Good news for fans of Hayao Miyazaki and films from Studio Ghibli: the company has taken action to secure rights to two film titles, and in doing so has given us the name of two new projects. Hayao Miyazaki’s next film seems to be called Kaze Tachinu (The Wind Rises), and we know that it will tell the story of the man who designed the Zero fighter plane for Japan. The new project from Grave of the Fireflies director Isao Takahata, meanwhile, is Kaguya-Hime no Monogatari (Princess Kaguya Story), based on the folk story ‘Tale of the Bamboo Cutter.’ Read More »
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The worlds portrayed by Studio Ghibli are so vivid, colorful and imaginative, it seems almost silly to try and picture them realistically. They’re animated for a reason. One film that has a particularly grounded feel though, at least as far as Ghibli goes, is Hayao Miyazaki‘s Princess Mononoke, and that’s probably the reason why Ghibli has officially licensed a London theater group to put on a live-action stage production. It’s the first-ever of its kind.
Princess Mononoke, adapted by the Whole Hog Theatre, will run from April 2-6, 2013 at the New Diorama Theatre in London. This announcement was originally made in July and prompted quite the response, with the run completely selling out in 72 hours.
After the jump, find out more about how Whole Hog plans on adapting one of Miyazaki’s masterworks and how you might be able to see it yourself. Read More »
This weekend marks the release of the first new Studio Ghibli film on U.S. screens since 2009. It’s called The Secret World of Arriety and besides being a very sweet, enjoyable film, the title is also a great way to describe the world of Ghibli itself. Everything about their productions is shrouded in secrecy. Then, one day, as if by magic, a lovely movie appears, beautifully animated for the world to see.
Due to that level of secrecy, it’s rare that any worthwhile information on a Ghibli project pops up before it’s good and ready. But today it has. After the jump, read some information about a Ghibli project involving a samurai and another potentially by the director of Evangelion. Read More »
So-Cal Studio Ghibli fans jealous that New Yorkers got to see new prints of these classic animated films projected on the big screen won’t have to wait long to get their turn. The Studio Ghibli Collection makes its way to Los Angeles, at both the Egyptian and Aero Theaters, from January 26-February 12.
Fourteen films produced by Ghibli: Nausicaä of the Valley of the Wind (1984),Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki’s Delivery Service (1989), Only Yesterday (1991), The Ocean Waves (1993), Porco Rosso (1992), Pom Poko (1994), Whisper of the Heart (1995), Princess Mononoke (1997), My Neighbors the Yamadas (1999), Spirited Away (2001),The Cat Returns (2002) and Howl’s Moving Castle (2004), will screen both in their original language with subtitles as well as dubbed Englis for younger audiences. Find out how to get tickets and more after the break. Read More »
An Olly Moss print release has become an event of epic proportions. Lines around the block, thousands of people manically mashing their F5 buttons, angry tweets from people who weren’t able to buy one. Moss is one of the most popular artists working today and, if you read /Film regularly, you’re aware of his incredible talents. Mondo has now put those talents to work on an even more exciting announcement. The poster boutique will start releasing posters for the gorgeous and influential films of Studio Ghibli and the first poster, by Moss, is for Hayao Miyazaki‘s classic My Neighbor Totoro. Totoro, along with many other Miyazaki and Ghibli films, are getting 35mm re-releases in theaters soon.
Check out Moss’ new poster, find out how to get one and read more about Mondo’s latest. Read More »
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Posted on Monday, September 5th, 2011 by Angie Han
In the two and a half decades since its inception, Studio Ghibli has consistently put out some of the most beloved classics of animation — from Castle in the Sky and My Neighbor Totoro in the ’80s to more recent projects like Ponyo. So the recent announcement of not one, but two new projects, from studio co-founders Hayao Miyazaki and Isao Takahata, is exciting news indeed. The report of a new film by Takahata (Grave of the Fireflies) is especially intriguing since it’ll be his first feature since 1999’s My Neighbors the Yamadas. Read more after the jump.
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We just saw a new trailer for Arrietty, the Studio Ghibli movie directed by Hiromasa Yonebayashi and co-written by Hayao Miyazaki that was released in Japan not long ago and will hit the US early next year. But there is also a new trailer for another Ghibli film, Kokuriko-Zaka Kara, which was directed by the younger Miyazaki, Goro Miyazaki.
This is one of our first looks at that one, and while it features no English dialogue or titles, you can get a good view of the gorgeous and classic-style animation after the break. Read More »
Posted on Tuesday, July 5th, 2011 by Angie Han
An international English-language trailer has dropped for Studio Ghibli‘s Arrietty, the directorial debut of animator Hiromasa Yonebayashi. The new spot features the UK voice cast, which includes Saoirse Ronan as Arrietty, Olivia Coleman, Tom Holland, and Mark Strong.
Based on Mary Norton‘s classic children’s series The Borrowers, the film revolves around a 14-year-old girl named Arrietty Clock, who is one of a group of tiny people who secretly reside in the homes of regular-sized people and “borrow” supplies from them as needed. When Arrietty is discovered by a human boy, the two strike up a friendship that has big repercussions for the Clocks’ lives. Watch the trailer after the jump.
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Goro Miyazaki, the son of master animator Hayao Miyzaki, will direct a new film for famed company Studio Gibli. The picture will adapt the 1980 manga Kokuriko-Zaka Kara by Chizuru Takahashi and Tetsur? Sayama.
Goro Miyazaki has made one other film for Studio Ghibli: the poorly-received Tales From Earthsea. The poor reception was due to the fact that the film is thin and not particularly compelling; add the weight of expectation based on the fact that the director is the son of one of the world’s greatest animators, and there were very high expectations the film had no ability to meet. But will his second film be a further slump, or a sophomore score? Read More »