In the wake of Halloween II, it seemed as if Rob Zombie might finally direct his film Tyrannosaurus Rex, or possibly tackle a remake of The Blob. (The latter seeming like a doomed prospect, especially since the 1988 Chuck Russell remake of The Blob is still pretty damn good.)

But then it was announced that he would write and direct The Lords of Salem, with script work to take place last fall and the film hopefully going before cameras this year. Now an incremental update reminds us that the movie is still happening and, yep, it is on target for a spring shoot. Read More »

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Rob Zombie Will Direct ‘The Lords of Salem’

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Not long ago, Rob Zombie said that he’d soon be announcing his next directorial project. And now the info is out. It isn’t the remake of The Blob, nor Tyrannosaurus Rex. No, it’s a film called The Lords of Salem, about what unfolds when an group of witches plague modern-day Salem. Read More »

Earlier this month a suspicious tweet filed by filmmaker Edgar Wright led us to speculate that a Blu-ray release of Grindhouse was in the works. As you probably know, when Grindhouse was released in theaters, it was a double feature featuring Robert Rodriguez‘s Planet Terror, Quentin Tarantino‘s Death Proof, and a few faux trailers at the beginning and in between. When the films were released on DVD, they were distributed as separate movies, with the trailers omitted from both releases (with the exception of Machete). Last month it was finally revealed that the full Grindhouse release would hit stores on October 5th 2010. Now we have the full details, including the DVD/Blu-Ray cover art.

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Universal Studios Hollywood have announced that musician/director Rob Zombie has joined forces with them for their annual Halloween Horror Nights. According to the press release, “Zombie and other top artists are collaborating with Universal Studios Hollywood in the creation of new mazes, “scare zones” and backlot experiences.” Of of the experiences is “Rob Zombie’s House of 1000 Corpses: In 3D ZombieVision,” a 3D encounter with Capt. Spaulding, Baby, Otis and Dr. Satan, the serial killers of the Zombie’s cult horror film House Of 1000 Corpses. Read more about Zombie’s involvement in the Halloween season theme park event after the jump.

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With four horror pictures under his belt, Rob Zombie is starting to feel that audiences may be pigeonholing him somewhat. Though he’s currently on tour and has a new album out at the beginning of February, he’s obviously already at work on his potential next projects and is hoping to mount something to break our preconceptions of him a little.

So, to that end, he’s said once again that he’s hopeful his underground fighter  film Tyrannosaurus Rex will be the next Rob Zombie joint out of the pipe and not the Blob remake he’s also already attached to. Seeing as the Blob picture has yet to be greenlit, and as far as we know might never be, he could well get his wish.

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According to Deadline minutes ago, the Weinstein Company has temporarily (permanently?) pulled the plug on pre-production for Halloween 3D. With rumors circulating today throughout the industry that Summit Entertainment, flush with Twilight monies, might pursue an acquisition of TWC, this is not a good look. Sources tell Nikki Finke that TWC simply believed the production schedule was too fast—November ’09 start for a summer ’10 bow—only after receiving the script today. In the meantime, haters of Rob Zombie‘s recent Halloween II will be glad to hear that TWC is re-releasing the $31m grossing sequel on Halloween, news that demands the following: Derrrr.

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As I was typing up some notes on Rob Zombie‘s Halloween II, this CNN headline flitted through my newsreader: ‘Victims of repeated abuse suffer complex trauma.’ It’s a truth that might jokingly apply to fans of the Halloween series, as the years since John Carpenter’s standard-setting original film have seen so many pointless, insipid sequels.

