Aladdin Genie

Disney is apparently determined to remake, reimagine, or retell every fairy tale in its animated feature stable, with new versions of everything from Beauty and the Beast to Winnie the Pooh in the works. But one character you won’t see make a comeback is Robin Williams‘ Genie from 1992’s Aladdin.

When Williams voiced the jolly blue giant, he recorded enough material that Disney could cobble together an entirely new performance out of the outtakes. However, Williams’ will prevents the studio from doing any such thing. Read about the future of the Robin Williams Genie character after the jump.  Read More »


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The Genie (Aladdin)

The internet is bursting with fan theories about popular films, some more plausible than others, and it seems like new ones get added to the pile every day. But it’s not often one actually gets verified by someone who should know. 23 years after Aladdin‘s theatrical release, directors Ron Clement and John Musker have finally confirmed one of the most enduring theories surrounding Robin Williams‘ Genie. Find out what it is after the jump.  Read More »

Robin Williams Aladdin outtakes

It’s hard to believe, but it’s been 23 years since Disney’s animated musical Aladdin hit theaters. And while it’s not a special anniversary for the film, the film comes to Blu-Ray for the first time on October 13th, which means there are some cool new special features that are coming to light.

One such feature reveals Robin Williams Aladdin outtakes from his voice recording sessions as Genie, one of most iconic roles from the late actor’s celebrated career. And a tease of the never-before-seen footage of Williams firing on all cylinders has surfaced online. Watch it below! Read More »


Though Robin Williams was known mostly for his comedic work, he was a versatile actor who could also tap into his dramatic range to moving effect. That’s the side on display in the first trailer for Boulevard, his final onscreen performance.

Williams plays Nolan, who on the surface seems to be doing just fine. He has a decent, well-paying job, and a peaceful marriage with a nice woman named Joy (Kathy Baker). Secretly, however, Nolan is struggling with being gay. His issues come bubbling up after he makes an impulsive decision to pick up a young street hustler (Roberto Aguire).

Dito Montiel directed, and Bob Odenkirk co-stars as Nolan’s best friend. Watch the Boulevard trailer after the jump. Read More »

Absolutely Anything

If you’re a superhero, the saying goes that with great power comes with great responsibility. If you’re a supervillain, you’re terrible proof of the truism that absolute power corrupts absolutely. If you’re just some ordinary Joe, though, total power first offers an excuse to make a predictable dick joke.

That’s the takeaway from the first Absolutely Anything trailer, in which Neil (Simon Pegg) discovers he suddenly has the power to do, well, absolutely anything. His first instinct is to give himself a better body, a talking dog (voiced by Robin Williams), and a better look at a hot neighbor (Kate Beckinsale) who lives downstairs.

Terry Jones directed, and he and his Monty Python castmates (Terry Gilliam, Eric Idle, John Cleese, and Michael Palin) voice the aliens who give Neil that power in the first place. Watch the Absolutely Anything trailer after the jump.  Read More »

Absolutely Anything (2)

Simon Pegg has been through some very weird stuff on the big screen, including a zombie apocalypse and an attempted alien takeover. But his new movie Absolutely Anything gets even crazier, granting him the power to make “absolutely anything” happen.

Directed by Terry Jones, the sci-fi comedy stars Pegg as a schoolteacher named Neil Clarke who gains magic powers after a brush with aliens. The film reunites Jones with his Monty Python mates John Cleese, Terry Gilliam, and Michael Palin, while Robin Williams joins in as the voice of a dog. See the first Absolutely Anything images after the jump.

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A Merry Friggin Christmas

When Robin Williams passed away in August, he left four unreleased films behind. One of those was A Merry Friggin’ Christmas, a holiday comedy starring Williams and Joel McHale.

As a performer, Williams could play anything from Patch Adams to The Angriest Man in Brooklyn. Mitch, his character in A Merry Friggin’ Christmas, seems to fall toward the latter end of the spectrum. He’s so unpleasant, in fact, that his son Boyd (McHale) has been actively avoiding him for years. But a series of events leads to the pair spending hours together on a frantic journey to save the holiday for Boyd’s son. Hit the jump to see the A Merry Friggin Christmas trailer. Read More »

Robin Williams Emmys tribute

The 2014 Emmy Awards were full of emotional moments for TV makers and their fans alike, but the part that had everyone blinking back tears was when Billy Crystal took the stage to honor his departed friend Robin Williams.

“He made us laugh. Hard,” Crystal began. He then launched into a somber reflection on what made Williams “the brightest star in a comedy galaxy,” sharing a couple of funny anecdotes along the way. Watch Crystal’s full Robin Williams Emmys tribute after the jump.

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Fisher King commentary

Tragic as the reason was, there’s been a muted pleasure in seeing people go back to The Fisher King in the wake of Robin Williams‘ death. The 1991 movie is among the least flashy of Terry Gilliam‘s films, and one that in the past decade or so seems to have taken a back seat to consideration of higher-profile films like Brazil and Twelve Monkeys.

The Fisher King is a great movie, and a strange one. But it grounds Gilliam’s quirky and excessive tendencies in a handful of really wonderful characters who are brought to life by great performances. Robin Williams, in particular, is at the top of his game as a man whose life has turned completely upside-down in the wake of his wife’s death. The film can be relentlessly brutal, but it is also beautifully funny, and full of life. At it’s heart, this is a musical, and it’s a pleasure to see Gilliam and the cast play.

There are a lot of treasures hidden on now out of print Criterion laserdiscs, and here’s one of them. This feature commentary from Terry Gilliam isn’t in print any longer, as it only appeared on the laserdisc release of the movie. But you can listen to the Fisher King commentary below. Read More »