A bunch of huge movies have been showing at Cannes this year and the latest is David Cronenberg‘s Cosmopolis starring everyone’s favorite sparkling vampire, Robert Pattinson. Based on a novella by Don Delillo, the film centers on a 28-year-old billionaire’s 24 hour trip across Manhattan to get a haircut as his entire fortune crumbles with each passing second. This is Cronenberg, though, so of course it’s not a movie about bad traffic. Wild happenings are a foot here including characters played by Juliette BinochePaul GiamattiMathieu Almaric, and Jay Baruchel.

But is it any good? After the jump, we’ve grabbed some quotes and tweets from the Cannes press corps that attempts to answer if Cronenberg is back in prime form or not. Read them after the jump. Read More »

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David Cronenberg‘s new movie Cosmopolis premieres tomorrow at Cannes, and barring some terrible reviews or other similar misfortune, it looks like it won’t be the director’s only film with star Robert Pattinson.

The actor now says that, in addition to the slate of other films he has lined up (more on those below) he’s going to do another Cronenberg film. And while he doesn’t drop a name, he does say it will be “very strange.” Read More »

Now that Twilight is almost over, Robert Pattinson is on the verge of being able to move on to the next phase of his career — presumably one in which he won’t be tied to a franchise he evidently despises. David Cronenberg‘s new film Cosmopolis could end up being the anti-Twilight, and Pattinson is embracing chances to promote it.

Contacted to do a promo photo shoot for Premiere France, Pattinson was asked about doing some still image nods to earlier Cronenberg films. He embraced the idea, and evidently pushed the images to go even weirder than originally planned. Check out the results, and name the films being referenced, below. Read More »

David Cronenberg makes strange movies. I don’t mean that he makes movies about things that are strange, though he does that, too. What I mean is that his films depict a reality that is very specifically different from our own, no matter how closely his imagined spaces may resemble the real. In fact, when his creations are more superficially real than not, the strangeness and sense of disconnect is intensified. We see things that should be familiar, or predictable, but aren’t. One of Cronenberg’s chief gifts is that he makes us see the potential in situations that seem to have little energy hidden within them.

Which brings us to this first clip from Cosmopolis, the film in which Cronenberg adapts the novel of the same name by Don DeLillo, with Robert Pattinson as a young billionaire who is struggling, in several ways, with his own existence. The first trailers for the film suggested the wild and weird, but this clip is very much of the strange. Pattinson and Sarah Gadon, playing his wife, have a conversation in a cafe. It plays out a bit stilted and odd, but free of the context of the film I can’t tell if what we’re seeing is really part of the life that troubles Pattinson’s character. I do know I want to see a lot more.

Check out the clip below. Read More »

The first teaser trailer for David Cronenberg‘s Cosmopolis was a delirious ode to the filmmaker’s middle period — a chapter in his career that we’d begun to think was closed for good. But in that teaser for the adaptation of Don DeLillo‘s novel about a young billionaire who pulls strings from within a high-tech limo, we’re flashed with wild images of Robert Pattinson engaging in illicit sex, watching what seemed to be a dinosaur-sized rat, putting a bullet through his own hand, and musing about boundaries and desire. In short: vintage Cronenberg in all its glory.

Now the full trailer for Cosmopolis is available, and it expands on that teaser very nicely. We get a lot more of the story, including a good introduction to Pattinson’s character’s wife and possible voice of conscience (played by Sarah Gadon) as well as a motley crew of personalities including Juliette Binoche, Paul Giamatti, Mathieu Almaric, and Jay Baruchel.

The tone looks even more old-school Cronenberg than what we saw in the teaser — his affinity for a very particular dialogue cadence and isolated shot staging is very much on display. This one looks entertaining as hell, frankly. Read More »

Edward Cullen, James Bond, and Kermit the Frog are all preparing to return to the big screen, but it looks like Roger Rabbit is not. After the jump:

  • Roger Rabbit 2 is still not moving forward
  • The Twilight gang is heading into reshoots
  • Daniel Craig says 007 is “nicer” in Skyfall
  • Nicholas Stoller has details on The Muppets 2
  • Prometheus will one hour and fifty-nine minutes

Read More »

In the past year there have been more than a few trailers for Bel Ami, the story set in late 1800s Paris in which Robert Pattinson plays a guy who sleeps and seduces his way into wealth. The film has played some festivals to middling reviews, but now that the first official US trailer has arrived, it’s worth having a look. The cast is appealing, at least, as Uma Thurman, Kristin Scott Thomas, Christina Ricci, Colm Meaney, Philip Glenister, and Holliday Grainger join Pattinson in the film directed by Declan Donnellan, Nick Ormerod.

Check out the trailer below. Read More »

Well, hello, David Cronenberg! In 2012 the director is going to unleash his second film in two years, and for those who thought A Dangerous Method was too dry, it looks like Cosmopolis might be for you. A teaser has just landed for the film, and it looks nuts.

The film stars Robert Pattinson in an adaptation of a novel by Don DeLillo, and it looks like Cronenberg’s most overtly sexual movie since Crash, and his most visually strange since eXistenZ. What we see here of Pattinson’s character Eric Packer, a young billionaire with a rather specific and dark worldview, makes him seem to fit right in the mold of a classic Cronenberg character like Videodrome‘s Max Renn. “I’m looking for more… show me something I don’t know” could have come right out of Renn’s mouth. Check out the footage — which definitely isn’t work-safe — below. Read More »

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