For another perspective on Magic Mike, check out Angie’s review.
There is no need to see Magic Mike for its plot. The moment things start to spiral out of control, it becomes quickly apparent that you already know how this cautionary tale of glitz and glamour ends. Boy meets world. World enraptures boy. Boy loses himself to world.
But Boogie Nights this is not. This is a Steven Soderbergh film, which means it lacks the sort of seedy sensationalism that characterized that film’s porn underworld. Magic Mike is a more observational, subtle affair, joyfully capturing the narcissistic pleasure of flaunting your body to a room full of howling women and then softly exposing the limitations of that pleasure.
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Posted on Tuesday, June 26th, 2012 by Angie Han
These days, it’s no longer enough for a movie to just succeed by itself on the big screen — if there’s a movie spin-off, theme park attraction, board game, or stage adaptation to possibly be made of it, someone, somewhere is already working on it. Such is the case with Magic Mike, Steven Soderbergh‘s male stripper pic based on the real-life experiences of star Channing Tatum. Although the film itself won’t open for another few days, screenwriter and producer Reid Carolin says they’ve already been cooking up plans for a Broadway run. Hit the jump for details.
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At this point I don’t think Steven Soderbergh‘s new film Magic Mike needs a whole lot of introduction. For those just catching up, the film is based on Channing Tatum‘s late-teens experience as a male exotic dancer, and features Tatum, Alex Pettyfer, Matthew McConaughey, and more beefy guys as the dancers in a Florida club.
We’ve seen a couple trailers and clips for the film that suggest it has some real comic heart in addition to the obvious selling point of ripped guys taking off their shirts.
But as this new (and rather short) red-band clip shows, the guys also take off their pants. This is pretty tame as red-band clips go, but if you’re put off by the sight of muscled guys in thongs, probably best not to click through. Read More »
Draw a Venn diagram of film that has both mass appeal and is of interest to movie website editors and, dead center, you’ll have Prometheus.
Never in my sixty-eight years of writing professionally online have I banged out so much copy about one title. There is absolutely nothing left to scrutinize – that is, until, the general public sees it and starts floating their own interpretations. This gives us a window (here in the US, anyway) of about one day.
As such, I figured this week’s TBMYPHS should be about the one thing Prometheus-related that hasn’t been overly analyzed – its title. (Prometheus, Greek titan, tied to a rock, hit Wikipedia for more.)
So light yourself a plate of saganaki, it’s time to explore our Greek titular heritage. Read More »
Posted on Thursday, June 7th, 2012 by Angie Han
With shooting already underway, Joshua Michael Stern‘s Steve Jobs biopic is filling in some key supporting roles. (For clarification, this is a distinct project from the Aaron Sorkin-penned Jobs movie set up at Sony, which has yet to begin casting.) The latest addition to the cast is Matthew Modine, who’s slated to play former Apple CEO John Sculley. He was hired by Jobs (Ashton Kutcher) for the post in 1983, but the two men famously struggled to get along. Two years later, Sculley removed Jobs from from his managerial duties, leading Jobs to resign from the company shortly afterward.
In addition to Modine and Kutcher, the picture also stars Josh Gad as Apple co-founder Steve Wozniak and Ahna O’Reilly as Jobs’ girlfriend Chris-Ann Brennan. Stern’s film is due to hit later this year, but first Modine will be seen grappling with another eccentric visionary — Batman (Christian Bale) — in Christopher Nolan’s The Dark Knight Rises. [THR]
After the jump, Dan Aykroyd goes Behind the Candelabra.
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At this point there isn’t much of a science to selling Steven Soderbergh‘s new film Magic Mike. It has a bunch of good-looking guys, led by Channing Tatum, taking their clothes off in a story that is thinly based on Tatum’s own experiences as a youthful exotic dancer. Shocker: there’s an audience for that!
A new clip/trailer really showcases the dudes and one of their choreographed routines — set to ‘It’s Raining Men (Hallelujiah),’ naturally. Check that out below, along with an interview clip in which Tatum gives a quick rundown of the history and the independent nature of the film. Read More »
Posted on Friday, May 18th, 2012 by Angie Han
Now this is what I’m talking about. Whereas the first U.S. trailer for Steven Soderbergh‘s male stripper flick Magic Mike took pains to frame Mike (Channing Tatum) as just a sensitive furniture maker searching for something more than the seedy life of an exotic dancer, the new U.K. trailer plays up the sheer entertainment value of watching these guys get down and dirty. And along the way, it even reveals a bit more about the mentor-protege relationship between Mike and The Kid (Alex Pettyfer) that comprises the main storyline. Watch it after the jump.
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There’s some big movie score news today. Earlier this afternoon Moby was announced as the choice to score The Necessary Death of Charlie Countryman, which has Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen, Melissa Leo and Til Schweiger lined up to star in a story about a guy (LaBeouf) who falls for a girl (Wood) in Europe, only to run afoul of her mobster boyfriend (Mikkelsen) even as his dead mother (Leo) occasionally offers him advice.
It’s Moby’s first job scoring an entire film, which seems fairly surprising given the degree to which film scores have had an impact on his own work. Then again, Moby isn’t someone whose career I’ve followed all that closely, so it’s possible that I’ve missed other flirtations with full scores. But this quirky, noirish story might be a good fit for him.
The news of Moby’s score is eclipsed, however, by Disney’s announcement that Jack White will score The Lone Ranger, which Gore Verbinski is directing with stars Johnny Depp and Armie Hammer. Details on that are below. Read More »
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