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Briefly: That reunion of The Pacifier crew for which you’ve been pining is about to happen. Adam Shankman, who directed Vin Diesel in that family comedy, will call the shots for the actor once more in the action/comedy film The Machine. The new project was written by Thomas Lennon and Robert Ben Garant, who also wrote The Pacifier (and scripted the Night at the Museum movies in addition to stuff like Reno 911! and The State.) Alfred Gough and Miles Millar recently revised their script.

Deadline says that Diesel’s character is “a human-like machine created in secrecy by the Pentagon as the world’s first true ultimate weapon, before the project was decommissioned and buried. Two decades later, The Machine is discovered by a kid who befriends him. When the government discovers he has been reactivated, The Machine steps up to protect the family harboring him.” So it’s also a little like The Iron Giant, which featured Diesel as the voice of the title character.

By the time this one comes out, we’ll just about be at the ten-year anniversary of The Pacifier. Get your celebration plans set now.

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As the saying goes, every generation gets the Hoff it deserves. (That is how the saying goes, right?) And the one we’ve earned, apparently, is Bill Hader. The Saturday Night Live star has just signed on for the Baywatch reboot, which is being directed by Reno 911! co-creator Robert Ben Garant. Although a few of the series’ old stars are expected to make cameo appearances, Hader is the first new star to have signed on. Hit the jump to keep reading.

UPDATE: Collider has reached out to Hader and Ben Garant’s rep, who denies that Hader has been cast and says that Ben Garant’s script isn’t finished yet. We’ll keep you posted as we hear more. Original story follows.

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The more we hear about Paramount’s impending Baywatch reboot, the less it sounds like Baywatch. While the project started out as an action-oriented piece, a few years ago the studio decided to switch gears and tapped Jeremy Garelick (The Break-Up) to rework it as a broad comedy. Then, after Garelick left, Peter Tolan (Rescue Me) was brought on for another rewrite.

Now, given that progression, the new choice of director makes perfect sense. According to a new report, Reno 911! co-creator / star Robert Ben Garant has signed on to helm. Whether he’ll also rewrite is not clear at this point.

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Rob Corddry and Leslie Bibb may seem like an unlikely couple, but they’ll be united in the fight against a demonic child in Hell Baby. Scripted and directed by Night at the Museum writers Thomas Lennon and Robert Ben Garant, the comedy centers around a pregnant woman and her husband (Bibb and Corddry) who move into a dilapidated haunted house in New Orleans. In an effort to keep from having a demonic baby, they call upon the Vatican’s crack exorcism team, played by Lennon and Garant. Bet that’ll go well. Production will begin in New Orleans next month. [Variety]

After the jump, Clark Duke becomes Adam Scott’s kid brother, and Paul Rudd and Paul Giamatti pull Amy Landecker into their Christmas tree scheme.

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In 2000, the Nicolas Cage-owned copy of Action Comics No. 1, featuring the first appearance of Superman, was stolen from the actor. The mint-condition issue, worth upwards of $1.5m, was missing until 2011, when the comic was found in an abandoned storage locker in the San Fernando Valley.

Robert Ben Garant and Thomas Lennon (Reno 911!, Night at the Museum) have scripted a film called Action No. 1 that covers the theft, or at least a fictionalized version of it. And now Lionsgate has picked up the script and will hopefully turn it into a film. Read More »

[Obligatory Pink Floyd song reference.] OK, now that we have that out of the way, let’s get down to business. MGM is back in the production game, and the studio’s first new project is The Machine, produced by and starring Vin Diesel. (Who is probably still floating several inches above the ground as part of his post-Fast Five high.) But here’s the other part: Thomas Lennon and Robert Ben Garant wrote the script, and are also producers. Now this might be interesting. Read More »

Reno 911!: Miami Movie Review

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Improvisational comedy has always annoyed me (I liked Borat, but who didn’t?). Unlike other forms of comedy, the moments in between the laughs are squiggle in you seat bad. When it doesn’t work, it REALLY doesn’t work. I’ve never tried watching Reno 911! on tv, nor did I ever have the urge to. So I’m probably the worst audience for a feature film spin-off movie. While entering the theater I realized there was a Zodiac screening two theaters over from me (which press wasn’t invited to). I’ve wanted to see David Fincher’s San Francisco serial killer thriller ever since it was announced. I sat patiently waiting for the movie to begin. The voice inside my head kept shouting at me “Zodiac is two theaters over, and you’re stuck in sketchville”. The college aged kids around me laughing. The radio station street team making their announcements. They can’t find the microphone so they try yelling over the loud music that’s playing in the background. All of it to annoy me. Why wasn’t I invited to Zodiac? To say the deck was stacked against me liking this film is an understatement. The lights went out, and somehow the voice faded into the background. I’m reluctant to admit this, but Reno 911!: Miami isn’t half bad.
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