Almost every day, Google changes their homepage in celebration of some occasion taking place on that day. The Google Doodles celebrate events such as holidays, anniversaries, and famous birthdays. The one for today, Wednesday May 8, is possibly the best ever.
May 8, 2013 would have been the 93rd birthday of Saul Bass, one of the most influential graphic designers in history. An Oscar-winning filmmaker in his own right, Bass is best known for designing iconic movie posters for the likes of Alfred Hitchcock, Stanley Kubrick, and John Struges as well as the credits sequences for films as varied as Psycho, West Side Story, It’s a Mad, Mad, Mad, Mad World, and Goodfellas.
Below, check out the Google Doodle tribute to Bass and read about another Bass tribute happening today. Read More »
One of the better movie posters ever made is the Saul Bass design for Stanley Kubrick‘s The Shining. The eye-catching yellow sheet with a horrified, pixelated face was one of the strangest things I’d seen in my young life when I first encountered it in a theater before The Shining opened. It remains a landmark of simple, effective design.
So it makes sense that the doc Room 237, from first-timer Rodney Ascher, would get a poster that ehoes the Bass design. Room 237 features five theories that explore what Kubrick really meant to say in his Stephen King adaptation. The first US teaser for the film referenced a teaser for Kubrick’s movie, and now the poster design follows suit. Check it out below, side by side with the Bass original. Read More »
Saul Bass is widely known for his work as an artist, title designer, and corporate logo craftsman. His movie posters and title work for films such as The Man With the Golden Arm, Anatomy of a Murder and many movies by Alfred Hitchcock and Martin Scorsese cemented his ideas as cornerstones of cinematic storytelling and advertising. The logos and icons he designed for companies such as Quaker Oats, the United Way, AT&T, and Girl Scouts of America all defined those companies’ public image for years.
Saul Bass also directed one feature film: a very strange and wonderful sci-fi picture called Phase IV, in which a colony of ants evolves into a collective hive mind. When two humans begin investigating the ants’ desert home, the insects go on the offensive. The ants are played by real insects, shot with beautiful macro photography, and the film is defined by a sci-fi ethos that is somewhere between “hardcore” and “dreamlike.”
Which is to say, Phase IV isn’t a traditional film. It prioritizes image over dialogue and is a pure expression of Bass’ design interests. The movie has had a lasting influence on other designers (you can see its influence in other sci-fi, in comics and on album covers) but it originally ended in a way different than what most audiences have seen. And now that original ending is making its way to the public. Read More »
Saul Bass: A Life in Film & Design will be published in November 2011. The book was compiled by Bass’s daughter Jennifer Bass and design historian Pat Kirkham, and even comes with a forward by Martin Scorsese. The 440 page hardcover book has a hefty cover price of $75, but Amazon is offering a preorder discount of 39% off — $45.84. Hit the jump to see some of the pagespreads from the book, showcasing the art of Bass over his career.
Read More »
Please Recommend /Film on Facebook
The Daily What brings us a creepy cosplay photo of the day, featuring Nemo from Finding Nemo (and what is that near his legs?)
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 40 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
Read More »
Lionsgate has released a new poster for the Ryan Reynolds one-man thriller Buried. You might remember that the independent film premiered at the Sundance Film Festival to critical and audience acclaim, sparking a multi-studio bidding war.
The story follows a private contractor who is kidnapped in Iraq and buried alive. He has 90 minutes of air left until he dies, and has access to only a phone and a lighter. The entire movie takes place in the coffin, with Ryan Reynolds providing the only on screen performance. I attended the film’s premiere at Sundance and was blown away (you can read my review here).
Anyone who reads the site knows how much I love minimalistic poster art, and the new Buried one-sheet is definitely Saul Bass-inspired. Check it out now, after the jump.
Read More »
If you’ve ever seen a film by Alfred Hitchcock or Stanley Kubrick, then you’re probably familiar with the title sequence designs of Saul Bass.
Some of the title sequences he’s more notable openings include The Man with the Golden Arm (1955), The Seven Year Itch (1955), Around the World in Eighty Days (1956), Vertigo (1958), Anatomy of a Murder (1958), North by Northwest (1959), Psycho (1960), Spartacus (1960), Exodus (1960), Ocean’s Eleven (1960), West Side Story (1961), It’s a Mad, Mad, Mad, Mad World (1963), Broadcast News (1987), Big (1988), Goodfellas (1990), Cape Fear (1991 )and Casino (1995). His minimalistic 1950’s/1960’s-style is very unique, and we often post movie posters imitating his style in our Cool Stuff columns.
But what is Saul Bass designed the opening title sequence for every movie and television show? What might they look like. Hexagonall decided to try to recreate the opening of Tron and the tv show Lost using Saul’s minimalistic style. Check out the result, which plays as both a homage and parody, after the jump.
Read More »
The movie poster for Coen Brothers’s Burn After Reading is one of my favorite posters released this year. The distinctive style is a call back to the one-sheets of legendary poster/title artist Saul Bass. I have included some of the great Bass posters which might have inspired this new design below. Click on the image to the right to see it in larger resolution on Cinematical.
Written and directed by The Coen Brothers, this new dark-spy comedy stars Academy Award nominee John Malkovich as an ousted CIA official, whose memoir accidentally falls into the hands of two unwise gym employees (Brad Pitt and Frances McDormand) intent on exploiting their find. Also featuring George Clooney, Tilda Swinton and Richard Jenkins. If you haven’t already, you should watch the red band movie trailer.
Burn After Reading will hit theaters on September 12th 2008.