One of the most promising young filmmakers out there today, Duncan Jones, hasn’t even released his second film yet but he’s already starting to think about the follow-up. After his phenomenal debut film Moon, Jones is about ready to let us all enter the Source Code on April 15 with Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan. And while there had been much talk (and concept art and script reviews) that would suggest Mute would be Jones’ next film, that doesn’t seem to be the case.

In an interview with We Got This Covered, Jones revealed that Mute is in “limbo” and he wants his next film to be his homage to Blade Runner. “It will be a city based future film,” Jones said. Read what happened to Mute and more about this “city based future film” after the jump. Read More »

What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 35 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!

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Source Code UK Trailer

Summit Entertainment has released a UK movie trailer for Source Code, the sophomore feature from Moon director Duncan Jones on Heyuguys. The trailer begins much like the previously released domestic release, but varies a bit along the way and features a bunch of different footage along the way.

The script had high praise in industry circles and has a clever premise, basically a mystery thriller set in a ten minute span of time Groundhog Day-style. Jake Gyllenhall plays a soldier who is part of an experimental program to ferret out the origin of a terrorist attack on a train. His psyche is projected into the body of a passenger on the train, and he relives the attack multiple times as he tries to trace it back to the point of origin. Michelle Monaghan, Vera Farmiga and Jeffrey Wright are in the cast as well. The Source Code script has had some revisions done by Billy Ray but was originally written by Ben Ripley.

Watch the trailer embedded after the jump. Please leave your thoughts in the comments below.
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The South by Southwest (SXSW) Film Conference and Festival has announced the opening night film for the 2011 festival. Source Code, the second film from Moon director Duncan Jones, will have its world premiere on March 11, 2011, the opening night of the fest. Read More »

Clint Mansell is one of my favorite film composers working today, and has been since hearing his first work on Darren Aronofsky’s Pi. His incredible score for Requiem for a Dream has been re-purposed in countless trailers and commercials over the years. He has continued to work on Aronofsky’s projects over the years and his Tchaikovsky-inspired score for Black Swan is nothing less than brilliant.

Mansell’s work on Duncan Jones’ feature big screen debut Moon was met with acclaim as well, and I was very excited to hear what Clint had up his sleeves for his second Jones collaboration, on the film Source Code. I had even heard a bit of early music Mansell created for the opening credits while on a visit to the editing room.  But it appears that it was not meant to be. Clint Mansell will not be scoring Source Code after all.

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This week, David Chen, Devindra Hardawar and Adam Quigley discuss the pleasures of surrendering your intellectual property to Amazon, offer their thoughts on the trailers for Source Code, Green Lantern, and Cowboys and Aliens, and announce the winners of the Scott Pilgrim contest(!). Special guest Dave Gonzales joins us from Latino Review.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. There will probably be no broadcast next Sunday. Have a Happy Thanksgiving!

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Movie Trailer: Duncan Jones’ ‘Source Code’

Summit Entertainment has released the first movie trailer for Source Code, the sophomore feature from Moon director Duncan Jones. The script had high praise in industry circles and has a clever premise, basically a mystery thriller set in a ten minute span of time Groundhog Day-style. Jake Gyllenhall plays a soldier who is part of an experimental program to ferret out the origin of a terrorist attack on a train. His psyche is projected into the body of a passenger on the train, and he relives the attack multiple times as he tries to trace it back to the point of origin.

Michelle Monaghan, Vera Farmiga and Jeffrey Wright are in the cast as well. The Source Code script has had some revisions done by Billy Ray but was originally written by Ben Ripley. Watch the trailer embedded after the jump. Please leave your thoughts in the comments below.

Read More »

Thanks to the ongoing American Film Market, we’ve got a bit more info about Source Code, the sophomore feature from Moon director Duncan Jones. We should be seeing a trailer within the next couple months, but until then this long, and possibly spoilerish synopsis will have to do. Read More »

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This is my favorite news so far today: Clint Mansell will provide the score for Source Code, the second film from director Duncan Jones. Mansell is the composer who has worked on all of Darren Aronofksy’s films, and whose score for Jones’ debut feature Moon was a tremendous contribution to that film’s atmosphere. Read More »

Cool Posts From Around the Web:

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The first image from Source Code, the new film from Moon director Duncan Jones, has appeared online. It’s not a staggeringly exciting photo, but it does show Jake Gyllenhaal in character and dual-wielding a gun and cell phone. What’s really going on there? No idea. We know the actor plays a soldier who is brought into a government program designed to investigate terrorism; Gyllenhaal’s consciousness is placed into the body of a civilian who experienced a terrorist bombing, and he must live through repetitions of the event to find out who was responsible.

The image is scanned from the latest issue of Empire (scan via Film Source Code) which also reveals that a March 11, 2011 release date has been set for the film, at least in the UK. Jones recently said that his edit was complete and the visual effects were underway and a composer being chosen. He estimated a release early next year, so this March 11 date fits right in with what we expected.

Slightly fuller image is after the break. Read More »