Posted on Tuesday, August 23rd, 2011 by David Chen
This week, Dave, Devindra, and Adam compare the classic Straw Dogs to Rod Lurie’s new remake, try to get excited about a new Blade Runner film, and wonder whether or not story still matters in modern movies. Special guest Jordan Raup joins us from The Film Stage.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Tune in on Sunday night (8/28) at Slashfilm’s live page at 10 PM EST / 7 PM PST as we review Don’t Be Afraid of the Dark.
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IFC Midnight and Dark Sky Films have released a new image and official plot synopsis for Stake Land, one of my favorite films from Fantastic Fest 2010. The movie is a combination of Children of Men. 28 Days Later, The Road, and Y: The Last Man, set in the not too far future, in a post apocalyptic world overrun by vampires. Somewhat episodic, the movie was made on an incredible low budget but they were somehow able to create a world which feels more expansive than most Hollywood films of the same genre. Hit the jump to see a new photo from the film, followed by an official plot synopsis.
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Last night we got a brief preview of some of the films that will appear in the always-entertaining Midnight Madness lineup at this year’s Toronto International Film Festival. Now we’ve got the full nine, which in addition to the three announced last night (Super, Bunraku and The Butcher, The Chef and the Swordsman) include John Carpenter‘s The Ward, Brad Anderson‘s Vanishing on 7th Street and Insidious, by James Wan.
But TIFF isn’t stopping there: a whole host of other high-profile films were announced for the fest today. They include Clint Eastwood‘s Hereafter, Casey Affleck‘s I’m Still Here, Matt Reeves‘ Let Me In, Dustin Lance Black‘s directorial debut What’s Wrong With Virginia? and the Will Ferrell dramedy Everything Must Go, along with confirmation of Danny Boyle‘s 127 Hours, for which there’s a new photo. (Above.) This year’s TIFF looks like a good one: check info about all the films after the break. Read More »
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