Sin City A Dame to Kill For - Marv poster header

Judging by the first box-office numbers for the Sin City sequel, the real question here might be “did you even see it?” Frank Miller and Robert Rodriguez have returned to the black, white, and bloody world of their first collaboration with a couple more stories adapted from Miller’s Sin City comics stories, along with some new material. The first film was novel and striking in aesthetic, and the sequel still looks like almost nothing else.

Sin City: A Dame to Kill For brings back some familiar faces (Powers Boothe, Jessica Alba, Bruce Willis, Rosario Dawson ,and Mickey Rourke in extreme makeup) to get into some super-dark and violent dealings with new characters played by Eva Green, Joseph Gordon-Levitt, and Christopher Meloni. Josh Brolin takes over the character originally played by Clive Owen, while Dennis Haysbert inherits the role originated by the late Michael Clarke Duncan.

That’s a lot of talent, but do all their efforts make for a film that offers audiences a satisfying trip to the underbelly of Sin City? Weigh in below.

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Sin City A Dame to Kill For - Marv header

The reasons to see Frank Miller’s Sin City: A Dame to Kill For are numerous. The incredible cast for one, which includes Jessica Alba, Powers Boothe, Josh Brolin, Rosario Dawson, Joseph Gordon-Levitt, Eva Green, Dennis Haysbert, Stacy Keach, Jaime King, Ray Liotta, Jeremy Piven, Mickey Rourke and Bruce Willis. The filmmakers are another, the iconic storyteller Frank Miller and maverick Robert Rodriguez. There’s the pulpy, exciting source material. And now, we even get a Quentin Tarantino trailer to boot.

But to truly experience a film like this, one that was probably more than half made in the computer, you almost have to see it in 3D. It was specifically crafted that way. In a new featurette, exclusively debuting on /Film, you can listen to the filmmakers and stars talk about the 3D in Sin City: A Dame to Kill For. Watch the Sin City 2 3D featurette below. Read More »

Sin City 2 Final Poster header

UPDATE: We’ve added the new, red band Sin City: A Dame to Kill For trailer to this post, which played at the end of the panel. Full panel coverage remains.

Robert Rodriguez and Comic Con go together like Spielberg and sharks. The two are forever linked because of the memorable panels he’s had on multiple films, primarily the first Sin City. Well Rodriguez was back this year with Frank Miller’s Sin City: A Damn to Kill For and he brought along his co-director and three of the film’s stars: Josh Brolin, Rosario Dawson and Jessica Alba.

They showed a huge chunk of the beginning of the film, “Just Another Saturday Night,” and did a very interesting Q&A. Below, read a description of the opening scene and five cool things we learned at the Sin City 2 Comic Con panel. Read More »

Sin City: A Dame to Kill For Trailer

Sin City is a place of excess, and the new Sin City: A Dame to Kill For trailer should fit right in. There is the parade of stars and notable guest-stars, from Josh Brolin, Eva Green and Joseph Gordon-Levitt to Bruce Willis, Jessica Alba, Mickey Rourke, and Powers Boothe. Then there’s the violence, and the sex, and the splashes of color splattered across the stark black and white imagery. Looks like there’s a lot going on in this new trip to Sin City; watch the trailer below. Read More »

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sin_city_1-a

Nearly ten years after the original Sin City, Robert Rodriguez and Frank Miller go back to seedy streets with Sin City: A Dame to Kill For. The aesthetic approach is the same: black and white, dotted with color. The technique, which heavily relies upon green screen shooting, is hopefully much refined after a decade of practice and technological advances. There’s a new long Sin City: A Dame to Kill For TV spot today; and the one-minute mini-trailer is a good way to take a look at the film. Read More »

Sin City: A Dame to Kill For Trailer

Here’s the first Sin City: A Dame to Kill For trailer, from Robert Rodriguez and Frank Miller. Nine years after the release of the first film, the duo has created a sequel that once again splashes Miller’s distinct visual style on the screen. Blending some of Miller’s previously published stories with new material, the film has a giant cast (of course) and appears to be just as grim and relentless as the first.  Read More »

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