Whether you’re giving or receiving, there are few things better than a gift. It feels great to get one, it feels wonderful to give one, it’s just a nice thing. Gifts in movies are kind of the same. They represent a bond between characters that can be layered with meaning. The person getting the gift can be either appreciative or disappointed, the person giving it either sincere or malicious. There’s just so many ways you can go with it.
Being as it’s the holiday season, we decided to pick out our favorite gifts in movie history. Not necessarily the best ever, just our favorites. That means not all of these are “good” gifts. Some, in fact, are awful. But it’s the act of giving them, whether in the context of an overall film or series, that makes them awesome and memorable. So, below, we count down our 25 favorite gifts in movie history. Read More »
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James Cameron’s Terminator 2: Judgement Day is one of those movies we’ve all seen a million times. When it’s on television, its familiarity is like a warm blanket we can snuggle up in and can enjoy from any point. We even do other things while watching, without getting lost, because we know it so well.
In fact, we know it so well it’s probably lost some of its power. When we first saw the T-1000 emerge from flaming wreckage, or a Mack Truck fly off an overpass, they were eye-popping moments. Now, they’re very familiar. Unless, of course, they’re presented in new ways.
Maybe that means 3D, maybe that means seeing the film on the big screen the first time, or maybe it means the painstaking work of a YouTube team to recreate a scene from the film, nearly shot by shot, using Grand Theft Auto 5. Check out a Terminator 2 GTA chase below. Read More »
Few people like 3D more than James Cameron. The director of the two biggest films in the history of cinema has embraced it wholeheartedly in his new world of Avatar and recently converted the other smash hit, Titanic, for a 3D rerelease. But what about some of his other works, specifically, The Terminator and Terminator 2: Judgement Day?
At the Los Angeles Times Hero Complex Film Festival this past weekend, Cameron was asked that exact question. He played coy, said there weren’t any plans, but had a very well-thought out reason for why Terminator 2: Judgement Day, at least, might get a 3D conversion in the future. Read his Terminator 2 3D quote below. Read More »
Every once in a while, Mondo will surprise fans with the announcement that they’re bringing a whole bunch of new posters to a regional convention. In the past, Texas Frightmare Weekend has had that honor. This year, it’s happening again. Mondo is showing up at the Texas Frightmare Weekend, which runs May 2-4 at the Hyatt Regency Dallas Fort Worth. The crew is bringing all new posters for Gremlins, Aliens, Terminator 2: Judgement Day, Frankenstein Meets the Wolf Man and Creepshow. Check them all out below, as well as a George Romero action figure. Read More »
John Connor is just one boy, but keeping him safe was awfully expensive. The CinemaSins team put on James Cameron‘s 1991 film Terminator 2: Judgement Day and attempted to figure out exactly how much all the damage caused in the film would have cost the city of Los Angeles and everywhere else. Watch the video below for an estimate of the cost of cleaning up the destruction Arnold Schwarzenegger and Robert Patrick left in their wake. Read More »
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Any pop culture writer today worth a scan online has a unique opinion on Chuck Klosterman. The renown American author and journalist made a name for himself in the aughts with witty, hyper-informed contributions as a former senior writer and columnist at SPIN. In 2003, he released a bestselling book of essays about “low culture” under the title, Sex, Drugs, and Cocoa Puffs, that dissected, exploded, and—in the case of Saved By the Bell—meta-ized topics ranging from internet porn to why there’s only “one important question a culturally significant film can still ask: What is reality?” To readers with an eye on the future, Klosterman signaled not only the arrival of an adored critic amongst hipsters, TV junkies, and geeks; he was the aware embodiment of the modern intellectual turned as voracious consumer of entertainment. And ever since many a beer has been consumed by writers arguing over or coveting this appointment.
Post-Cocoa Puffs, Klosterman’s bibliography has grown to include several works of non-fiction as well as last year’s Downtown Owl, a well-received debut novel benefiting from word-of-mouth, not unlike how Puffs did (but with Tweets on top). His latest book, Eating the Dinosaur, is a characteristic essay collection that can be burned through in a night but also raises several troubling philosophical questions. In the first part of Klosterman’s interview with /Film, he elaborates on the role feted director Errol Morris played in a few of Dinosaur’s themes. We also discuss his opinion of movie junkets, the accelerated culture of movie blogs, and the film most comparable to Guns N’ Roses‘ Chinese Democracy. For the second round of the interview, click here.
Hunter Stephenson: Hi Chuck. So, are you in California to speak about the book?
Chuck Klosterman: I’m doing The Jim Rome Show on ESPN, and it’s in Huntington Beach, California. And I gotta say, it’s creepy as fuck out here man.
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