The Disney Channel is quickly becoming something geeks need to keep an eye on. If having a brand new Star Wars series on it this week wasn’t enough, their long running hit Phineas & Ferb continues to attract in A-List geek talent. They’ve already done Star Wars episodes, Marvel episodes, Damon Lindelof wrote an recent Lost-themed episode, and soon Simon Pegg and Nick Frost will appear as their Shaun of the Dead characters Ed and Shaun. What could bring those two iconic character to the show? You can watch the Shaun of the Dead animated clip below and find out. Read More »
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The films of Edgar Wright are known for their eclectic musical choices, but it’s the pop song choices that are typically revered. The scores are highly underrated, to the extent the score for Wright’s first film, Shaun of the Dead, has never been available anywhere in any format.
That changes this weekend at MondoCon in Austin, TX. Mondo will release the Shaun of the Dead score by Daniel Mudford & Pete Woodhead on vinyl as part of a carnival style, record-tossing booth. There are two editions, too, both with cover art by Jock.
But that’s not all. Previously announced, Mondo will release LPs of Nathan Johnson‘s score to Rian Johnson‘s Looper and Alex North‘s abandoned score for 2001: A Space Odyssey. Both have art by Jay Shaw.
Below, check out looks of all the LPs and read more information about them. Read More »
Posted on Tuesday, August 19th, 2014 by Angie Han
The Cornetto trilogy is done for good, but some of its characters will live on. For a few minutes, anyway. Shaun of the Dead stars Simon Pegg and Nick Frost are set to reprise their roles for an episode of the Disney Channel series Phineas and Ferb.
More details about the Phineas and Ferb Shaun of the Dead reunion after the jump.
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Who doesn’t love a good video essay, especially when it’s timely and eye-opening? Enter Tony Zhou, who ade an 8-minute video called “Edgar Wright – How To Do Visual Comedy.” The thesis here is basically that most mainstream comedy is directed in a very lazy way. There are close-ups of people talking, recognizable landmarks, pop music playing, and other such staple elements. For his own films, on the other hand, Wright comes up with fun, innovative ways to portray scenes other movies would do simply. This energy and pizazz naturally creatures humor in the filmmaking, instead of just relying on a screenplay.
This thesis is especially interesting considering the rumors of Wright’s departure from Ant-Man over creative differences. Did Marvel and Disney not trust Wright would make Ant-Man everything they wanted it to be? Check out the video Edgar Wright comedy below. Read More »
Posted on Wednesday, January 29th, 2014 by David Chen
The first time I saw Edgar Wright’s Shaun of the Dead, I was blown away by the close-ups. They seemed to bombard me at every turn in the film, their rapid-fire nature grabbing me by the metaphorical collar and pulling me face first into the next scene. Wright went on to make several more films which make ingenious use of the close-up, and I became so intrigued by these shots. What was Wright’s purpose for them in each film? Why did he seem to employ them so copiously? How did he fit them into his shooting schedule?
Edgar Wright generously agreed to chat with me at length on this topic. I edited our conversation into a video essay exploring the art of close-ups. Check it out after the jump and be sure to pick up Edgar’s The World’s End on Blu-Ray when you get the chance.
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Los Angeles residents are incredibly spoiled when it comes to pop culture art events. Most of that is because Jensen Karp and Katie Cromwell opened not one but two Gallery 1988 locations in the City of Angels. Every few weeks, a new art exhibit goes on the walls celebrating either an artist or subject, usually with a pop culture theme. Lost, Breaking Bad, Edgar Wright, Judd Apatow, the list of awesome Gallery 1988 subjects goes on and on. If you don’t live in Los Angeles, usually you can’t experience these for yourself.
That’s why, in 2011, Cromwell and Karp released a beautiful coffee table book called Crazy 4 Cult, based on the Gallery’s signature exhibit. Next week, they’re releasing the sequel, Crazy 4 Cult 2, and we got Karp to exclusively explain some of his favorite images in the book. They’re based on Ferris Bueller’s Day Off, Shaun of the Dead, Rushmore, Pee Wee’s Big Adventure, Donnie Darko, Willy Wonka, Coming to America, Back to the Future and Wet Hot American Summer. Read More »
Posted on Thursday, August 29th, 2013 by Angie Han
How can you get “The Ultimate Insidious Experience”? Find out after the jump. Also:
- Daniel Craig wants more “irony” in Bond 24
- How did Shaun of the Dead inspire The World’s End?
- The Scorpion King 4 is a thing that is happening
- The new Transformers 4 logo has claw marks
- Toys R Us is ready for the influx of Dinobots toys
- Vin Diesel flirts and fights in new clips from Riddick
Read More »
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In just over one week, Edgar Wright‘s fourth feature film, The World’s End, hits theaters in the US. That’s as good an excuse as any to look back at Wright’s previous films and celebrate our shared love of them. Those films, of course, are Shaun of the Dead, Hot Fuzz and Scott Pilgrim vs. The World. There’s also the amazing TV show Spaced that acted as a precursor to those films.
Wright’s work has been immortalized in various media (such as Mondo posters, original paintings, and gig posters) and Gallery 1988 West in Los Angeles is doing all that and then some. On Tuesday August 20, they’re hosting The Official Edgar Wright Art Show and we’re happy to share a pretty healthy sampling of works that’ll be on display including a few exclusive debuts. Read More »