Posted on Friday, February 6th, 2015 by Angie Han
1995 doesn’t feel like it was so very long ago. If you were alive in that era, you probably still remember oohing and ahhing over Toy Story‘s CG-animated surfaces for the very first time, or meeting a brand new 007 in Pierce Brosnan. But in fact, you are wrong. 1995 really was that long ago. At least we still have some favorites of the era to take us back. Even if we’re now streaming them on iTunes instead of popping them into our VCRs.
We’re not saying these are the best films of 1995 — that’s a conversation for another time — but these are the ones that stuck with us. Some because they’ve become reliable favorites, some because they still feel remarkably fresh, and others because they’re so hilariously 1995, they couldn’t possibly have been made at any other time. Join us in revisiting 20 films turning 20 in 2015 after the jump.
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Daniel Silva has edited a 17-minute tribute to filmmaker David Fincher, artfully splicing together the director’s nine feature films including Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network and The Girl with the Dragon Tattoo. This video tribute does not include Fincher’s Alien 3 (because, you know why), his 1985 documentary The Beat of the Live Drum (probably because it isnt a narrative feature film) or his upcoming film Gone Girl. The edit is not just a music video like most of the tribute videos you see these days, including lengthy bits of scenes. That said, the short does include “Closer” by Nine Inch Nails and “Oraculum” by Trent Reznor & Atticus Ross. Watch Daniel Silva’s The Films of David Fincher now embedded after the jump.
Some of our greatest art has to do with crime. People who commit it, people who fight it, people who study it, these are stories that very easily provide gripping emotion. Innumerable classic movies, music, television and more are based on crime and a new gallery exhibit celebrates it all.
The Hero Complex Gallery in Los Angeles presents an exhibit called I Am The Law/A Life of Crime opening Friday August 15. Dozens of artists from all over the world have dramatized their favorite movies and television shows where someone either breaks the laws or enforces them. That opens up a pretty wide spectrum, from Sherlock, The Wire, The Blues Brothers, Luther and Hannibal on TV to RoboCop, Lethal Weapon, The Killer, The Godfather, Se7en and Die Hard at the movies. They all are represented plus many more. Below, see just a tiny selection of art from I Am The Law/A Life of Crime. Read More »
America isn’t the only place that can have a massive pop culture inspired art show. While Crazy 4 Cult 5 is going on in Los Angeles, Geek-Art.net has teamed up with Artoyz in Paris, France for Blockbusterz, an exhibit of work based on some of the biggest and best known films of all time: Batman, Ghostbusters, Iron Man, Lord of the Rings, Jurassic Park, Gladiator, you get the idea.
It runs through September 3 but many of the pieces are now available for sale online. Check out a select gallery of images and links to view the full show after the break. Read More »
As part of the screening put together in relation to the SXSW Title Design Competition, Ian Albinson from the website The Art of the Title Sequence put together a nice two and a half minute compendium of excellent film titles. (That features an occasional piece of television, too.) For any long-time film lover, this little video will probably elicit quite a few responses simply on the strength of the title cards on display. I queued several films to re-watch after exposure to just a few seconds of their titles.
Check out the collection after the jump. Read More »
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Greg Berlanti is the co-writer/producer on The Green Lantern and The Flash, the latter of which he’s also a potential director. He recently directed his second film, Life as We Know It, and has been making the press rounds to promote it. Naturally, everyone is more interested to learn about his work on Green Lantern and Flash than Hollywood’s latest Katherine Heigl romantic comedy, so he’s being pressed for as much as info as he’s willing to divulge.
Some of what he had to say might surprise you. Read More »
This week, David Chen, Devindra Hardawar, and Adam Quigley celebrate the selection of Andrew Garfield as Spider-Man, reflect on the brilliance of Louis CK, and delve into the mysteries of The Girl with the Dragon Tattoo. Special guest Dan Trachtenberg joins us from the Totally Rad Show.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next week on Sunday night at Slashfilm’s live page as we review Predators.
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Do you remember those Little Golden Books? They were a staple from my childhood. Pixar Animation Story Artist Josh Cooley (Cars, Ratatouille, Up, George & AJ) is working on an awesome “Lil’ Inappropriate Golden Book” titled Movies R Fun.
Cooley has been working on this compilation of movie art for two years and will be publishing the collection in a book which will be available at Comic-Con this year and APE Expo San Francisco in November. And don’t worry, the books and prints will also be available on Cooley’s Blog. High quality, “classy” prints will also be available as well.
Illustrations reference film classics such as The Professional, Terminator 2, Godfather, Goodfellas, Apocalypse Now, Se7en, 2001: A Space Odyssey, The Graduate, Terminator, Silence of the Lambs, and The Big Lebowski. Check out some of the art embedded after the jump.
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It’s a crazy, mixed up world and we are thankful for movies, excluding The Spy Next Door and The Tooth Fairy, that offer proof. /Film’s Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review, or an interview. In this installment, new trailers and a review of the Red Riding Trilogy, a noirish triptych of serial killer dramas imported from British television and being released stateside in February by IFC Films.
During a screening of the entire Red Riding Trilogy, with one intermission allotted for lunch, I found myself pondering the irony in three directors, one screenwriter, one author, tens of actors and three separate crews realizing a project that depicts humanity and bureaucracy at its most foul and irreversibly corrupt. A recent poster for the trilogy forebodingly reads, “Evil Lives Here,” a tagline that would serve most of the work that exits Stephen King’s skull; instead the “here” in Red Riding is Northern England in the ’70s and early ’80s, when a serial killer known as the Yorkshire Ripper carved a trail of female victims and set a mood and mythos ripe for social reflection.
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