Update from Editor Peter Sciretta: The first part of the podcast was published yesterday, which is what we originally reported on. The second part of the conversation is now online, and I have updated the bottom of this story with additional information including Episode VIII shooting schedule, the process of writing the script and shooting location. The original post from September 18th 2014 follows, followed by an BOLDED marked update with the additional information.
Rian Johnson talked a bit about the creative freedom he has been given working on Star Wars Episode VIII (and IX?) while talking to fellow filmmaker Terry Gilliam on the TalkHouse podcast. Find out what Johnson said about writing the next installment of the Star Wars franchise, what it’s like to be working in someone else’s world, the obligation to bring Yoda and puppets back to the series, and an idea to have Gilliam have a cameo which might reveal a possible character in the upcoming eighth film. All this and more can be read and heard in the Rian Johnson Terry Gilliam Star Wars discussion, after the jump.
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Tragic as the reason was, there’s been a muted pleasure in seeing people go back to The Fisher King in the wake of Robin Williams‘ death. The 1991 movie is among the least flashy of Terry Gilliam‘s films, and one that in the past decade or so seems to have taken a back seat to consideration of higher-profile films like Brazil and Twelve Monkeys.
The Fisher King is a great movie, and a strange one. But it grounds Gilliam’s quirky and excessive tendencies in a handful of really wonderful characters who are brought to life by great performances. Robin Williams, in particular, is at the top of his game as a man whose life has turned completely upside-down in the wake of his wife’s death. The film can be relentlessly brutal, but it is also beautifully funny, and full of life. At it’s heart, this is a musical, and it’s a pleasure to see Gilliam and the cast play.
There are a lot of treasures hidden on now out of print Criterion laserdiscs, and here’s one of them. This feature commentary from Terry Gilliam isn’t in print any longer, as it only appeared on the laserdisc release of the movie. But you can listen to the Fisher King commentary below. Read More »
If anyone knows how movies can damage people, it’s Terry Gilliam. The director has battled over many a film in his time. He fought Universal brass over Brazil, and Columbia over The Adventures of Baron Munchausen. Most catastrophically, he battled weather, disaster, and illness during the original shoot of The Man Who Killed Don Quixote. Gilliam lost that fight, but he has been trying to make new versions of the film for several years.
Every time Don Quixote comes up for Gilliam, it changes a bit. He and screenwriter Tony Grisoni have constantly revised the movie. What was once the story of an ad man traveling into the past is now a film set entirely in the present day. Gilliam says he has financing and plans to shoot the movie after Christmas this year. He also says the movie is “more about how movies can damage people.” Read More »
There’s a new US trailer for Terry Gilliam‘s latest film, The Zero Theorem, and some release info for the US, too. After months in limbo the movie finally has a Stateside release date of August 19th for digital and VOD, with a theatrical release set for September 19. Christoph Waltz stars as a troubled man tasked with a potentially impossible problem, and Mélanie Thierry, David Thewlis, Lucas Hedges, Ben Whishaw, Tilda Swinton and Matt Damon all play roles as well. Check out the new Zero Theorem US trailer below. Read More »
Earlier this year we heard that the latest film from Terry Gilliam, The Zero Theorem, would see release in the US this summer via Amplify and Well Go USA Entertainment. While an official date doesn’t seem to be set at this point (the film’s official site just says “Summer 2014″ for the US) there is a new Zero Theorem international trailer to remind us all that this one is out there in the wild, somewhere. Have a look below, especially if you haven’t yet seen anything from this story about a man (Christoph Waltz) who is given a particularly unusual, and potentially impossible task. (Enjoy, too, the brief ad at the end for the Church of Batman the Redeemer.)
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Here’s something we missed earlier this week in the deluge of new project news from the marketplace at Cannes: Terry Gilliam has chosen some new actors for The Man Who Killed Don Quixote. This project has been going on and off for nearly fifteen years, and the most recent incarnation had Robert Duvall set to star as Quixote, with Ewan McGregor tentatively set to play the modern-day writer who ends up back in Quixote’s time, where the old man mistakes him for Sancho Panza. Those actors are both off the project, but it isn’t dead yet. (Or dead again.)
Now there’s news that Gilliam and Spanish producer Adrian Guerra are going back into casting for The Man Who Killed Don Quixote. Read More »
After a long wait, audiences in the US will finally get to see Terry Gilliam‘s latest film, as The Zero Theorem arrives this summer. The release is courtesy of Amplify and Well Go USA Entertainment. (The latter company will handle the home video release.)
The Zero Theorem stars Christoph Waltz as an eccentric computer programmer who is tasked with a potentially impossible problem. The film observes as his efforts to complete his task are stymied not only by the nature of the problem, but perhaps by some of the very people who assigned it. Read More »
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Posted on Monday, March 3rd, 2014 by Angie Han
Last week, producer Joel Silver said a little something about how Terry Gilliam‘s Watchmen would have been “a MUCH much better movie” than the one Zack Snyder turned in, complete with a detailed explanation of the ending that Gilliam had had in mind. Snyder himself has read Silver’s words, and (unsurprisingly, and understandably), he’s inclined to disagree.
Bashing Gilliam’s conclusion as “completely insane,” Snyder declared that he’d made the movie himself “to save it from the Terry Gilliams of this world.” And he’s pretty happy with the way his Watchmen turned out, even if Silver wasn’t — Snyder says it’s “probably” his favorite of his own films. Read Snyder’s defense of his movie after the jump.
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