Even though we’re seeing more films from Terrence Malick (Badlands) these days, he still likes to take his sweet time with each project. We have no clue when exactly we’ll see his untitled Austin-set picture, which he shot footage for all the way back in 2011. But we Malick fans are in luck, because we’ll have something to tide us over in the meantime: Knight of Cups opens in theaters in less than two months.
After the jump, see new Knight of Cups footage and read a new synopsis.
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Terrence Malick‘s films are often quite patient in their pacing. They aren’t exactly high-energy, unless you find excitement in staring off into the distance for long periods of time, caressing a lover’s hand or hair, or talking about what it all means to be alive. Malick’s movies are invigorating in their own way, as tone poems. However, his latest film, Knight of Cups, looks quite enthralling, in a more conventional sense.
Watch the Knight of Cups trailer after the jump.
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Mondo has just announced they’re doing a series of posters based on the films of Terrence Malick. It’ll take place over the course of the year but it’s starting in the same place Malick did, the 1973 film Badlands. Martin Sheen and Sissy Spacek starred in the story of a young girl who takes taken on a killing spree by her boyfriend. Artist Tomer Hanuka did the poster and it goes on sale March 19. Below, see the full image of the Mondo Badlands poster. Read More »
Terrence Malick‘s new film Knight of Cups, starring Christian Bale, Natalie Portman, Cate Blanchett, and Antonio Banderas, premiered last night in Berlin, and as you might expect from a new Malick movie, reactions are fairly divided.
That didn’t stop distributors from showing interest, however, and Broad Green Pictures — the relatively new outfit backed by hedge fund manager Gabriel Hammond and his younger brother Daniel Hammond — picked up US rights to both Knight of Cups and the currently untitled Austin-set film which will be Malick’s next release. Along with that news comes a lovely new international poster for Knight of Cups and a bevy of reviews covering the spectrum of opinion on the movie. Check it all out after the break. Read More »
For years — since before the release of The Tree of Life — we’ve heard about Terrence Malick‘s planned documentary film Voyage of Time, to be released in full IMAX format. But most of what we’ve heard about the film is that it is coming eventually, with little in the way of actual specifics. We know Brad Pitt narrates the film, and that it will explore the full span of time, and that’s about it. Now the Malick IMAX documentary Voyage of Time has been formally announced, and in fact there are two official versions, one for IMAX distribution, and one for regular theaters. More details are below. Read More »
Posted on Monday, February 2nd, 2015 by Angie Han
The first trailer for Knight of Cups offered some hints as to what Terrence Malick‘s latest would be about, and now an official synopsis reveals more concrete details about the story. And to the surprise of absolutely no one, it sounds very Terrence Malick-y.
Christian Bale, Cate Blanchett, and Natalie Portman lead the latest from the acclaimed auteur. Get the new Knight of Cups synopsis and details after he jump. Read More »
The Terrence Malick film Knight of Cups was announced back in 2011, just months after the premiere of The Tree of Life, which at the time was his first film in six years. It has taken a few years for the film to arrive; he released To the Wonder in the meantime, and has also been working on a movie originally called Lawless, and which is currently untitled. Now the Knight of Cups premiere is now set to take place at the Berlin Film Festival in February 2015. Also premiering at the festival will be Kenneth Branagh’s Cinderella. Read More »
Terrence Malick movies mean so much to so many different people. Films such as The Tree of Life are packed with interesting images and ideas; it’s almost impossible to come up with a singular reading, or one feeling to take away from the experience. Which is why he’s so beloved (and sometimes hated) by various audiences.
If you think watching Malick’s films is difficult, imagine trying to sell them. Even with stars such as Brad Pitt and Sean Penn, Fox Searchlight surely had some difficulty representing The Tree of Life. The poster they eventually settled on was gorgeous and evocative, and it was the result of lots of work. A company called Prologue did the work on the film and now 90 different concepts they came up with have arrived online.
They’re a great visual representation of the complexity of Malick’s work. Read More »
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Posted on Thursday, May 2nd, 2013 by Angie Han
Terrence Malick is notorious for deleting subplots and even entire characters during the editing process, but for a director’s cut of The Tree of Life he’s going to put some of that extra footage back in. Malick’s longtime editor Billy Weber recently revealed that the filmmaker is working on a new edit that’ll include some scenes that wound up on the cutting room floor.
But that’s not the only thing Malick has on his plate right now. In addition to Knight of Cups and another, untitled feature, Malick’s also been putting the finishing touches on his documentary Voyage of Time, and Weber says we could see that film as soon as next year. Hit the jump to get the details.
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In the twenty years between Days of Heaven and The Thin Red Line, Terrence Malick was elevated from director who salvaged Days of Heaven only after years of editing, to cinematic messiah. His aesthetic approach was canonized, and actors flocked to work with him, no matter how small the part. Now, with two movies in less than two years (and at least two more on the way) Malick is being brought down to Earth once more. This is a good thing. Once again, he’s just a guy who makes movies. Fortunately, he makes movies in a way that is unlike most others, and thanks to his improvisational process he still carries the trust of talented actors.
I’d very much like to love his latest film, To the Wonder. I do appreciate it quite a lot, which is something different. As if designed to be a miniature of his career, this movie describes a tension between the glorious and prosaic. It is not a conventional narrative, but rather a look over Malick’s shoulder as he feels his way towards an idea.
That idea is a portrait of our relationship to the divine, as expressed through four interconnected lives that sketch a difficult romantic relationship. Whether that “divine” is God or nature, or some ineffable truth, doesn’t really matter. Malick seeks to balance the first brush with wonder and the difficult process of sustaining it though the grind of everyday life. Read More »