Last week, the fantastic adaptation of Me and Earl an the Dying Girl hit theaters in a limited run, and this week the lively Dope also arrives on the big screen. Both are spectacular coming of age tales from two very different sides of the spectrum, but they both have wonderful young characters, engaging relationships, and are special in their own ways.
And with these two magnificent coming of age movies hitting the big screen recently, we thought it was a good time to look back at some of the great films to come out of this subgenre. But since everyone has gushed over films like Stand by Me, The Breakfast Club and Say Anything for years, I decided to put a more modern focus on coming of age films by counting down my picks for the Top 25 Best Coming of Age Movies of the Past 25 Years. That means you won’t find anything on here from before 1990. Do your favorite movies make the cut?
Check out my list of the Top 25 Best Coming of Age Films of the Past 25 Years after the jump! Read More »
Posted on Wednesday, December 28th, 2011 by David Chen
End-of-year list-making is typically a daunting, tricky, and arbitrary task. At its best, it’s a way to express ideas and share interesting finds. At its worst, it’s a shouting match about WHY DIDN’T YOU PICK THE EXACT FILMS I LIKE?
In 2011, I probably saw around 70-80 new release films in theaters. I’m certain that these films are different than the ones you saw and I’m equally certain that I missed a ton of great titles. Nonetheless, after the jump, you’ll find my 10 favorite films of 2011. I hope you’ll take it as the beginning of a conversation, as opposed to the end. And if I chose a film that you didn’t, then all the better! I look forward to reading your picks in the comments below.
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If you’re a regular reader of /Film not only have you heard of Submarine, you’re insanely excited for it. Or at the very least you’re curiously aware and that’s good enough. Directed by Richard Ayoade, Submarine is the tale of awkward teenager Oliver Tate who has a unique world view and very simple goals. How he goes about achieving them, however, are very different from the normal person. It stars Paddy Considine, Noah Taylor and Sally Hawkins as the adults, Craig Roberts as Oliver and Yasmin Paige as the object of his affections, Jordana. Peter loved it at Toronto, David loved it at Sundance and The Weinstein Company will be releasing it on June 3. The new wrinkle in the marketing is that it’s being pushed as “presented by Ben Stiller” who is one of the executive producers. Check out the new trailer after the break. Read More »
Everyone’s talked ad nauseam about how the summer of 2011 is going to be a blockbuster bloodbath. Week after week of high concept, big budget sequels featuring superheroes, robots and wizards. But those aren’t the only movies that’ll be playing at your local theater during the long, hot months of May, June, July and August. A huge chunk of movies we reviewed in January at the Sundance Film Festival – from award winners to our personal favorites – are also finding their way into theaters during that time. As the heat quickly approaches, we’ve decided to highlight over 20 Sundance films that are scheduled to open opposite the traditional Hollywood fare. See images, read reviews and find release dates all below. Read More »
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Here’s the trailer for Submarine, the British film that has been killing at festivals since it debuted at TIFF last year. Peter loved it there, and David loved it at Sundance. Check out the trailer — which certainly has some familiar notes from other big indie success stories — and leave your thoughts after the break. Read More »
Does someone have a case of the Mondays? We understand. Going back to work sucks but while you probably had the weekend off, Slashfilm hasn’t stopped working. If you can call watching movies non-stop working.
Myself, Peter Sciretta and David Chen have been all over Park City Utah at the 2011 Sundance Film Festival which continues through next Sunday. We’ve reviewed over a dozen movies, quested for tickets, done video blogs and much more. Did you miss any of the coverage? No worries. We’ve created this convenient rundown of everything we’d published so far including reviews of the recently acquired films Project Nim and Margin Call, hidden gems like Win Win and Bellflower and, of course, all the Red State coverage you can handle.
Later today, be on the look out for reviews of My Idiot Brother, Like Crazy, The Greatest Movie Ever Sold and more. But until then, see the roundup of all our coverage below:
Thursday January 20
Why do we come to the Sundance Film Festival? We explain it’s allure.
We have arrived at Sundance, and here’s what we are most excited for. Video Blog.
Friday January 21
Getting tickets to Red State was quite the ordeal.
The opening night film was James Marsh’s Project Nim. Here’s our review.
Ever see a horror movie all done in one shot? It’s called Silent House and here’s a review.
Margin Call stars Kevin Spacey, Jeremy Irons, Stanley Tucci and was reviewed here.
