The latest installment of the James Bond series hits theaters this week, and this is one of the movies for which IMAX offers a special enhanced experience. Skyfall was not shot with IMAX film cameras like The Dark Knight and Mission Impossible: Ghost Protocol were. In fact, it wan’t even shot on film – Roger Deakins shot most of the movie with the Arri Alexa M digital camera. Deakins and director Sam Mendes shot the entire film framing for not only the 2.35:1 theatrical aspect ratio, but also a 1:90:1 aspect ratio for the IMAX version of the movie. The result is that you see more in the IMAX version of the movie.
IMAX’s presentation of SKYFALL has been specially formatted to feature a larger aspect ratio (the relationship between an image’s width and height) for the entirety of the film. The IMAX team worked with filmmakers in the post-production process to increase the aspect ratio of the film and designed the IMAX presentation of SKYFALL to allow audiences to see up to 26% more of the originally captured image than the conventional release.
IMAX has sent over the comparison chart above to show you the difference. They have also released a pretty standard featurette promoting the IMAX version of the film. Unfortunately the featurette doesn’t go into much depth about the different aspect ratio of the IMAX release (maybe they think that is too technical or boring for general moviegoers?).
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Posted on Tuesday, October 16th, 2012 by Angie Han
You’ve probably noticed by now that Sam Mendes‘ Skyfall is building some seriously amazing buzz, with ecstatic praise heaped on everything from the cinematography and action choreography to the acting and storytelling. On the plus side, that makes the film’s impending release that much more exciting. On the not-so-plus side, all that hype just makes November 9 (or October 26 for you lucky Brits) seem that much farther away.
For those hankering for an early Bond fix, we have some fun bits of B-roll to share with you today after the jump. The videos show stars Daniel Craig, Javier Bardem, Judi Dench, Naomie Harris, Ralph Fiennes, Albert Finney, Ben Whishaw, and Bérénice Marlohe shooting various key scenes, from quiet conversations to splashy action setpieces. Check them out after the jump.
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The 23rd film in the James Bond series premiered in the UK on Friday, and we have an early spoiler-free video blog reaction. I recorded my thoughts alongside Alex Billington from FirstShowing, a huge Bond fanatic who balances out my ambivalence to much of the series.
I think the latest entry into the Bond franchise will please both Bond fanatics and casual viewers, striking a great compromise between old Bond feel and contemporary action and seriousness. For me the highlight was Roger Deakins‘ cinematography, beautiful, striking, the best looking Bond film to date. There is one sequence in Shanghai which looks and feels like a contemporary Blade Runner but with the action of the Mission: Impossible series. Watch our complete video blog embedded after the jump to hear more.
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The twenty-third James Bond film, which once again stars Daniel Craig and is directed by Sam Mendes, is called Skyfall. Now we know that the title is close to literal in one sense. In the culmination of a chase scene through and beneath London, the villain Silva, played by Javier Bardem, causes an explosion in a catacomb chamber underneath a London tube station, and a train comes crashing down on Bond’s head.
Skyfall has been shooting at the massive Pinewood Studios west of London, and on the tremendous 007 stage at that location the production replicated a large section of tube tunnel and the accompanying platform, and created both the chamber in which Bond and Silva have their confrontation, and the full-size train that crashes into it.
Last week I went to Pinewood to see part of that confrontation being filmed. While Sony and EON Productions are reluctant to give too much away at this point, still six months away from the late October/early November release of the film, we learned more than a few new things about the third outing of our modern James Bond, and I’ll detail them below. Read More »
Briefly: It’s a regular thing to see action and ‘event’ films upscaled for presentation in IMAX theaters, and so we shouldn’t be surprised to learn that Skyfall, the twenty-third James Bond film, will be digitally remastered to show in IMAX when the film hits on Oct. 26 (internationally) and Nov. 9 in the US.
Note that director Sam Mendes and cinematographer Roger Deakins did not shoot the film with IMAX cameras, so this won’t quite be a Mission: Impossible – Ghost Protocol-style spectacle. Still, Bond fans who want to see the film on the largest possible screen can now start planning a trip to the nearest IMAX theater.
That news came out during today’s earnings conference call with the company, during which Imax CEO Richard Gelfond said the company would do more pre-release exclusive bookings. “(MI4) got the attention of exhibitors and studios, and we believe we will participate in more early release windows in the future.” The company will also begin to show more films in China going forward. [THR]
Time to tell that poolside image of Daniel Craig as James Bond: sorry, you’ve been disavowed. Early this morning 007.com revealed what EON Productions is calling the real first image of Daniel Craig as James Bond in the new film Skyfall, which is being directed right now by Sam Mendes and photographed by Roger Deakins.
That’s a hint of the new shot, above. Check out the full thing below. Read More »
Dean DeBlois is pulling together the cast for his sequel to How to Train Your Dragon. Most of the original cast has already been locked, including: Jay Baruchel as Hiccup; Craig Ferguson as Belch; America Ferrera as Astrid; Christopher Mintz-Plasse as Fishlegs; Jonah Hill as Snotlout; TJ Miller as Ruffnut and Kristen Wiig as Tuffnut. Now Gerard Butler has been confirmed to return as well, and cinematographer Roger Deakins will once more be on board to supervise the lighting work. (Many people don’t realize he had anything to do with the first film, it seems. Great that he’s back.)
The director gave the info to Empire and you can see a video of him talking about the film after the break. Read More »
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Here’s something for those who have wanted to see Inception nominated or awarded with more significant honors than the film has been given so far in the awards season. Sure, the top prize from the American Society of Cinematographers is essentially a technical award, but it is the technical award, and taking the prize is no small honor. Tonight Wally Pfister won the ASC Award for feature achievement for his work on Inception. Read More »