Ten Thousand Saints, which comes from the American Splendor team of Shari Springer Berman and Robert Pulcini, has an incredible cast for a story set at a tense period in New York City history. Ethan Hawke, Asa Butterfield, Hailee Steinfeld, Emile Hirsch and Emily Mortimer play a collection of characters who create an unlikely extended family finding their way through Manhattan in the days of hardcore punk and the Tomkins Square Park riot of 1988.
This Ten Thousand Saints trailer doesn’t show much of Hirsch as the leader of a straight-edge hardcore band (that’s him on the mic in the background of the image above), but it does introduce Asa Butterfield as his damaged younger brother, Hailee Steinfeld as the young woman caught between them, and Ethan Hawke as the boys’ rakish, charming dad, imported more or less directly from Boyhood. Read More »
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It would’ve been easy for Kristen Wiig to keep riding the Bridesmaids train with a sequel. Lord knows Universal would’ve been happy if she did. But instead, the Saturday Night Live alum took the road less traveled with a string of indies, including her passion project Girl Most Likely (formerly Imogene).
Directed by American Splendor‘s Shari Springer Berman and Robert Pucini, the comedy follows a New York playwright (Wiig) who’s released into the care of her Jersey-trash mother (Annette Bening) following a suicide attempt. Mom and daughter don’t exactly get along, and tensions are high at first, but… well, you can probably guess where this is headed. Matt Dillon and Darren Criss also star. Watch the first trailer after the jump.
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Posted on Wednesday, November 16th, 2011 by Angie Han
Kristen Wiig has been trying to get the dark comedy Imogene off the ground for a few years now, but it wasn’t until she found huge success in this spring’s Bridesmaids that things really started to pick up with her passion project. Now Imogene is shooting in various locations throughout the U.S. with American Splendor directors Shari Springer Berman and Robert Pulcini at the helm, and the first images and a poster have hit the web.
Scripted by Michelle Morgan, the story follows a New York-based playwright (Wiig) who fakes a suicide in order to get her ex-boyfriend’s attention. Instead of winning him back, however, she ends up forced to move in with her gambling-addicted mother (Annette Bening) in New Jersey. Matt Dillon, Darren Criss, and Natasha Lyonne also star. Check out the photos after the jump.
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Here’s a lovers and spouses collection of casting news, leading off with a nice change of pace report of an actor being cast as the ‘love interest’ for a major actress, rather than the other way around. After the break you’ll find:
- Matt Dillon will woo Anette Bening in Imogene,
- The Killing actress Mireille Enos joins Gangster Squad,
- Stephanie Szostak cozies up to Ryan Reynolds in RIPD,
- and some of the Jersey Shore knuckleheads appear with famous fictional whackos The Three Stooges.
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We’ve got a diverse set of projects on which to report in this latest casting break: a political prestige project, a more routine-sounding thriller, and a dark comedy with quite a good pedigree. After the break, you’ll find:
- Brit Marling seems to have settled on Robert Redford’s The Company You Keep as her next big role,
- Gerard Butler will play a rogue former FBI agent in The Bricklayer,
- and Natasha Lyonne joins Kristen Wiig’s passion project, Imogene. Read More »
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Posted on Monday, April 11th, 2011 by Angie Han
These days, reality television may be considered by some to be a blight on our cultural landscape, but there was a time when it offered a more honest counterpoint to the idealized families being portrayed on American sitcoms. Back in the early ’70s, filmmaker Craig Gilbert conceived of a documentary series about a California household as a response to shows like The Brady Bunch. The show, “An American Family,” was considered groundbreaking at the time, and is now thought of as one of the earliest examples of reality television.
HBO Films’ Cinema Verite, directed by Shari Springer Berman and Robert Pulcini (American Splendor), tells the story of the making of “An American Family.” James Gandolfini stars as Gilbert, while Diane Lane and Tim Robbins play the parents of the Loud family. We’ve featured spots for the movie here before, and a new trailer has just been released. Check it out after the jump.
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Long before The Real World, Survivor or Jersey Shore, producer Craig Gilbert created An American Family. The PBS documentary special that aired in 1973 was unlike anything ever put on television. It chronicled the real life, daily struggles of the Louds, a seemingly perfect California family who were not only catapulted to fame by the film, but helped usher in a whole new genre: reality television. Cinema Verite is an HBO Original Film that tells the behind the scenes story of this groundbreaking piece of popular culture, starring James Gandolfini as producer Craig Gilbert along with Diane Lane and Tim Robbins and Mrs. and Mrs. Loud, the main subjects of the film.
Directed by Shari Springer Berman and Robert Pulcini (American Splendor), Cinema Verite premieres on HBO April 23. We recently highlighted a first glimpse at the film but you can check out the full trailer after the jump. Read More »
Posted on Wednesday, February 16th, 2011 by Angie Han
Reality stars are a dime a dozen these days, but HBO Films’ Cinema Verite takes us back to a time when that wasn’t the case. The film dramatizes the behind-the-scenes action surrounding PBS’ 1973 documentary series An American Family, which HBO’s marketing team is referring to the first reality show. The series followed a Santa Barbara family called the Louds as parents Pat and Bill filed for divorce.
Cinema Verite stars Diane Lane and Tim Robbins as Pat and Bill, Thomas Dekker (Terminator: The Sarah Connor Chronicles) as son Lance, and James Gandolfini as producer Craig Gilbert. It was directed by husband and wife team Shari Springer Berman and Robert Pulcini (American Splendor, Wanderlust), and written by David Seltzer (1976’s The Omen). Pretty good pedigree, right? Watch the trailer and read the official synopsis after the jump. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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