Saturday January 22
Bloody revenge came to Sundance in the way if I Saw The Devil. Our review is here.
It’s got big stars like Liv Tyler and Patrick Wilson but does The Ledge deliver big? Find out here.
Around here we call it the Four M’s or MMMM. The real title is Martha Marcy May Marlene and it’s supposed to be amazing.
A mini-review roundup featuring The Future by Miranda July and Bobby Fischer Against the World.
Sunday January 23
Peter loved it at Toronto and a whole bunch of people, including David, loved it at Sundance. It’s a Submarine Video Blog!
Between movies, David was walking around Park City talking to movie fans. Here’s what they had to say.
My favorite film of the festival so far is Tom McCarthy’s Win Win with Paul Giamatti and Amy Ryan. Amazing movie.
Peter generated controversy by calling Bellflower “500 Days of Summer for the Jackass Hipster Generation,” read exactly what he meant.
Right after the movie ended, here’s what we all thought about Red State.
Kevin Smith made some major, big time, groundbreaking revelations about his film and its distribution. Read them here.
Here’s my full review of Red State and probably not the last.
Posted on Sunday, January 23rd, 2011 by David Chen
Richard Ayoade’s Submarine, which screened recently at the 2011 Sundance Film Festival, probably affected me more than any other film I’ve seen so far. Its humorous depiction of a young man struggling to get through his teenage years was so authentic, heartfelt, and moving that it vividly evoked all the trials, tribulations, and thrills of my own younger years in a way I was not prepared for.
Hit the jump for some of my thoughts and for a video blog on the film.
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Wednesday, the 2011 Sundance Film Festival announced the 58 films in four categories that would be eligible for awards. Today, they’ve announced the next slice of their line up – 57 out of competition films in the Premieres, Next, Spotlight, New Frontiers and Midnight categories. This is generally where you get many of the bigger name projects and this year is no exception. We already knew that Kevin Smith’s Red State would be on the list, but there’s also Tom McCarthy’s new film Win Win, Morgan Spurlock’s documentary The Greatest Movie Ever Sold, the highly buzzed-about Submarine, Fantastic Fest darling I Saw the Devil as well as Hobo With a Shotgun and a whole bunch more including films with Al Pacino, Tobey Maguire, Jeremy Piven, Kevin Spacey, Demi Moore, Paul Rudd and others.
As we said yesterday, the announcement of the movies playing the 2011 Sundance Film Festival is like looking into our film futures. While many of the films are unknown now, playing at Sundance sets off a snowball effect that continues throughout the year and eventually, these movies become an integral part of popular culture.
Check out out write up of the competition movies by clicking here, but hit the jump to see the full list of out of competition films as well as our early highlights. Read More »
Cool Posts From Around the Web:
The deals just keep coming out of the Toronto Film Festival. Earlier this week James Gunn’s Super was purchased by IFC, Sarah’s Key starring Kristin Scott Thomas was picked up by The Weinstein Company (who also grabbed Dirty Girl with Milla Jovovich), Kevin Spacey’s Casino Jack was picked up by ATO Pictures and Sony Pictures Classics acquired Barney’s Version starring Paul Giamatti.
Wednesday, news broke that more movies were flying off the shelves. The Weinstein Company picked up the highly buzzed about Submarine (which Peter loved, read his review here), Anchor Bay grabbed the school shooting drama Beautiful Boy starring Maria Bello, Roadside Attractions and Lionsgate teamed up to grab Robert Redford’s The Conspirator and Sony Pictures Worldwide bought the rights to Insidious, the James Wan thriller. Hit the jump to read more about these films. Read More »
Richard Ayoade‘s Submarine is the kind of film I hope to discover at film festivals and share with friends.
Based on the Curtis Brown Prize-winning novel by Joe Dunthorne, this dark indie comedy is about a 15-year-old boy who “must fight save his mother from the advances of a mystic and simultaneously lure his eczema-strafed girlfriend in to his bedroom.” It is a coming of age story which is equal parts Rushmore, Election and Squid and the Whale.
I really hope that Fox Searchlight picks this film up and markets it to the masses, as it deserves to be seen (lets hope that Sony Pictures Classics stays away from this one). Write the title of this film down right now or add it to your netflix queue (if that’s even possible), because you’re gonna wanna see it when it becomes available.
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