“It’s a world where everybody fights!”
Wu-Tang Clan producer, occasional film composer and once-in-a-while actor RZA has spent years working on his kung-fu movie debut, Wu-Tang Vs. The Golden Phoenix. The Shaw Brothers and other kung-fu influences that have flavored his music since the debut of the Wu-Tang Clan have been poured into this film, which looks like an orgy of crazy fights, off-kilter film stock and intentionally overcooked dubbing. Watch two trailers for the film after the break. Read More »
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The RZA‘s career in the movies reportedly started with a call from Harvey Weinstein. Here’s how he tells it, in an impersonation of the big man. The phone went, he picked it up, there was a raspy voice and it said:
Hey RZA, it’s Harvey. I want you to be in my movie. You got a new career now.
Such a smooth talker, the big man.
That movie was Derailed, Mikael Halfstrom’s thriller with Jennifer Aniston and Clive Owen. Since then, a series of supporting roles and scoring gigs have seen RZA keep his side careers spinning nicely but all of his notable achievements were still on wax, courtesy of the music made through his membership of the Wu Tang Clan. However, that may be about to change with his next step up the cinematic ladder and the advent of his debut as a writer-director. Fingers crossed that The Man With the Iron Fist is a movie as good as his hip hop.
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It’s a crazy, mixed up world and we are thankful for movies, sans New Moon, that offer proof. Weekend Weirdness cocks its disoriented, nappy head to examine such flicks, whether it’s a new trailer for a provocative indie, a review, or news of an excavated cult classic. The works discussed herein tend to make cinema a little more interesting, and in the best and worst cases do the same for life. In this installment: Final Flesh is a real life Videodrome with porn actors from the co-creator of Wonder Showzen; Dirty is the forthcoming, surprisingly solid doc on the late Wu-Tang Clan rapper Ol’ Dirty Bastard; [adult swim]‘s Aqua Teen Hunger Force plops out a spicy Meatwad of a Xmas album, and more, G. The “G” is courtesy Nic Cage’s bad lieutenant.
Nearly a decade after he worked as a writer for Late Night with Conan O’Brien, the career of Vernon Chatman continues its fascinating flush-parade down and around comedy’s perverse bowels. With a new film, Final Flesh, he subverts the acting prowess of real life porno D-listers to match the success of his respected twists on tween teevee (MTV’s Wonder Showzen) and low-rent, fantasy animation (Xavier: Renegade Angel). The irony is that even though the DVD for Final Flesh arrived at my door with a tie-in golden condom packet filled with antibacterial lotion, Chatman ostensibly kept his hands clean of the filth. Flesh is what resulted after he commissioned four online companies that produce adult movies from scripts submitted by paying customers. Instead of sending the companies various scenarios too obscene for Roller Girl, Chatman’s screenplays mostly ditch sex in favor of a murky end days subplot complete with an Atomic Bomb.
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In a new interview with The Onion in which he discusses everything from Dawn of the Dead to sperm cells, the RZA let it be known that a biopic on Ol’ Dirty Bastard, the late id of the Wu-Tang Clan, is in early discussion stages. The highlight of Funny People also updated on his hands-on role on The Last Dragon remake and his directorial debut, the kung-fu flick The Man With the Iron Fist, under the tutelage of his pal Eli Roth. Supremely good stuff…
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It’s trailer madness Wednesday here on /Film. Earlier today we posted the awesome full trailer for Neill Blomkamp’s District 9 and now Universal Pictures has premiered a new red band movie trailer for Judd Apatow‘s Funny People. The new uncensored trailer features some of Adam Sandler‘s NSFW stand-up routine, more of an emphasis on Eric Bana‘s character, Ira’s hilarious video game rant, a better look at Aubrey Plaza‘s role in the story, and even a quick look at some of the film’s many cameos. But overall the trailer feels more PG-13 than R-rated. Watch the trailer embedded after the jump, and as always, leave your thought sin the comments below.
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Yesterday we ran the first television spot from Judd Apatow‘s new movie Funny People. As it turns out, television spots usually come in threes (much like everything else in the world). So we’ve returned with two more. The great thing about these advertisements is that they aren’t just “same thing, different edit” but instead feature a bunch of new footage not shown in the trailer.
Also, both of the spots are 1 minute in length and feature footage from Adam Sandler‘s character George Simmons’ crappy movie within the movie Redux, which has been described as a “cross between Little Man and 17 Again, except Sandler becomes a six month old baby.” The first spot also features Seth Rogen‘s character Ira Wright telling video game jokes to RZA. Watch the new tv spots after the jump.
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Universal has released the first trailer for Judd Apatow‘s upcoming dramedy Funny People on Moviefone. The movie stars Adam Sandler as a famous comedian who has a near-death experience and hires/befriends and an unknown comedian/joke-writer played by Seth Rogen. You can read our previous review of the script here. The trailer gives away a lot more of the story than I thought it would, and looks very glossy for a Apatow flick. Watch the trailer (and check out new photos) after the jump. Leave your thoughts in the comments below.
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Last week Hunter found a small mention of martial arts film called The Man with the Iron Fist, which RZA is supposedly developing with Eli Roth. CHUD emailed the Hostel director and was able to get the full scoop:
“He has been studying directing with Tarantino for years, and he’s really ready to get behind the camera,” Roth said adding that RZA is “ready to add his own unique style and vision to the world of film.”
Roth calls RZA’s script amazing, saying that RZA’s dream project will “have everything martial arts fans could want”, promising R-rated action: “yes, there will be blood… This ain’t no PG-13.” And now that he brings it up, what would be the point of a PG-13 martial arts movie anyway?