Director Jose Padilha seems to know that some people are looking at his remake of RoboCop with a jaundiced eye, and so he introduces the new trailer for the film with some of the same explanation that he offered at Comic Con.
In fact, this is a version of the reel that was shown at Comic Con this past summer, starting with drones patrolling the Middle East and Samuel L. Jackson‘s character railing against the fact that similar tactics are not being used to police the streets at home. That’s where OCP chairman Michael Keaton steps in, with a plan to “put a man inside a machine.” And thus, the new RoboCop is born. Of all the remakes we’ve seen of well-known properties, this one looks like it has the most potential to blend the original ideas with new concepts that give it a unique personality.
Check out the trailer below. Read More »
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With shots that last less than a second, it’s possible to pack an impressive amount of information into a fifteen-second clip. That’s the case with this preview of the new trailer for the RoboCop remake. The trailer hits tomorrow, and this advance look comes from Entertainment Tonight, but thankfully it is free of talking heads and intrusive voiceover.
Puzzle out what this is really telling us about Jose Padilha‘s remake of the sci-fi satire by watching below.
Update: Additional video, both finished trailer footage and behind the scenes shots, has been added below. Read More »
Things have gone pretty quiet around the reboot of RoboCop since the premiere of the first trailer a couple months ago. That might be a smart move; rather than inundating people with info and images, the marketing campaign has been low-key, feeding the interest and curiosity people have for the film. That trailer was among the most-viewed we’ve posted in the latter half of this year.
Now, however, there’s a new trailer on the way, and before that debut later this week we’ve got a bunch of new images. You can check them out below. Read More »
Briefly: We knew more or less the window in which George Clooney‘s new film The Monuments Men would be released after being delayed from a December opening this year. In an interview given just after the detail, Clooney said “We had a meeting with all the effects guys for our CGI stuff, and, we’re just not going to get there in time. Then we looked at the date we had, December 18. I don’t know how many movies are opening, but it’s got to be the toughest December in recent memory for box office. We said, where’s another good place to land? And we looked at February and the Shutter Island slot.”
Now February 7 has been announced as the official new date for the film. That’s the date on which RoboCop was going to open, and Sony has pushed that a few days, to February 12. That leaves The Lego Movie as Clooney’s chief competition. And while we’re at it, David O. Russell’s American Hustle will now open wide on December 18 after a limited opening on December 13 this year. That puts it out a week earlier than the planned Christmas Day date.
Update: Jack Ryan: Shadow Recruit has officially been pushed back to January 17, 2014.
Briefly: There’s been much debate over the look and feel of José Padilha‘s RoboCop remake. Does it look too campy, does it look too straightforward, is it being disrespectful to the original? Fans have begun asking all these questions.
One question that can be put to rest, though, is its size. MGM and Sony revealed today the film, starring Joel Kinnaman, Gary Oldman, Michael Keaton and Abbie Cornish, will be remasted and released in IMAX on opening day, February 7. The other questions will be put to rest on or around that date as well.
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Posted on Thursday, September 12th, 2013 by Angie Han
The first trailer for Jose Padilha‘s RoboCop remake suggested an interesting mix of old and new, not unlike RoboCop himself. The basic premise hasn’t changed, and the promo contained plenty of nods to Paul Verhoeven’s original. But it’s also clear that, for better or for worse, Padilha’s version is its own thing, with whole new subplots, characters, and themes.
Now the first poster has landed, and it takes a similar approach. There’s a cute little reference to the 1987 film, but the sleek, modern aesthetic is a reminder that this is not your dad’s RoboCop. Or perhaps it’d be more appropriate to say this is your kid’s RoboCop, since those who were old enough to catch Verhoeven’s film when it first came out are probably parents themselves by now. Check out the poster after the jump.
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“Dead or alive, you’re coming with me.” The first trailer for José Padilha‘s remake of Robocop is finally here. Starring Joel Kinnaman, Gary Oldman, Michael Keaton and Abbie Cornish, it’s scheduled for release February 7. Check it out below. Read More »
Every time you see a piece of art by Jason Edmiston, it takes a second to process. You have to look closely and ask, “Am I looking at a photo or is this a painting?” The next question is whether or not you have enough money to buy it.
Edmiston is the man behind the next solo show at the Mondo Gallery in Austin, Texas. It’s called A Rogues Gallery. The Toronto-based artist has done several brand new acrylic paintings immortalizing some of the biggest and baddest villains in cinema history. Characters from films like Ghostbusters, RoboCop, Predator, Terminator, Aliens, Texas Chainsaw Massacre and they’ll all be on display starting Friday August 23. Check out a sampling below. Read More »
Our first real look at José Padilha‘s remake of RoboCop in motion features Samuel L. Jackson as a loud, opinionated television personality, on a stage emblazoned with American flags. This guy Pat Novak, whom Jackson describes as “Rush Sharpton,” is talking about the use of drones in military service oversees. Indeed, in news footage of an operation in Tehran, we see ED-209 ‘bots patrolling war-torn streets, with smaller 208s backing them up.
Pat Novak hopes that these drones, which don’t get angry, can be used to patrol American neighborhoods. But because drones can’t be accountable for decision-making, there’s legislation against using them on US soil. Enter OCP, which finds a way to bring a human consciousness into a drone, and in so doing creates the ability to make money by selling super-expensive human/drone hybrids. Enter RoboCop.
Already, you can tell that this is a very different film from Paul Verhoven’s weird, raw satire released in 1987. Director José Padilha took the stage after that footage to discuss his new movie, including some talk about the future threat of drones and robotics technology used in war and law enforcement, as he described a remake that may have much less to do with the original than we had expected. Read More »