If you’re going to study screenwriting, there’s probably worse people to learn from than Aaron Sorkin. The Academy Award-winning writer behind The Social Network, Steve Jobs, A Few Good Men, the far too short-lived Studio 60 on the Sunset Strip, and the first four seasons of The West Wing is making himself available to aspiring screenwriters all across the world. If you want to learn a thing or two from the acclaimed writer, all you have to do is enroll in the Aaron Sorkin online screenwriting course.
Learn more about it below.
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We’re big fans of Steve Jobs at the site. Director Danny Boyle‘s (Slumdog Millionaire) unconventional biopic was no. 5 on our top 15 of 2015, and for good reason. The breathlessly paced, intricately structured, and impeccably acted drama avoided so many pitfalls that plague modern bio films.
Steve Jobs didn’t leave much of a dent at the box-office, but no matter, the film is coming to Blu-Ray, meaning more people will discover screenwriter Aaron Sorkin‘s drama soon.
To celebrate the Blu-Ray release, watch a Steve Jobs featurette below.
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By now if you haven’t had the opportunity to watch The Hollywood Reporters roundtables, including the ones involving the actors and the directors, you should take the time to watch them. THR’s latest roundtable is focused on the cinematographers. This year’s group features Robert Richardson (The Hateful Eight), Alwin Kuchler (Steve Jobs), Masanobu Takayanagi (Black Mass, Spotlight), and more.
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Posted on Thursday, January 14th, 2016 by Jacob Hall
The 2016 Oscar nominations are here and you know what that means: it’s time to start complaining!
To be fair, this year’s nominees gave us a lot to cheer about. Mad Max: Fury Road (/Film’s favorite movie of 2015) walked away with a stunning ten nominations, including Best Picture and Best Director. Other favorites, like Brooklyn, Spotlight, The Martian, and even Bridge of Spies racked up nods. As with any Oscar year, there was just as much to love as there was to hate.
So let’s give into our hate. And our confusion. And and our total bafflement. Because it wouldn’t be the Oscars without a bunch of big, weird surprises throwing everyone off track and inspiring furious debates about how wrong the Academy is on a yearly basis. Let’s run down the biggest snubs of the year.
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The /Film team has spent the first week of 2016 saying goodbye to 2015 in the best way possible – by assembling our personal top 10 films of the year lists. Each of these lists represents one writer’s specific viewpoint, celebrating the movies that matter the most to them. These lists are, by their very nature, deeply personal.
But what would a year-end list representing the entire site as a whole look like? Could we take these personal lists and merge them into one uber-list that reflects our combined tastes?
That’s what we set out to discover. Blood was spilled. Tears were shed. Numbers were crunched. But we did it. This is the official, mathematically proven /Film Top 15 Films of 2015.
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You know the drill. 2015 had plenty of great movies hit the big screen, and it was pretty difficult to whittle this list down to what you’ll see below. Surely your favorite movies are not the same as mine. My list is by no means meant to be definitive, especially since there are some movies I’ve heard great things about but just haven’t seen yet (my apologies to Carol and The Revenant). This is a collection of my personal Top 10 Movies of 2015, the ones that made me laugh really hard, made me cry or just hit all the right buttons. So let’s get to it. Read More »
Posted on Wednesday, January 6th, 2016 by Angie Han
The long, exhausting journey through awards season continues today, as the Writers Guild of America announce their nominations for their 2016 honors. As it turns out, they like a lot of the same things the Producers Guild and the Screen Actors Guild do, namely Spotlight, The Big Short, and Straight Outta Compton. They are, however, the only one of the three guilds to put Trainwreck in the race. Read the list of 2016 WGA Awards nominations after the jump. Read More »
Posted on Tuesday, January 5th, 2016 by Angie Han
It doesn’t matter how many resolutions I make: the next New Year always arrives before I’m ready to close the book on the previous year’s movies. There are too many movies I still haven’t seen (maybe next year, Paddington), or movies that probably deserve a rewatch (sorry, Carol), or movies I’m still not quite sure how to process (yeah, I’m still mulling over The Hateful Eight). But we’ve gotta wrap up 2015 sometime, and the first week of 2016 seems as good a point as any to stop and look back.
As always, I’d like to stress that these are not the “best” films of the year. They’re simply my favorites — the films that made me just a little bit happier, a little bit smarter, a little bit better at being a person in this weird wide world. After the jump, join me in counting down my top 10 movies of 2015. Read More »
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Posted on Monday, November 16th, 2015 by Angie Han
Despite an impressive cast, glowing reviews, and a promising limited debut, Steve Jobs flopped hard when it went wide. In the days and weeks that followed, pundits both amateur and professional offered their best theories on why the film had failed commercially, with explanations ranging from poor timing to a lack of star power.
Now director Danny Boyle has offered his two cents as well. As he sees it, the film rolled out wide too soon, not giving it time to build momentum. However, he’s quick to clarify that he “wouldn’t criticize” Universal for their strategy. Read More »
Aaron Sorkin is a little bit of a softie. Moneyball, Studio 6o on Sunset Strip, and Steve Jobs aren’t without heartwarming moments. In fact, in the case of Sorkin’s latest, some audiences and critics have taken issue with how soft the film goes in the final minutes. But Sorkin defends the ending. Read his comments on the Steve Jobs ending after the jump. (Warning: spoilers for Steve Jobs ahead.)
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