There are plenty of clothing lines celebrating the biggest franchises in cinema today, from Star Wars to the Marvel Cinematic Universe to anything and everything related to LEGO. But the works of Stanley Kubrick don’t often get much in the vein of cool merchandise for cinephiles to show their love for the legendary filmmaker. Mondo is doing their best to combat that with a new line of clothing honoring one of Kubrick’s greatest contributions to film.
2001: A Space Odyssey is one of the most influential sci-fi films of all time, and now you can let everyone know that you’re all about putting your clothing to the fullest possible use, which is all I think that any conscious entity can ever hope to do.
Check out the Mondo 2001 A Space Odyssey t-shirt collection below. Read More »
We feature plenty of collectible artwork here at /Film, but nearly all of them pay tribute to movies and TV, but not the people who make them. That changes today with a series of filmmaker portraits that are positively stunning.
Julian Rentzsch has created a series of portraits paying tribute to iconic directors such as Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Alfred Hitchcock, Christopher Nolan, Stanley Kubrick and more. Check out the Julian Rentzsch director portraits after the jump. Read More »
Since it’s October, you’re bound to catch Stanley Kubrick‘s psychological horror masterpiece The Shining at some point (hopefully not ruined by being cut for time and content on television). Of course, even though the movie is perfect for Halloween, it’s really the kind of twisted thriller that can be watched anytime. One of the film’s biggest fans is Mythbusters co-host Adam Savage, and he recently showed just how much love he has for the classic when heundertook quite the massive project for Tested.
Adam Savage has created an intricate model of the terrifying Overlook Hotel maze from the movie. It’s a beautiful, incredibly detailed piece of work that is impressive even when compared to everything else Adam Savage has done before.
Check out The Shining maze model after the jump. Read More »
If you’re more than a casual fan of either Steven Spielberg or Stanley Kubrick, then you likely know that the film A.I. Artificial Intelligence is basically a collaboration between the two filmmakers. Kubrick began working on the film in the 1970s and kept developing it through the 90s, mostly because he didn’t believe technology would effectively allow him to create the lead character David in the way he wanted.
In 1995, Kubrick handed the project to Steven Spielberg, who would run with it starting in 1999 following the death of the iconic director behind The Shining, A Clockwork Orange and 2001: A Space Odyssey. However, when you look at some parts of A.I. Artificial Intelligence, it’s almost as if Kubrick was looking over Spielberg’s shoulder. There are some striking similarities in shots between the 2001 sci-fi film and Kubrick’s previous work.
Watch the Steven Spielberg Stanley Kubrick side-by-side shot comparison after the jump. Read More »
This year doesn’t mark a special anniversary for Stanley Kubrick‘s horror masterpiece The Shining, but that’s not stopping the United Kingdom from enjoying a theatrical re-release of the movie next month. Just in time for Halloween, The Shining will return to select theaters in the UK, and this time it will be what our friends across the pond refer to as the international cut.
Those of us in the United States have always known the longer version of The Shining, which stands at 144 minutes. But the theatrical release of the film in the United Kingdom had 24 minutes cut from the movie back in 1980. Now they get to see the movie Stanley Kubrick intended everyone to see it all its glory in the form of a a new digital transfer by Warner Bros. Pictures.
Watch The Shining UK re-release trailer after the jump. Read More »
Slow motion is used so often today that it’s easy to forget that filmmakers use it as a storytelling tool beyond making action simply look cool. A new video essay dives into the art of slow motion in film by showing how various directors like Martin Scorsese, Quentin Tarantino, Stanley Kubrick, Brian De Palma and more use the tool in different ways.
Learn about how these directors use slow motion in movies after the jump. Read More »
In June 1987, in an interview for The New York Times, Stanley Kubrick spoke glowingly about a series of Michelob beer commercials.
“They’re just boy-girl, night-fun,” Kubrick praised, “leading up to pouring the beer, all in 30 seconds, beautifully edited and photographed. Economy of statement is not something that films are noted for.”
That piece published on a Sunday. The following day—after interested parties tracked down who was responsible for these spots—the phone of fashion photographer turned commercial director Jeremiah Chechik started rining off the hook.
Living up to that hype, Jeremiah Chechik’s first feature, Christmas Vacation, dazzled at the box office. Over the next decade, Chechik continued to rise up the ranks, establishing himself as a profitable director and, perhaps as importantly, a director known to work well with actors and the studios. Which is why, in the mid-‘90s, he was tapped by Warner Bros. to direct a $60 million summer action film based on a popular ‘60’s British TV show called The Avengers. With a stellar cast (Ralph Fiennes, Uma Thurman and Sean Connery) a legendary producer (Jerry Weintraub) and a top-tier British screenwriter (Don Macpherson), The Avengers seemed like a can’t miss film.
Unfortunately though, it missed the mark by a wide margin and drastically changed the trajectory of Jeremiah Chechik’s career. But what, at first, may have looked like a fall from grace wound up leading Chechik to terrific success in another medium. To find out what went wrong and then, ultimately, what went right, we spoke with the talented filmmaker and took a stroll down memory lane…
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Update From Editor Peter Sciretta: The Hollywood Reporter confirms the rumors that filmmaker Cary Fukunaga is in talks to direct Stanley Kubrick’s abandoned passion project Napoleon, with David Leland writing the miniseries for HBO. Jack Giroux’s original story from May 18th 2016 follows.
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Unless Dirty Grandpa tickled you to tears this past weekend, you probably consider this another “dump month” January. While plenty of December releases are still killing it at the box office and there’s still time to catch up on the major Award nominees, it’s more likely that you’ve been stuck with your streaming options these past few weeks. There’s no shortage of quality movies on Netflix, and a few more notable titles are coming to the streaming service soon.
Find out the best movies coming to Netflix in February 2016 after the jump.
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While some movies are immediately beloved and acclaimed, destined to be one of the films we talk about every year for decades, others come and go without much pomp and circumstance. One of those movies seems to have been A.I. Artificial Intelligence, the former Stanley Kubrick project that was completed by Steven Spielberg and released in 2001.
The film certainly wasn’t a dud, but it wasn’t universally acclaimed either. At the time, Rotten Tomatoes wasn’t used as a reference point for the quality of a movie, but retrospectively, it has a 73%, which is a decent score for such a dense, wandering sci-fi fairytale of sorts.
Over the years, as the film has gotten older, some critics and bloggers have revisited the film, finding it to even improve with age and reexamination. And that’s just what a new video has done, examining the film in a 15-minute visual study. Watch the Artificial Intelligence video essay after the jump! Read More »