Steve Jobs

Despite an impressive cast, glowing reviews, and a promising limited debut, Steve Jobs flopped hard when it went wide. In the days and weeks that followed, pundits both amateur and professional offered their best theories on why the film had failed commercially, with explanations ranging from poor timing to a lack of star power.

Now director Danny Boyle has offered his two cents as well. As he sees it, the film rolled out wide too soon, not giving it time to build momentum. However, he’s quick to clarify that he “wouldn’t criticize” Universal for their strategy.  Read More »


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Tim Cook talks Steve Jobs movies

Aaron Sorkin is a little bit of a softie. MoneyballStudio 6o on Sunset Strip, and Steve Jobs aren’t without heartwarming moments. In fact, in the case of Sorkin’s latest, some audiences and critics have taken issue with how soft the film goes in the final minutes. But Sorkin defends the ending. Read his comments on the Steve Jobs ending after the jump. (Warning: spoilers for Steve Jobs ahead.)

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Aaron Sorkin

Aaron Sorkin (The Social Network) often writes about characters in the workspace, so it’s not surprising to learn he once half-envisioned a Pixar movie about office supplies. Back in the 1990s, Sorkin was approached about writing a movie for the studio, but nothing ever came of it.

However, if you’ve ever wanted to know what that Aaron Sorkin Pixar movie would’ve looked like, find out after the jump.

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/Filmcast Ep. 339 – Steve Jobs


David, Devindra, and Jeff figure out a 3-stage system for shushing people at the symphony, debate the merits of YouTube Red, and marvel at one-shot wonder Victoria.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook!
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aaron sorkin screenwriting tips

I’ve rarely felt this annoyed in a movie theater. Next to me, during a screening of Steve Jobs, an elderly couple loudly whispers comments to each other every few minutes. With each line of dialogue they distract me from basking in, the more frustrated I grow. I’m afraid to ask them to keep quiet — not because I care how they’ll react, but out of fear of missing another line from the movie.

Aaron Sorkin writes anti-bathroom break movies. You don’t want to miss a scene or a line of his, especially in the case of his latest piece of work, the breathless, unrelentingly paced, and intricately structured Steve Jobs. By now, such an exciting piece of drama seems like a foregone conclusion from one of Hollywood’s most prolific, acclaimed, and all-around successful screenwriters. But past and present interviews with him have revealed not only how he pulls off these feats of genius, but how to start if you’re trying to create your own.

After the jump, learn writing tips from Steve Jobs screenwriter Aaron Sorkin.

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Danny Boyle Steve Jobs interview

Danny Boyle‘s Steve Jobs is my favorite movie of the year so far. I love so much about this film. I love how it’s a biopic without being a biopic. I love how it captures the truth and essence of a person, but probably 90% of the events and conversations in the movie never happened (or at very least, not at a keynote). I love Aaron Sorkin‘s intense dialogue and Michael Fasbender‘s performance — he may not look like Steve Jobs at the start of this movie, but by the end of the movie he transforms into the man.

Hit the jump to read my Danny Boyle Steve Jobs interview.

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28 Months Later

28 Months Later will probably happen at some point. While the sequel, 28 Weeks Later, wasn’t as successful or as cheap as Danny Boyle‘s (Steve Jobs) original film, it performed well enough not to kill off the series. Juan Carlos Fresnadillo‘s sequel is also a good movie, so it’s not like audiences would have an allergic reaction to another one of these films. Who will direct the third installment has always been a question mark, but 12 years after creating this zombie-infested world, Danny Boyle still might direct 28 Months Later. Learn more after the jump.

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Steve Jobs

Were you to go into Steve Jobs having no idea who Steve Jobs was, Steve Jobs wouldn’t really tell you. The character (played by Michael Fassbender) explains to a pissed-off Steve Wozniak (Seth Rogen) at one point that he “play[s] the orchestra” like a symphony conductor — but as Wozniak points out, it’s one of those sentences that sounds cool but doesn’t really mean anything in concrete terms.

For most biopics, this would be a failing, but for a Steve Jobs biopic in 2015, it’s an asset. We don’t need a movie to tell us who Steve Jobs is as a tech guru. I’m currently typing this review on my Apple keyboard, which is linked to my MacBook Air, with my iPhone 6 by my side; I know exactly who Steve Jobs, Apple CEO, is. Steve Jobs feels a revelation because it exposes Steve Jobs, the man.  Read More »

Steve Jobs

Critics love Steve Jobs, but among those who knew the man personally, reactions to the project have been more mixed, to say the least. A new report claims Jobs’ widow Laurene Powell Jobs actively lobbied actors like Leonardo DiCaprio and Christian Bale to turn down the project, while Apple design chief Jony Ive has spoken out against the film. Read the Steve Jobs movie Laurene Powell Jobs and Jony Ive objections after the jump. Read More »