12 nominations, including Best Film, Director, Original Screenplay, Leading Actor and Leading Actress. Tinker Tailor Soldier Spy gets a moment in the sun with 11 nominations — not really any surprise that the film would get lots of BAFTA attention — and Hugo took 9 nods, though mostly for smaller categories.
Drive, which has mostly been ignored in the US awards rounds so far, got a nod for Best Film, and Attack the Block and Submarine were both nominated for Outstanding Debut By a British Writer, Director or Producer.
Check out the full nomination list below. The Orange British Academy Film Awards take place on Sunday 12 February at the Royal Opera House, Covent Garden, London. The ceremony will be hosted by Stephen Fry and will be broadcast exclusively on BBC One. Read More »
Each year American Cinema Editors (ACE) recognizes the best editing of the year in narrative film, documentary and television through the Eddie Awards. The nominations for achievement in 2011 have been released. They include a couple of expected films such as Hugo and The Girl With the Dragon Tattoo, and feature a couple other inclusions that might count as surprises to some.
The full list is below. Read More »
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Last year, Quentin Tarantino released a list of what he called the best films of 2011. This year he has repeated the list-making effort, and Tarantino’s list of the best eleven films of 2011 is out now. (Or best twelve films, really, since there is a tie in one position.) Along with that comes a collection of associated lists, from his estimation of the best directors of the year, to a set of ‘nice try’ picks, which includes some peoples’ fave film, Drive.
Check out the main list below. Read More »
Briefly: Here’s the award nomination for for those whose interest in film runs just a bit deeper than others. Today the American Society of Cinematographers (ASC) announced its nominees for Best Cinematography of 2011. The nominees are: Guillaume Schiffman (The Artist), Jeff Cronenweth (The Girl with the Dragon Tattoo), Robert Richardson (Hugo), Hoyte van Hoytema (Tinker Tailor Soldier Spy), and Emmanuel Lubezki (The Tree of Life).
One film not on the list, War Horse, shot by Janusz Kaminski, seems like an obvious snub. But Kaminski resigned from the ASC several years ago, so he wouldn’t have been nominated for any award by the group. Discuss among yourselves whether Jeff Cronenweth (who also shot The Social Network and Fight Club) would have nabbed the nomination had Kaminski been eligible.
The ASC will announce the winner of the award for best cinematography in 2011 on February 12, and that winner will very likely go on to win the Oscar for Best Cinematography as well.
It’s official: 2012 is the year we all learn to pronounce ‘Hazanavicius.’ That’s because Michel Hazanavicius, director of The Artist, is one of the five people nominated for the Award for Outstanding Directorial Achievement in Feature Film by the Directors Guild of America (DGA). The DGA award nominees almost always mirror the Oscar ballot for Best Director, so between this and the PGA nominations announced last week we’ve basically got the final Oscar contention list locked down.
The full nomination list for the DGA awards is Woody Allen (Midnight in Paris), David Fincher (The Girl With the Dragon Tattoo), Michel Hazanavicius (The Artist), Alexander Payne (The Descendants), and Martin Scorsese (Hugo). Read More »
Michel Hazanavicius has been best known for his spy comedy OSS 17 series, but that all changed last year when his black and white silent comedy/romance The Artist opened big at Cannes. The movie has become an audience and critical darling, and is one of the big Oscar front-runners, which means it will only get more big promotion and word of mouth interest as the next couple months go on.
But Hazanavicius is starting to think about his next project, and it looks like he’s going to use his Artist clout to make a film that might be tough going otherwise. He’s going to do a contemporary take on Fred Zinneman’s 1948 Oscar-winner The Search, about a mother’s attempt to reunite with her son after World War II. Read More »
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Here’s your best indicator yet as to what the crop of nominations for the Best Picture Oscar is likely to be. The Producers Guild of America (PGA) has announced its nominations for 2011 awards, which will be doled out on January 21.
The ten films nominated for the PGA’s top honor include expected pictures such as The Artist, The Descendants and War Horse. There are no real surprises, but the growing Oscar chances for The Help won’t be hurt by getting a PGA nomination (would be slightly wild to see Chris Columbus, a producer on The Help, with an Oscar), and Woody Allen’s Midnight in Paris makes an appearance on the list, too. There are a couple surprises, though, in the form of Bridesmaids and The Girl With the Dragon Tattoo — the Judd Apatow and Scott Rudin effects in full force there. With 5-10 Best Picture nominations possible for this year’s Oscars, most of the films in the PGA’s top list are likely to end up in the race.
The full PGA press release, with the full slate of nominations, is below. Documentary and animation nominations are there, too, though the slate of nominations in each category is more or less exactly what you’d expect to see at this point. Read More »
In 2011, I saw more new movies than I ever have in the past. Previous years I’d flirted with roughly two per week but, this year, thanks to a full Sundance Film Festival, Fantastic Fest, Butt-Numb-A-Thon and other events like AFI Fest and the Los Angeles Film Festival, that number jumped up to 167. Several of those won’t be released until 2012 and others won’t get released at all, but it’s still a more than sufficient cross section of 2011 releases to adequately speak on the state of film in 2011 and give my top ten movies of the year. (Note: Any film that didn’t get an Oscar qualifying 2011 theatrical run did not qualify for this list. That’s just my personal rule.)
For me, 2011 was the year of “good, but not great.” You know the type. A film that does everything right, is entertaining, emotional, but doesn’t stick with you once you’ve left the theater. We’re lucky to have films like that because, alternatively, we could get films that are total garbage. Looking back at the year as a whole, though, very few 2011 films will stick with me as all-time favorites. It was a good year, but not great.
The films after the jump were the ones that stayed with me more than most though and, because of that, earned a place as my top ten films of 2011. Read More »