Fans waiting to see either World War Z or Star Trek Into Darkness before the summer movie season ends are about to get another chance. Hoping to fill a pretty big hole in the release schedule on the summer’s final weekend, Paramount is presenting a double feature of their two summer hits for the price of one ticket. The run starts Friday August 26 and ends Thursday September 5. Read More »
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Memories seem to get shorter during the summer movie season. Even if we’ve been following a blockbuster for years, the instant it opens, we’re on to the next one. Who cares about Iron Man 3, Star Trek Into Darkness, or Fast and Furious 6, when Man of Steel is coming, right? But once that’s out, it’ll be on to Pacific Rim and then The Wolverine, extending through to the release of Star Wars Episode IX, Star Trek 5 and Spider-Man vs. The Avengers.
On that note, it’s good to step back and dig into these blockbusters after we’ve had our way with them. Take Star Trek Into Darkness, for example. The J.J. Abrams-directed sequel is still in theaters. Whether you love it, hate it, or or are somewhere in the middle, it’s a towering technical achievement. There are IMAX 3D scenes, massive digital effects and the re-introduction of the most famous Trek villains of all: The Klingons, sure to appear in a third film.
After the jump, check out some concept art detailing the look of the Klingons in the film as well as some designs of the spacesuits. Read More »
Some of Red Letter Media‘s movie breakdowns and reviews featuring the Mr. Plinkett character are more self-indulgent than others, with drunk/gross jokes getting in the way of the movie talk. Maybe that’s par for the course when talking about some of the films being discussed, as they can be pretty self-indulgent as well.
Case in point is Star Trek Into Darkness, which Red Letter Media takes to task in a new video. The subject is not the film’s general plotting and storytelling, but its specific reliance on ideas featured in previous Star Trek stories. It’s no shock that the film’s “secret” villain gets a lot of time here, but Into Darkness borrows lot more from previous Trek tales than some viewers realize.
Granted, with a narrative series as long-running as Trek there’s bound to be some overlap between elements. But for those who haven’t memorized the nuts and bolts of all the previous movies and TV episodes, there will be a few eye-opening mentions in the video below. There’s healthy dose of Plinkett nonsense here, much of it not safe for work, but you’ll also find a detailed rundown of the many Trek ideas that get a “second life” in this year’s film. Read More »
Posted on Friday, May 24th, 2013 by Angie Han
It’s more or less impossible to reboot a massively popular franchise for the big screen without drawing the ire of a few fans, but one major criticsm plaguing Star Trek Into Darkness in recent days has nothing to do with J.J. Abrams‘ Klingon redesign or use of parallel timelines. Midway through the film, there’s a brief scene in which the character Carol Marcus (Alice Eve) strips down to her underwear for no apparent reason. Some fans called filmmakers out for being sexist, and so far writer Damon Lindelof has stepped up to offer his apologies.
The minor controversy was fresh in my mind when I went to go see Fast & Furious 6, which, as you’d expect, outdoes Star Trek Into Darkness‘ tiny sliver of cheesecake on every level. All of the female stars of Fast & Furious 6 are conventionally attractive to begin with, and none shy away from wearing form-fitting outfits or showing off a bit of cleavage. Additionally, scantily clad female extras are used in several sequences as little more than set decoration. And yet I walked away from Fast & Furious 6 thinking that director Justin Lin and his crew could teach the Star Trek team a thing or two about portraying female characters on screen.
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Posted on Thursday, May 23rd, 2013 by Angie Han
By now, you’ve probably heard about the controversy over Star Trek Into Darkness‘ infamous Carol Marcus underwear scene. The moment has attracted enough criticism that writer Damon Lindelof has apologized for it on Twitter. Now director J.J. Abrams has stepped up to offer his own take on the matter.
Disgruntled fans looking for an apology will be disappointed by Abrams’ response; while the filmmaker admits that the scene he didn’t “quite edit the scene in the right way,” he falls short of actually saying he’s sorry. He does, however, attempt to even the score by offering a peek at a deleted scene featuring Benedict Cumberbatch‘s character in the shower. Hit the jump to watch it.
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Devindra weighs in on The Place Beyond the Pines, Joanna praises Orphan Black, and Dave describes what a film festival q&a meltdown looks like.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993.
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When the subjects are good, no amount of time is sufficient to do an interview. That goes double when you’re speaking with two producers of one of the summer’s closely scrutinized films: Star Trek Into Darkness. Preparing to speak to producer Bryan Burk and producer/co-writer Damon Lindelof, I prepared two dozen questions for a ten-minute interview. I asked three.
Thankfully, the answers were illuminating. Mainly, we talked about the process that the pair went through to decide on the film’s villain, along with director J.J. Abrams and co-writers Roberto Orci and Alex Kurtzman. The pros and cons of the choice; how Star Trek: The Next Generation influenced that decision; and how the reveal changed the selling of the movie all came up. Finally, I asked Burk would repeat that process for his next film, Star Wars Episode VII. Read More »
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Stardate December 10, 2012. A group of journalists are invited to Bad Robot in Santa Monica, CA to learn a little bit more about J.J. Abrams‘ Star Trek Into Darkness. At this time everyone was still unclear who, exactly, Benedict Cumberbatch was playing in the film. Rumors about his character were relentless. To cut the question off at the pass, Abrams himself led everyone into a screening room to show some footage. He explained this was footage no one would see again for several months, we shouldn’t tell anyone we saw it, but it would clear some things up.
With Star Trek Into Darkness now in theaters, it’s time to talk about that footage because what we saw and what’s now playing are very, very different. This change exemplifies not only the lengths Abrams went to preserve the theatrical film experience, but it opens up the discussion for exactly why secrecy was so important. Read More »