More seriously, you can apply it to the characters in Halloween II. Zombie seems quite interested in the psychological effect of violence on his characters. No one touched by Michael Myers is ever whole again. Those not carved into physical pieces are broken into traumatized shards. But while Zombie’s movie has ideas and intent, it is no more expressive than Myers’ white mask. Despite heavy doses of extreme violence, the most frightening thing about the movie is that it is unremittingly dull and inert. Read More »

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Over the weekend, the conclusion to Rob Zombie‘s fresh take on the franchise, Halloween II, grossed $17 million. Budgeted at $15 million, the sequel would likely have grossed much more if not for direct competition with the weekend’s top movie and debut, The Final Destination 3D (a very healthy $28m). Today, the rebounding Weinstein Company announced a new, eleventh installment that is already in the planning stages. Entitled, not-so-curiously, Halloween 3D, it’s slated for release next summer.

According to the LA Times, Dimension‘s Bob Weinstein offered that Zombie would not be back, as expected per his upcoming The Blob, and that a new director is in talks, one with experience in horror and a “different take” on Michael Myers. Note: /Film commenter, DrChicago, guesses that Alexandre Aja (High Tension) may be the director in line to take over the franchise. This is a great guess because Aja is currently finishing up Piranha 3D for Dimension and is not officially booked for another project; then again, Piranha is due April ’10, so would Aja really have two 3D horror films from the same studio released so close together?

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Post-Screening Update: In short, my verdict on Halloween 2 is that it’s superior to Rob Zombie‘s first effort and a far more entertaining film. Zombie definitely listened to criticism that the first film wasn’t holiday-oriented. In this one, he stages a trippy Last Supper with Jack-o-Lanterns. And moreover, it works for chrissakes. The critics labeling the film a by-the-numbers “rote slasher picture” either didn’t see the movie or haven’t been paying attention to recent  “rote” horror flicks like Prom Night and Platinum Dunes‘ stillborn Friday the 13th.

I ask these critics to show me a comparable “rote” horror film this well-shot that stars the excellent Brad Dourif (Blue Velvet, John Huston’s Wise Blood) reminiscing about Lee Marvin. Or how about one with a fun Malcolm McDowell thinly and hilariously disguising contempt for movie journalists who trash certain directors with trigger-happy aimlessness. The early hospital scenes set to The Moody Blues’ “Nights in White Satin” make for only one of the sweet, sweet uses of music therein. Sidenote: I enjoyed seeing actress Silvia Jeffries‘ (Tracy on Eastbound & Down) play a stripper who receives a priceless tip from Michael. Like most, I was worried that Sheri Moon Zombie would take a sizable Yoko-like chunk out of the movie, but she’s merely a muse to Michael (and Zombie) here. And sure, the dream sequences are different from previous Myers installments, but is that a bad thing? They add genuinely creepy flourish to Zombie’s grisly murder scenes. It’s only been an hour since my screening let out, but I’d say this is the second best Halloween movie in existence: inferior to John Carpenter‘s first (obviously!) but better than Rick Rosenthal‘s original sequel. I doubt the critics hating on this movie (and Zombie, for whatever reason) can debate my closing statement. And tellingly so. Rob Zombie put Laurie Strode in a Black Flag shirt and dragged her to hell. And I liked it!! And it makes me wonder: are sites like CHUD and STYD, that profess love for horror, this out of touch per the genre? They really prefer the dated Abercrombie bottle blondes of Platinum Dunes to Zombie’s girls, who for Halloween go as guys dressed as girls and leave parties to shag a werewolf in a van? Weird.

Set Visit Report: Earlier this year, /Film went down to Georgia to visit the set of Rob Zombie‘s Halloween II. The sequel to 2007’s remake was shooting in a quaint, charming town called Newborn—an hour or so outside of Atlanta—that is tucked behind sprawling farmland and reached by hilly roads outlined in dead trees. Spring was in session, but outside it was already chilly and the approaching darkness and anticipation made it feel like Halloween night. After spending an hour completely lost and staring at a cow in search of cell phone reception, /Film finally reached the set. A handful of other peers including STYD’s Ryan Rotten joined us as we piled into a van and drove down a dark street to watch what publicists said was a climatic action piece in the film.

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